Diligencia al oeste

So-so remake to the considered to be first adult Western , ¨Stagecoach¨ by John Ford that changed the course of the modern Western turning into adult Western and dealing with a motley crew of roles in a cross-country coach beset by Indians and thieves . A voyage throughout Arizona with varied group of characters with nothing in common are stuck together inside a coach , they form a strange assortment of individuals , such as : a prostitute with a broken heart (Anne Margret who received top-billing , in classic rendition interpreted by Claire Trevor) , a coward swank (Red Buttons , anterior acted by Donald Meek), a crooked card-player (Mike Connors , previously by John Carradine) turned into protector to pregnant young wife (Stephanie Powers), a philosopher alcoholic doctor (Bing Crosby-Thomas Mitchell) , a swindler banker (Robert Cummings-Barton Churchill) , a sheriff (Van Johnson , formerly performed by George Bancroft) taking in his prisoner , a sympathetic coach driver (Slim Pickens who bears a remarkable resemblance physical as well as acting to Andy Devine) and Ringo Kid (Alex Cord , priorly by Wayne) , an outlaw looking to revenge killings . The motley crew pull off a journey through Indian territory passing Apache Wells and towards Lordsburg . All of them riding to greatness Across 2,000 miles of flaming frontier . At the beginning they're protected by a military detachment commanded by a brave lieutenant . The stagecoach is besieged by Apaches and several dangers.....

The plot is plain and simple , as the story follows a stagecoach ride through Old West Apache territory , portraying in depth characters and brooding events with allegorical issues running beneath surface . Slick edition , nice cinematography and rousing musical score make it an acceptable film , but far from original . Based on the story 'Stage to Lordsburg' by Ernest Haycox and this one based on Guy de Mauspassant's novel . Decent main cast and extraordinary support cast , even the artist Norman Rockwell, famous for his Saturday Evening Post covers, appears as a "townsman" in a brief scene . Outstanding cinematography capturing the nebulous skies by William Clothier and thrilling soundtrack by maestro Jerry Goldsmith . The motion picture was professionally directed by Gordon Douglas , though with no originality . He's an expert on adventures genre , such as ¨Black arrow¨ , ¨Fortunes of Captain Blood¨ , ¨Maru Maru¨ , ¨The Sins of Rachel Cade¨ ; Noir Films and Thrillers as : ¨Tony Rome¨, ¨They call Mr Tibbs¨, ¨Lady in Cement¨, ¨The Detective¨, ¨In like Flint¨, ¨The Falcon in Hollywood¨, ¨Dick Tracy vs Cueball¨ and made a classic Sci-Fi : ¨Them¨ . And , of course , realized lots of Westerns with good actors , as he proved in the films starred by Clint Walker such as ¨Fort Dobbs¨, ¨Yellowstone Kelly¨ , ¨Gold of seven Saints¨ , Gregory Peck as ¨Only the valiant¨ , Richard Boone as ¨Rio Conchos¨ considered the best , ¨Chuka¨ with Rod Taylor , ¨The Nevadan¨ with Randolph Scott , ¨The Charge at Feather River¨, ¨Doolins of Oklahoma¨ , ¨The Great Missouri Raid¨ , among others .

The original is a very superior remake in 1939 by John Ford being perfectly played by excellently assembled actors : George Bancroft , Louise Platt , Tom Tyler , Tim Holt and Thomas Mitchell who deservedly won Academy Award for secondary actor , and of course , John Wayne , who arose his career languishing in Poverty Row and being first pairing of Ford and Wayne . And stunningly shot by John Ford in the mythical Monumental Valley , capturing its particular air , a place that Ford was often to revisit and he befriended Indians tribes . Besides , a forgettable adaptation for TV in 1986 by Ted Post with Willie Nelson , Kris Kristopherson , Johnny Cash , Elizabeth Ashley , Mary Crosby , Tony Franciosa , John Schneider and Kris Kristopherson.

Similar cast of characters as its 1939 namesake. But only Bing Crosby as Doc Boone really shines among the passengers on this stagecoach journey. Van Heflin as the sheriff tried, but was disappointing. Silm Pickens as the stage driver always fits neatly into any western like a well fitting glove. Alec Cord as Ringo was rather wooden in his performance. Ann-Margaret seemed uncomfortable in her role. But to me she has always been a heart-throb. She fits all her other film roles like a smooth silky glove! Just watching her is akin to an art connoisseur staring with total appreciation at any of the world's most beautiful paintings!

But this movie does have something that Ford's 1939 production lacks. And that is crisp outdoor color photography. And let's add to that, Norman Rockwell's excellent portraits of the main characters, which would have been better served with the opening credits instead of at the end. To me, Norman rockwell's paintings are always enjoyable to look at, anytime.

Dudley Nichols wrote a great screenplay for a great film - 1939's Stagecoach, that is, directed by John Ford, not the 1960s remake we have here.

As the Ringo Kid, Alex Cord lacks the menace, dynamism, and screen presence of the young John Wayne - meaning that the focus of this Stagecoach has to be on other participants. Ann-Margret is very good as Dallas (the part originally played by Claire Trevor); while Stefanie Powers makes her mark as Mrs Mallory. Bing Crosby is the boozy doc with a heart (not a patch on Thomas Mitchell's turn thirty years earlier but Crosby was always worth watching); while Red Buttons is disappointing as the liquor salesman with eight kids (far better was the twittery Donald Meek).

Using the 1939 screenplay, this film is pretty much a straight remake, but in standard class. Slim Pickens does a fair imitation of Andy Devine as the hapless coach driver, and Bob Cummings is just plain irritating as the crook who has a mysterious case he won't let out of his sight.

So, 'Stagecoach' is OK as a time-filler, but was not needed - why bother when the film has already been made and stands as a classic. Liked the end portraits of the cast though, and always good to see Keenan Wynn, however brief a role he has (and it is pretty brief here), although pivotal.

The original 'Stagecoach' from 1939 was, and still is, a benchmark of the western genre, and a wonderful film in its own right too. Considering the generally dodgy track record of how remakes fare in quality, was honestly expecting this 1966 'Stagecoach' to be an insult and with no point or merits.

Expectations that were mostly proved very much wrong. Yes, it is a far inferior film to 1939's 'Stagecoach' (whereas the original is a masterpiece this is just fair), and, yes, one does question the point of it with so much of the content already seen previously and with much more impact. However, it does have a lot of merit, with it being made with competence, with respect being shown and with attempts to bring some freshness or build on what was seen previously (characters like Plummer being richer in characterisation here).

Starting with the faults, not all the casting comes off. Mike Connors sleepwalks through a role in need of so much more intensity than what actually came off. Stefanie Powers is an attractive but rabbits-in-the-headlights blank, but coming off worst is Alex Cord as a pivotal character crying out for much more charisma and personality than what was given in Cord's very wooden and vacuous take on it.

Gordon Douglas' direction is competent with a keen visual eye, but, in terms of momentum and storytelling, it's a case of everything done pleasingly and correctly with nothing offensive but with some lack of invention or oomph and with a sense of routine-ness about it all. The story is actually a good one and the characters are still interesting on the most part, but apart from a few scenes much of it has already been done before and with more excitement.

However, it's a great-looking film. While the scenery doesn't have the magnificence of Monument Valley it's still sweepingly beautiful and the cinematography is similarly striking, especially in the aerial shot and the chase sequence. Production, set and costume design register strongly too and who can't help love those paintings. Jerry Goldsmith's score is rousing, atmospheric and extraordinary in instrumentation, while the theme song is very much a memorable one.

Meanwhile, it's nicely scripted, and there are sequences that register strongly, especially the chase sequence (the highlight), the storm on the cliff and the opening massacre. Also appreciated an ending where what happens is shown with more clarity and less ambiguity. The cast are fine generally, Bing Crosby plays his boozy-doctor-with-a-heart role perfectly in his final screen appearance, while Van Heflin is similarly terrific, Slim Pickens brings some welcome humour and Keenan Wynn is frightening (even though not on screen long).

Ann-Margaret shows how to be an alluring presence while also being able to act with sass and compassion, while Robert Cummings is good enough (he has been better though) and Red Buttons shares a strong touching rapport with Crosby in a remarkably subdued performance.

Overall, inferior and maybe pointless but nowhere near as bad as expected. A lot is done right and nothing offends, but at the end of the day even whether compared to the 1939 film or out of context it just felt a little bland. 6/10 Bethany Cox

Stagecoach is a remake of the 1939 Jon Wayne film. It has an all-star cast of Ann-Margret, Van Heflin, Bing Crosby, Mike Connors, Bob Cummings, Red Buttons, Slim Pickens, Stephanie Powers and Keenen Wynn. But oddly, the only cast member not well known then or now is the film's main character played by Alex Cord. As "the Ringo Kid" in 1939, John Wayne was a powerful presence, dominating the screen and making the Kid seem like the strong, feared, but ultimately good character he was intended to be. Cord seems to play the part as if he's brooding. Maybe trying to be James Dean. He mumbles and seems distracted. Makes you wonder why anyone would fear him or even why Ann-Margret's character would give him the time of day.

This film has much better production values than the 1939 version. The chase scenes and gunfights are well done. The acting is first rate by everyone except Red Buttons, who woefully overacts in a supporting role and Cord, who brings the movie down with his poor acting in the starring role. Overall, the film is worth seeing as an entertaining western. Just be prepared to cringe at Cord's performance.