El reptil

Ray Barrett and Jennifer Daniel inherit a small cottage in Cornwall. Barrett's brother died under mysterious circumstances, and the new couple soon see that people are not very friendly in the country. John Gilling made this the same time he directed Plague of the Zombies. And although that would be the superior of the two films, The Reptile is nonetheless another Hammer horror picture that captures a moody atmosphere filled with distrust and secrets, a talented acting troupe(particularly with regard to the character actors like John Laurie and Michael Ripper), an effective, thought-provoking(though highly implausible) script, good, solid direction, and some of the most credible settings and costumes about. Noel Willman plays a doctor of theology with a daughter that somehow have been involved with a cult of snake people or worshipers or something like that. He has a manservant who treats him as an inferior, played rather deftly by Marne Maitland. The film opens with one of those great Hammer openings as Barret's brother(Played by none other than Harold Pinter) - note in hand - comes running into this palatial English house - only to be attacked with what looks like a human snake. OK, the make-up isn't much to talk about, and if the movie wasn't called The Reptile and snakes were not mentioned - I might have thought it was a human mole too. But special effects or their lack of aside, Gilling does a fine job bringing this material to the screen and creating tense scenes as we see this couple slowly find out the truth. The biggest joy for me to behold was the presence of Michael Ripper again giving one of his solid, earthy performances as an inn keeper who decides to buck the village trend and cooperate with the new couple by telling them what he knows. Ripper has a much bigger role than many of his Hammer films allowed, and I thought he did a superb job creating a caring, frightened man trying to make a go of things in the country. In fact all of the performers give nice, solid performances. I heartily recommend The Reptile if you are a fan of Hammer and its horror film formula. This one keeps the formula in tact and works - really despite an absurd story that Gilling and company manage to pull off in spite of itself.

Harry and Valerie Spalding (Ray Barrett and Jennifer Daniel) move in to a quaint little cottage in a small village. The cottage used to belong to Ray's brother, before his untimely demise. It seems he died from "heart failure", but as time goes by, a far more insidious cause arises.

Enter Dr. Franklyn and his beautiful daughter, Anna (Jacqueline Pearce). What's really going on in that big, spooky old house of theirs?

THE REPTILE is a well-made Gothic horror film. It takes the basic "monster movie" idea, and adds a good deal of mystery and suspense. A classic Hammer film with loads of heavy atmosphere.

Special mention for the makeup department. A lot of time and effort went into this practical creation. In the age of CGI, such artistic genius seems to have been lost...

"The Reptile" is a competently produced and watchable horror entry from Hammer productions but offers little new to the genre. Once again we have new-comers to a district that harbours a deadly secret, who must deal with hostile locals before getting get sucked into events, while ominous music and the classic 'moors' setting establishes tone. The generic characters don't present much of a challenge to the actors (exceptions being John Laurie, whose Mad Peter manages to avoid the usual town-drunk shtick and Jacqueline Pearce, who is very good as the mysterious girl). Sadly, while the movie effectively builds to a climax, the final scenes are marred by the appearance of the titular creature and its sudden anticlimactic death. A fair amount of suspension of belief is required (especially to the 'basement' of the Franklyn home) and there are some plot-driven inconsistencies (e.g. venom works a lot faster on secondary characters than on primary characters), but otherwise, 'The Reptile' is a pretty good example of mid-sixties British horror (other than the absence of Hammer perennials Cushing and Lee).

The Reptile is famous for the fact that it utilises the same sets as the brilliant 'Plague of the Zombies', and as such; you would expect the rest of the film not to be up to Hammer's usual standards. This couldn't be further from the truth! While this may not be Hammer's best work, all the things that us fans have come to expect from this great studio are present, along with a few other little surprises. The film follows a man and his wife who move to a small village to live in the cottage that the man's brother left him. The brother died in mysterious circumstances...and our hero makes it his business to find out why. This plot is good enough, but it's the other one that really sparks the interest. The film introduces a brand new monster - the Snake Woman! Dracula, Frankenstein's Monster etc are all fine; but we've seen them all before. I have a lot of respect for this film just due to the fact that it's got something different on offer. The Snake Woman is an unfortunate victim of a curse...and she stalks the local population on the moors at night.

The film features a lot of suspense, and it pretty much runs throughout the entire run time. We are always on tender hooks to uncover the mystery behind the mystifying Snake Woman, and this is helped by the way that the plot continues to deal out cards, without telling the audience exactly what is going on until the end. The only real problem with the film is that the mythology never really explained in any great detail...the film, having a new monster at it's centre, would have benefited greatly from delving a little more into how she came about. This film is notable for Hammer fans because of the fact that the studio's favourite co-star, Michael Ripper, has got himself a starring role! This actor has done so much for Hammer films, and it's good to see him in a larger role for a change. The film benefits from the traditional Hammer style, including both lavish sets and a sense of goodwill that runs throughout. The film's climax is really good, as it provides an answer to both the plots running during the film, and even manages a little poetic justice! On the whole - don't miss this one. It may not be Hammer's best - or most famous - but I'm already looking forward to seeing it again!

Made back-to-back with Plague of the Zombies, and using many of the locations, the same director, and some of the cast from that film, The Reptile isn't quite as good as Hammer's only zombie movie, but is still splendid fun nonetheless.

Ray Barrett plays Harry Spalding, an ex-soldier who moves to Cornwall with his wife Valerie (Jennifer Daniel), after he inherits a country cottage from his recently deceased brother.

Unfortunately, the Spaldings' new life in the West country is far from idyllic: the locals are less than friendly (with the exception of Tom Bailey, the pub landlord, played by Hammer regular Michael Ripper); their new neighbours—Dr. Franklyn (Noel Willman), his beautiful daughter Anna, and their manservant—are more than a little creepy; and some kind of extremely venomous creature is on the loose and claiming victims right, left and centre.

Don't expect too much in the way of blood and boobs in this offering from Hammer: there is very little of both. What you do get, however, is a decent cast giving some fine performances (Michael Ripper, in particular, gets a chance to shine), some suitably atmospheric direction from John Gilling, and a memorable monster which, despite being kinda silly looking, is still pretty freaky.

And that's good enough for me!