CALIFICACIÓN DE IMDb
6.3/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaIn the West Berlin of the 1960s, two British agents are killed by a Nazi group, prompting British Intelligence to dispatch agent Quiller to investigate.In the West Berlin of the 1960s, two British agents are killed by a Nazi group, prompting British Intelligence to dispatch agent Quiller to investigate.In the West Berlin of the 1960s, two British agents are killed by a Nazi group, prompting British Intelligence to dispatch agent Quiller to investigate.
- Dirección
- Guionistas
- Elenco
- Nominada a3premios BAFTA
- 4 nominaciones en total
Günter Meisner
- Hassler
- (as Gunter Meisner)
Bernard Barnsley
- Mr. 'F'
- (sin créditos)
Victor Beaumont
- Weiss
- (sin créditos)
Harry Brooks Jr.
- Oktober's Man (Tall Blonde)
- (sin créditos)
Otto Friese
- Waiter
- (sin créditos)
Herbert Fux
- Oktober's Man (Pipe)
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This film has special meaning for me as I was living in Berlin during the filming and, subsequent screening in the city. Mind you, in 1966-67 the Wall was there, East German border guards and a definite (cold war) cloud hanging over the city. I loved seeing and feeling the night shots in this film and, as it was shot on location, the sense of reality was heightened for me. Very eerie film score, I believe John Barry did it but, I'm not sure. George Segal was good at digging for information without gadgets. A bit too sardonic at times, I think his character wanted to be elsewhere, clashing with KGB agents instead of ferreting out neo-nazis. I feel this film much more typified real counter espionage in the 60's as opposed to the early Bond flicks (which I love, by the way). Senta Berger was gorgeous! And, the final scene (with her and Segal) is done extremely well (won't spoil it for those who still wish to see it...it fully sums up the film, the tension filled times and cold war-era Germany). Also contains one of the final appearences of George Sanders in a brief role, a classic in his own right!
An almost unrecognizable George Segal stars in "The Quiller Memorandum," set in Berlin and made 40 years ago. Segal is a very young man in this, with that flippant, relaxed quality that made him so popular. This time he's a spy trying to get the location of a neo-Nazi organization. The cast is full of familiar faces: Alec Guinness, who doesn't have much of a role, George Sanders, who has even less of one, Max von Sydow in what was to become a very familiar part for him, Robert Helpmann, Robert Flemyng, and the beautiful, enigmatic Senta Berger.
This is a very good spy movie. Spy movies were the "in" thing in the '60s. This one doesn't have gadgets and goes more for subtlety. The last 30 minutes are tense and exciting, and the last scene, loaded with subtext, is just great.
This is a very good spy movie. Spy movies were the "in" thing in the '60s. This one doesn't have gadgets and goes more for subtlety. The last 30 minutes are tense and exciting, and the last scene, loaded with subtext, is just great.
Other viewers have said it all: it is a good movie and more interestingly it is a different kind of spy movie. It is credible. The shooting on location in Berlin makes it that much more thrilling.
Good acting. Fantastic last 30 minutes where I have rarely felt so tense so the suspense was intense: great chase in the streets of Berlin but in a different way from James Bond...
Definitely worth seeing. You won't be disappointed.
Final note: there is no stupid romance to spoil the film. The ending in itself contributes to the film's value (you will see).
My vote: 8 / 10.
Good acting. Fantastic last 30 minutes where I have rarely felt so tense so the suspense was intense: great chase in the streets of Berlin but in a different way from James Bond...
Definitely worth seeing. You won't be disappointed.
Final note: there is no stupid romance to spoil the film. The ending in itself contributes to the film's value (you will see).
My vote: 8 / 10.
7Dr.X
This isn't your standard spy film with lots of gunplay, outrageous villains, and explosions. It's a more realistic or credible portrayal of how a single character copes with trying to get information in a dangerous environment. The characters and dialog are well-written and most roles are nicely acted. I found it an interesting and pleasant change of pace from the usual spy film, sort of in the realm of The Spy Who Came in From the Cold (but not quite as good).
Very satisfying spy flick which, if it grabs you, may haunt you for a long time. Perfect and slightly ironic ending. Excellent musical score too.
¿Sabías que…?
- TriviaThe source novel "The Berlin Memorandum" is billed in the credits as being by Adam Hall. This is a nom de plume for author Elleston Trevor.
- ErroresDuring the car chase scene, the cars behind Quiller's Porsche appear and disappear, and are sometimes alongside his car, on the driver's (left) side.
- ConexionesFeatured in Al Murray's Great British Spy Movies (2014)
- Bandas sonorasWednesday's Child (Theme Song)
Music by John Barry
Lyric by Mack David
Sung by Matt Monro
[Played on the radio when shoeless Quiller arrives at the hotel]
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- How long is The Quiller Memorandum?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- The Quiller Memorandum
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 44 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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What is the French language plot outline for ¿Quién es Quiller? (1966)?
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