El Satán de la montaña

Big Cole (Clint Walker) is an ex-lawman who wants a peaceful existence as a rancher heads to Wyoming along with his family formed by wife (Marta Hyer) and children with aim to begin a new life in wild country left him by a relative. He faces off opposition from a neighbor (Keenan Wynn) who wishes that land for his own sons , and especially is threatened by a killer grizzly bear, nicknamed "Satan", that goes on a murderous rampage , attacking his family , friends and keeps killing Cole's livestock. Big Jim Cole had come to the rim of Hell and nobody but nobody was going to push him over! The story of a night lengthened by a thousand terrors!...Big Jim Cole Had Come to Stay!!!

Nice Western contains adventures , thrills , brawls , swoops , an enjoyable family life and colorful outdoors well filmed by top-notch cameramen . A decently paced , well made and decidedly action Western in which normal human lives are intertwined correctly with just that proportion of natural tragedy that have haunted families in the old West . Clint Walker gives a good acting as Marshal "Big Jim" Cole who turns in his badge attempting to forge a new life in order to settle on some land inherited from a relative . The highlights of the movie are the creepy appearances of the marauding killer bear terrorizing the residents of the Wyoming countryside that have a savage realism and some funny scenes as a drunken cockered . Support cast is pretty good , such as : Keenan Wynn ,Nancy Kulp , Ellen Corby , Jack Elam , Ron Ely , Don Haggery , Regis Toomey , and especial mention for Leo Gordon as a bounty hunter . It contains colorful and evocative cinematography by Loyal Griggs and Harold Lipstein, the photography catches perfectly the feel of countryside . Lively and stirring musical score by Leith Stevens , including songs by Jay Livingstone .

The motion picture produced by Burt Dunne was professionally directed by Joseph Pevney . This veteran filmmaker Joseph Pevney was a good artisan , being well known as a very organized and precise filmmaker who was nonetheless relaxed on the set . He was even a singer kid and participed at WWII , subsequently he acted in only five films (1946-1950) , all of them films noir, his first as a piano-playing killer in Nocturne (1946). He spent most of his career behind the camera and his first film as a director was Shakedown (1950) in which he makes a Hitchcock-style cameo as Keller the reporter, his last on-screen part. After spending the 1950s as a contract director at Universal, he switched to television where his early credits include five episodes of Alfred Hitchcock presnts (1962) , and many others . He directed a lot of movies of all kinds of genres such as Wartime : Torpedo run , Away all boats , Air cadet . Adventures as Yankee Pasha , Tammy , Twilight for the God, Congo crossing ,Ring circus , Legion of desert . Western : Lady from Texas , The plunderers . Thriller : Undercover girl , Flesh and fury , Man of a thousand faces , Iron Man , Shakedown , The strange Door , 6 bridges to cross , Istanbul. Rating : 6.5/10 . Passable and decent adventure movie . The flick will appeal to Clint Walker fans .

Although 'Night of the Grizzly' was released by Paramount, it's easy to mistake it as a Disney film! Long on family values and gentle humor, this adventure yarn is the kind of 'live-action' feature that the studio specialized in throughout the fifties. If you don't think a film that kids can enjoy will be your 'cup of tea', you might be in for a surprise! This is a terrific movie!

Ex-Marshal Jim Cole (played with rugged charm by 'Cheyenne' Clint Walker) moves his family onto a small ranch, hoping to get away from the dangers of his previous line of work. His loving wife, Angela (popular '60s star Martha Hyer) is overjoyed by their new life, and the kids soon develop a bond with the beautiful countryside, and the small town nearby.

Not EVERYONE is happy about the arrangement, however; town bigshot Jed Curry (Keenan Wynn) wants Cole's land, and his sons are soon attempting to provoke Cole, in an unsuccessful attempt to force him to leave. When a monstrous killer grizzly appears, and starts killing off Cole's livestock, Curry sees his opportunity; as the primary shareholder at the bank, he makes it nearly impossible for the rancher to get loans to replace stock.

The grizzly, nicknamed 'Satan', terrorizes the countryside, killing men, horses, and farm animals, and Cole methodically begins hunting it, in hopes of getting the $750 bounty that would 'save' his ranch!

The arrival of bounty hunter Cass Dowdy (played with cold-blooded menace by veteran screen villain Leo Gordon) further muddies the waters; Cole had once arrested him, and Dowdy spent two years in the 'pen', vowing revenge! Adored by the eldest Cole child, Charlie (Kevin Brodie), Dowdy announces he will kill the grizzly and accept the bounty, simply to ruin Cole! The pieces are now in place for a thrilling finale, as Cole, Charlie, and Dowdy confront the enraged beast, in a scene eerily similar to the climax of 'Jaws'!

The film offers a supporting cast of Hollywood 'pros', including Jack Elam ('Cannonball Run'), as bizzare but sweet Hank, who is 'adopted' by Cole's young daughter, Gypsy (the wonderful Victoria Paige Meyerink, in her second film); Nancy Kulp (TV's 'The Beverly Hillbillies') as the spinster owner of the local mercantile store; Ron Ely (TV's first 'Tarzan') and Sammy Jackson (TV's 'No Time for Sergeants') as Dowdy's sons; and Regis Toomey ('Burke's Law'), as the sympathetic banker.

This is a film to cherish, and enjoy, again and again! Gather the family...They'll thank you for it!

I'm in complete agreement with another reviewer in that this Paramount production might well have been done by the Disney Studio. It certainly has that look and feel about it. But that doesn't mean that The Night of the Grizzly can't be enjoyed by adults as well.

Clint Walker and Martha Hyer are a pair of marrieds with children, one of them being a teenage niece. He's a sheriff who's now retired and they've inherited a ranch from his late brother.

Unfortunately the ranch is also loaded down with a financial obligations they've inherited as well. They have a rapacious neighbor in Keenan Wynn who'd like the property with a pair of lunkhead sons, Ron Ely and Sammy Jackson.

But that's not all facing Clint and Martha. There's a local grizzly named Old Satan who's terrorizing the ranches and farms in the area. He's doing far more damage to them than anything Keenan Wynn and his sons are doing. Actually Wynn for a screen villain is a rather mild one, he much prefers working with finances to get what he wants than any violence.

There's one more in the mix here. Leo Gordon has one of his best screen roles in this film, in fact he steals the film whenever he's on screen. He plays a bounty hunter and former deputy to Walker who served two years in prison due to his killing an innocent man and Walker's testimony of same. He's been hired to kill Old Satan by Wynn, setting the stage for the climax.

The Night of the Grizzly does have some very nice outdoor camera work, no studio shots at all in this one of a dwindling group of B westerns.

It's unfortunate that there is no market for films like The Night of the Grizzly any more.

This movie will no doubt seem dated and somewhat simple compared to today's overblown productions, however, it has charm and remains a childhood favorite of mine through the years. The story is engaging. It has humour, action, and suspense.

When I was a child living on a farm in the woods of Alberta, my father used to be called on by his uncle to go hunt bears that were killing too many calves. This movie sparked my imagination and I often wondered just what my dad would do if a GIANT bear came down out of the hills and started creating terror in our small community.

If you like wilderness tales or adventure stories you will enjoy this film. Perhaps Hollywood should think about a remake, today's special effects would thoroughly enhance this great story.

Watched this on TV a few months ago and was eventually more entertained than I expected to be as the story elements began to fall into place during the first reel or two. The script builds to an exciting and suspenseful climax, one that rivals quite well, indeed, some of today's overwrought nailbiters.

At first I thought Clint Walker and Martha Hyer were an odd pairing as an Old West couple with a family. But Clint, of the awesome physique, was actually quite a winning performer when he had the good fortune to be directed by a good director with, at least, an acceptable script. And Martha, after playing spoiled and elegant socialites and jealous ladies who often didn't get the objects of their dreams in several of her earlier roles, is warm and convincing as a wife in love with her husband and who deeply cares for her children.

With terrifically capable performers like Keenan Wynn, Ellen Corby, and the inimitable Nancy Culp to round out the cast, this one had quite a bit going for it. The Techniscope (the Technicolor Corporation's bargain-basement version of CinemaScope and Panavision) and Technicolor cinematography looks a bit overlit in some of the interior scenes (a common practice back then), and now the 2.35:1 ratio is probably lost forever. (The TV broadcast I saw was, of course, "formatted" and the VHS version is, no doubt panned-and-scanned.)