Johnny Oro

Johnny is pretty materialistic. Without a piece of gold he won't move a limb. Early in the story he could have killed bad guy Perez - but without the dime no kill. Story develops into a lonely-sheriff-versus-the-bandits one where the sheriff demonstrates his iron will to maintain law and order. Added to this familiar plot there is the element of temptation: if the town dwellers deliver Johnny to the outlaws the town would be saved. Unfortunately this sideline isn't well developed. In the end we get a good portion of action with explosions etc. Score, cinematography(too many studio shots) and acting are adequate. Was made in the same year as DJANGO with very different maverick heroes.

5 / 10.

The Quick Pitch: After bounty hunter Johnny Ringo kills his brothers, a Mexican bandit joins forces with a band of Apaches to seek his revenge.

Overall, Ringo and His Golden Gun is a good, but not great, Spaghetti Western. I may have gone in expecting way too much as the movie was directed by the great Sergio Corbucci. His films Django, The Great Silence, and Companeros are among my favorites of the genre. Ringo and His Golden Gun doesn't quite measure up to that standard. Ringo and His Golden Gun is not as dark and brutal with the over-the-top violence found in many of Corbucci's other films. It almost feels like a standard, run-of-the-mill American Western. Not that that's a bad thing, just not what I was hoping for. I found the first third of the film very entertaining - meeting Ringo and getting the basic story of what's to come. But somewhere in the second act, things started to drag a bit. The grand gunfight during the film's finale should have been a highlight, but it lacked that something special to make it memorable. Most of the acting was solid, including Mark Damon as Ringo. Though I must admit that his ridiculous looking mustache and eyeliner made me chuckle a time or two. Other positives of note include Riccardo Pallottini's cinematography and, especially, Carlo Savina's score. Savina's work on Ringo and His Golden Gun is eerily reminiscent of Ennio Morricone. I've often said that if it weren't for Sergio Leone, Sergio Corbucci would probably be better known. I'll add to that by saying that if it weren't for Morricone, Savina would no doubt be better known.

6/10

Just when we thought cowboy movies had gone belly up, along came this operatic horse opera with a black outfit hero with a droopy mustache and a gilded side arm who goes about offing the clean cut family for the price on their heads - well they were murdering bandidos but still!

All the energy and flamboyance that the plodding dollars films lacked and concepts that belonged in Italianate literature. Mark Damon stopping off between Roger Corman and being a corporate heavy was something new in movie heroes and, after blowing up the town, there he was facing an adversary who tells him "Smile at me Ringo, for I am death." How long had this been going on?

Dubbed movies are, at least for me, difficult to watch in part because the speech always seems out of synch -- and of course is.

This film, known variously as "Johnny Oro" and "Ringo and His Golden Pistol," almost overcomes that difficulty because of very good acting, great scenery (supposedly Italy), many and superlative stunts, and an excellent score.

And even good acting from the dubbers, something I have found rare in the past.

As to that score, I wonder if composer Carlo Savina influenced Ennio Morricone, or if Morricone influenced Savina. There are similarities in their scores, as witness this one and any of the Clint Eastwood "spaghetti Westerns."

But the story here is both unusual and clever. Written by Adriano Bolzoni and Franco Rossetti, "Ringo" presents many and varied characters as well as an involved story of Gringos and Mexicans and Apaches, back-stabbing, cowardice, courage, honor, and, yes, foolishness.

In addition, the chief villain, slimily played by Franco De Rosa, is surely one of the most evil ever portrayed on film.

Mark Damon might have appeared in a better light without a dubbed-in performance, but by and large he made a good ... well, "hero" might not be the correct term here, but as a strong protagonist Damon was quite watchable.

There is an interesting print at YouTube, with the dubbed English and Greek subtitles. I enjoyed it, and can recommend it.

Corbucci's fourth Spaghetti Western is likable enough, but it's still a long way from the baroque style of his subsequent example in the genre - DJANGO (1966) - much less the ultra-bleak outlook of his masterpiece, THE GREAT SILENCE (1968). Besides, star Mark Damon - made up here to look like the long-lost brother of Bob Dylan's Alias character in Sam Peckinpah's PAT GARRETT AND BILLY THE KID (1973)! - lacks the screen presence of Franco Nero, let alone the intelligence of Jean-Louis Trintignant! He still has fond memories of the film, however, since he mentioned it during the Italian B-movie retrospective at the 2004 Venice Film Festival (which my brother and I attended)!

Apart from presenting an unusual - and perhaps unlikely - alliance against the cowboys by Mexicans and Indians, the film has a healthy sense of humor: after he's insulted in a bar, Damon orders the protracted preparation of a concoction made up of some ungodly ingredients - only to then throw it in the face of his opponent!; later, facing up to three bad men without his coveted golden pistol, he blows them all away by unceremoniously throwing a bomb in their midst!; sheriff Ettore Manni's jail has a frequent customer (to the point where he has come to consider it his home!) in a pint-sized old man - told by the former that he can't stay any longer, the latter commits "wilful damage to public property" by breaking the jail's windows as soon as he exits and, turning himself in immediately, he is thus able to keep his place in jail!

The film manages to end with a bang: Damon blowing up the main street of the town (it seems that's all we ever get to see from it in any Western!) - followed by a memorable showdown (involving Damon's gold-plated paraphernalia). Carlo Savina's title tune is catchy, too: the film was originally called JOHNNY ORO and, therefore, has no relation to the two earlier "Ringo" titles made by director Duccio Tessari and starring Giuliano Gemma!