La guerra ha terminado

"La Guerre est Finie" aka The War is Over (1966) from French master Alain Resnais, is a taut intellectual yet very much visual thriller. Yves Montand is in his mature prime, and Ingrid Thulin so quietly sensual, while Geneviève Bujold gave an impressive debut performance. Resnais' creative cinematic approach in rich visual play mixed with voice-over narration, aptly intensified the suspense. We're literally inside Montand's character Diego's head - thinking with him, seeing through his eyes, having memory tracking along with him in either flash back or flash forward. We feel Thulin's subtle moves as Marianne - a slight turn of her head, gentle extension of her neck, every movement so delicately modest yet sensual in volumes. Bujold's Nadine has such delicious youthful verve befitting the character - she is the exciting accent. Thulin and Bujold each has an intimate segment opposite Montand delivered in Resnais' unique and refreshing points of view. It is cinematic nuance truly savory and appreciation optimal.

Cinematography in black and white by Sacha Vierny is poignantly appropriate - suspense would probably be lessen if delivered in color. Music score by Giovanni Fusco further ensured the distinctive quality of this film. You can tell this is no Hollywood thriller formula. In fact, the film can very well be a character study of Diego or a visual journey through the interplay of character relationships, yet it's suspenseful nonetheless. The beginning segment with veteran actor Michel Piccoli as the shrewd custom inspector questioning Montand's Diego certainly is tense as any other spy thriller yarn.

The war in the title can very well be within Diego: to decide whether to continue this life of 'professional revolutionary' or to start anew a 'normal' life with Marianne. The dilemma also carries over to Marianne: to decide to stay in Paris or love conquers all in pursuit after Diego (to the point of being a matter of life and death, indeed). "The War is Over" may seem complex, but it's actually an easier to follow film than other Resnais endeavors. Give it a try. It's available on DVD. Caution: do ignore the dubbed in English alternative - it would not be the real thing, definitely non-flavorful. Experience the film in French with English subtitles.

CAUTION: NOTES ON PLOT INCLUDED

Well, if you think this movie is about hot sex and Franco, then you could stick to Hemingway. A stunning psychodrama about a man who has seen his life burned out after decades of fighting a "good" but hopeless war, recognizes the futility, and sees another generation committing itself to figurative and literal suicide. Does he stop them? Join them? Can he have any effect at all? Does he try? See the movie. If you're into political drama a la Frankenheimer, Zinnemann, or Costa Gavras, this one is a "ten."

But you're right about Genevieve Bujold. Are you ever 8-)

Yves Montand is a Spaniard in exile in Paris, a Communist working for the central committee in exile in Paris, trying to jump-start the Revolution. He's very professional about what he does. But the Spanish government has arrested agents and he realizes he's grown tired of the never-ending struggle, the insistence of the committee in Paris that their view from a distance gives them better insight than the people who are stationed in Spain. His lover, Ingrid Thulin wants his child, and he indulges in.a tired rant in front of her friends./coworkers tat everything moves and nothing changes.

Montand gives a fine performance as a man growing tired of the always hopeful attitude of the revolutionaries, their insistance on working out the details of life, anxious to snatch small bits of autonomy wherever he can He has grown tired of being a good soldier who sees no end to the war. Will he remain a good soldier? Can he? And what if he cannot?

Alain Resnais movie is far more straightforward than his other works, although he does make liberal use of flashbacks and interpolative stills. With Geneviève Bujold, Jean Dasté, and Michel Piccoli.

Deleuze indicates that Resnais is one of the greatest political film-makers in the West, in modern cinema. According to him, this greatness comes from that they know how to show how people are what is missing, what is not there instead of presence of the people. Also, this film is related to a Spain that will not be seen: do the people in the old central committee stand with the young tereosits or the tired militant?

Resnais really impressed me with this film. He uses real locations and finds subtle atmospheric things that almost never turn up in movies. One sees the way a shadow of a tree moves gently back and forth on the wall as two people relax in bed, the way a gust of wind briefly animates a woman's hair in a subway tunnel.

The movie successfully combines an account of resistance to Franco's Spain from an ex-patriot living in Paris (played by Montand), and his life outside of politics. We see not only his political views, but also how he feels about love and his own situation. Beautiful, brave and innovative, this movie also has some of the most passionate, yet restrained and overall fascinating love scenes that I have seen since Peter Sellers and Shirley Maclaine in 'Being There.'