La danza de los diamantes

James Garner arrives in Lisbon. He's on assignment from his bank to conduct a survey on a proposed bond issue for hydro-electric power generation. As soon as he arrives, he is mistaken for a British spy sent to investigate a diamond smuggling ring. Every spy in town, down at the heels since the end of the War thinks he's the man to follow around, including Melina Mercouri. Tony Franciosa is not a spy. He's a simple smuggler, who hopes to get a 5% finder's fee, lumbered with Sandra Dee, who's on the prowl for him.

It's a somewhat cumbersome comedy, lumbered with an unfortunate score by Bert Kaempfert; one of the themes would become the hit song "Strangers in the Night." To hear it swell up, played on the mandolin made me hear Sinatra singing it, and distracted me from what was going on. Garner's irritation at being thought a spy and his unconsummated romance with Miss Mercouri began to pall until the plot began to speed up. Franciosa and Dee, on the other hand, with their blithe nonchalance, were delightful through the end.

This really is one of those incredibly exciting caper movies of the 60's and it really is sad that it is not on DVD. Melina Mercouri, a total woman in every sense, exuded sex appeal and charm in a way that few others ever have. All the cast were great and how many know that this is the movie where Strangers in the Night was first heard, a big hit for Frank Sinatra. The European locations were wonderfully atmospheric, and also James Garner in the lead role, so perfectly cast .Sandra Dee and Anthony Franciosa, now both departed added to the confusion and fun of this absolutely delightful movie. The pace never lets up, and whilst James Garner is still with us , would be great to hear his views on working with the other cast members. Lets get this out on DVD!!!

I didn't really wanted to add much to the other reviews. If you've watched and just kicked back to many sixties films of this type, and find joy simply soaking the unique sights and sounds of the time that showcases some of the performers of that era, here's another offering to entertain you similarly. You can add it to the many rollicking Tony Curtis, Dean Martin, Rock Hudson, Peter Sellers, Carry on... flavor of comedies that were quite popular then, a time that weren't real for many of us born after.

The remarkable thing is, some people get the impression the actors and crew involved were having as much of a good time off camera as they were having on camera or enjoying themselves as much as the audience that enjoyed it. Not so, according to many involved who spoke about their experience making the film years after. Sandra Dee has expressed that she never wanted to make it in the first place and regrets having spent four miserable months on the picture. The first director was dismissed for having 'trouble' with the actors. James Garner was reportedly disappointed with the result. He and Tony Franciosa didn't get along well during filming either. Their fight scene in the movie was said to be quite non fictional.

In fact, Garner admitted he punched Franciosa because the guy abused and never pulled his punches against stuntmen, or tried at all to feign it as necessary. It's almost like implying Franciosa was displaying a misplaced sense of machismo and bravado on the set. Franciosa was known at the time for not being able to control his hair trigger temper.

Regardless, the fact that they were able to convince so many people they weregenuinely having great fun, getting famously along, and convey a light hearted comical movie lay testament to an actor's ability to act if nothing else.

Just a few additional information about the film that isn't mentioned on this site for those interested.

Whatever happened to the intelligent "adult" comedy movie? Well, my theory is that they made one too many like "A Man Could Get Killed."

The movie starts out well: Garner is a banker examining some sort of prospects near Lisbon (that part doesn't matter in the slightest, it's just an excuse to get him there) and from the moment he disembarks from the airplane it's assumed by everyone he's an American spy and no one will listen to the truth, thinking it's a clever cover story.

This includes the dunderheads at the British embassy (Robert Coote, Cecil Parker) an American smuggler posing as Portugese (Anthony Franciosa) and a collection of spies working in groups of twos and threes who are more like Keystone Kops.

Garner plays "comically frustrated" as well as or better than anyone in the business and I've never seen Franciosa better. And the movie has some fine comic moments. I even laughed out loud and I'm pretty jaded.

But as the movie drags on it seems to run out of ideas. It gets bogged down in fish and rice scenes (if you must know what that means, see the flick). Though it does keep trying new (rather, familiar) plot twists right up to the climax, i'd trade a plot twist or two for something funny.

In fact, one of the best things about "A Man Could Get Killed" is a trial run of music for what became "Strangers in the Night," a chart-topping hit for Sinatra in the age of the Beatles. It's lovely.

If the writers (or whomever) had been able to sustain the ideas and energy propelling its first half-hour "A Man Could Get Killed" might've been a spy-spoof classic. Garner is certainly good enough and has range enough as an actor to carry it off, as he did in the comic-western "Support Your Local Sheriff " But at some point someone decided the way to proceed was with boring scenes of fish and rice and that's what we're left with.

(James Coburn's unfortunately dated spy spoof "The President's Analyst" nailed the genre better and despite a third-act lull ultimately sustains itself to the end.)

I like Sandra Dee but she's just awful. Rumor is, she didn't want to go to Lisbon and was forced to do the movie contractually. I never "got" Melina Mercori and that's probably my own blind spot, but I can provide, under separate cover, a list of actresses I'd prefer cast as the women who bedevil Garner and Franciosa (as if Coote, Parker and the spies didn't bedevil them enough).

Overall, a worthy try until it runs out of steam. Despite a wonderful title, good music, and fine performances by Garner and Franciosa, "A Man Could Get Killed" is not a must-see classic you've missed all your life. Too bad.

I saw this film several times, and really thought it was great. James Garner put in a superb performance as did Melina Mercouri. In fact, the chemistry between all of the performers seemed natural and lent to making a hilariously preposterous plot all the more believable.

Try as I might, I can't understand why it was never released on VHS or DVD. I thought the film to be very entertaining. It must have been popular, based on the number of times it was later shown on TV. It seemed too, to be an excellent showcase for James Garner's talents as an actor.

If you get a chance to see the film, please don't hesitate. It was not only very entertaining, but it is a fine representation of the movies of the day - original, intelligent, romantic and funny all at once. It had a quality about it that is sadly lacking in films today.