El incomparable

A poor "caper" film from the nadir of American moviemaking. Trite set pieces and dreadful cinematography. Acti? Go to a grammar school play and see better. It's the second or third worst I've see, since previewing a turkey about the gas lines during a gas crisis at the Paramount Studios executive screening room. Since I was dating one of the executives, I couldn't leave. Nearly as bad was a Coppola mess with Francis in a wrinkled white suit, sweating more water than the LA river trying to defend it and raise money for it. I think it was about drunks in Las Vegas.

A Euro production that calls upon the talents of people like Patrick O'Neal, Donald Pleasence and the consummate movie and TV bad guy, Henry Silva, can't be all bad, which it isn't.

A spaghetti spy flick spoof, which starts with the inheritance of a mystical ring containing a drug which can enable the wearer invisible (but not their clothes, leading to usually interesting rematerialization scenes), and can only be used every ten hours, leads to a manhunt for our titular hero as he is pursued for the ring throughout Europe by every single government espionage agency on the Earth, as well as his backstabbing, sleazy partner (Silva) who provides a great deal of comic relief during the chase.

Nothing tremendous in storytelling, it serves as a light hearted romp for the stars.

Wonderful mindless fun entertainment. Goofy plot, passable acting, clumsy dialog, but it is the kind of movie that doesn't ask much of the viewer, and viewers shouldn't ask much of it except for a bit of fun. I had fun. There is a wonderful bad guy, there are beautiful women like in the James Bond films, and there is a rather hapless quasi-Bond type who gets caught up in the intrigue. This is a film in the 1960s spoof genre, with its chase scenes, cars, planes, helicopters, parachutes, kites, boats, and on and on. It pokes fun at the James Bond type of movie, while at the same time having a bit of its own espionage action, just enough that the film could stand on its own (shakily) as a spy/seduction movie. This is worth renting if you can get it. It is too bad they don't make more of this fun entertainment these days.

Patrick O'Neal, of "The Kremlin Letter" (1970), here is some kind of skinny James Bond, who gets more punches than he gives, but, from time to time, he's invisible. Ira von Fürstenberg, who looks like a twin sister of Margaret Lee, is Arabella, kind of Bond girl. Donald Pleasence, post original Bond, makes a caricature of a villain. So does Henry Silva, a bad character parody. Nicoletta Machiavelli, who looks very good in this movie, is helping Henry Silva. All are spies and spies one another, American, Russian, Chinese, the whole planet etc. One half spies the other half... The music is signed by the great Ennio Morricone but it's not great. Director is master Alberto Lattuada, who has made many good films, including two absolute masterpieces: "Lights of Variety" (along with Fellini) and "Mafioso" with the great Alberto Sordi. Another interesting movie made by him is "Fraulein Doktor". This one is neither a masterpiece nor stupid. It's worth seeing if you like Bond parodies and for the sake of the stars.

Donald Pleasance (in a pre-Bond appearance), used ROBOTS to serve food in his castle. This was in 1967 and today we use them in serving positions and call it AI. The movie moves along well with a fabulous cast of international stars and many "familiar" Italian actors known in that era. A somewhat believable story from start to finish. However, the escape across the river in the Car that is ALSO a Boat was taken directly from Richard Harrison's 1965, SECRET AGENT FIREBALL. They even used the river tunnels in much the same fashion. However, watch it if you like Euro-Spy movies.