CALIFICACIÓN DE IMDb
7.2/10
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TU CALIFICACIÓN
Un abogado corrupto convence a su cuñado para que finja lesiones graves.Un abogado corrupto convence a su cuñado para que finja lesiones graves.Un abogado corrupto convence a su cuñado para que finja lesiones graves.
- Ganó 1 premio Óscar
- 3 premios ganados y 5 nominaciones en total
- Dirección
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- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Amazingly original and intelligent comedy by Billy Wilder that has CBS cameraman Jack Lemmon injured one day by a football player while covering a Cleveland Browns game. Lemmon is rushed off the field and to the hospital but other than a few bruises he is just fine. Enter brother-in-law lawyer Walter Matthau (in a very well-deserved Oscar-winning role) who convinces Lemmon to fake various injuries so the duo can sue CBS, the NFL and the Cleveland Browns all for negligence. Lemmon is not too sure but when he realizes that he can get back with his ex-wife, he finally agrees to the charade. The biggest problem is that all-around-great-guy Ron Rich (the Cleveland Brown who collided with Lemmon on the sideline) feels lousy about the situation and starts to develop a bad drinking problem when he sees how poorly Lemmon is supposedly doing. The title refers to a strange message that Lemmon receives after eating some Chinese food. A great film that has lots of upside. 4.5 out of 5 stars.
"The Fortune Cookie" is a light, lovable con/slapstick film about Harry Hinkle (Jack Lemmon), a sports cameraman who is accidentally knocked down by NFL star Boom Boom Jackson (Ron Rich) at a football game. Hinkle suffers a minor concussion but his lawyer brother-in-law, Willie Gingrich (Walter Matthau) is immediately on the seen. Willie thinks that they can sue for millions of dollars if Harry plays that he's got a "compressed vertebrae", and Harry reluctantly agrees. Meanwhile Boom Boom is feeling desperately guilty and is taking care of Harry to make himself feel better.
This movie is labeled as a comedy but most of the humor is dry and subtle. I'd go as far as to call it out-dated, it was probably considered a lot funnier when it first came out.
Though I guess the only character that is supposed to be actually funny is Matthau's, and he is. Hilarious, in fact. He never misses a beat, every movement and line is delivered in perfect accordance to his character. And considering the guy had a heart attack while working on the film, his drive and proffesionalism is admirable.
Aside from Matthau the movie is a little bland, but not bad. The other performances, from Lemmon, Rich and Judi West as Hinkle's gold-digging ex-wife, are all well-played, Rich gives the most notable performance as the guilt-ridden Boom Boom.
The style, direction and other componets of the film are well too...but in the end Matthau's performance is the only real benefit of this film, but it's a big benefit, and gets a 7.5/10 from me.
This movie is labeled as a comedy but most of the humor is dry and subtle. I'd go as far as to call it out-dated, it was probably considered a lot funnier when it first came out.
Though I guess the only character that is supposed to be actually funny is Matthau's, and he is. Hilarious, in fact. He never misses a beat, every movement and line is delivered in perfect accordance to his character. And considering the guy had a heart attack while working on the film, his drive and proffesionalism is admirable.
Aside from Matthau the movie is a little bland, but not bad. The other performances, from Lemmon, Rich and Judi West as Hinkle's gold-digging ex-wife, are all well-played, Rich gives the most notable performance as the guilt-ridden Boom Boom.
The style, direction and other componets of the film are well too...but in the end Matthau's performance is the only real benefit of this film, but it's a big benefit, and gets a 7.5/10 from me.
Finally caught it on TCM yesterday, and was able to watch it "fresh," compared to "The Odd Couple" or "The Front Page," which one might already know all about.
A fine study in contrasts at work here; Matthau, as the shyster lawyer has something resembling a family life, while Lemmon, ostensibly the nice guy, is shown to be very lonely, still stuck in the apartment his wife left him in (and aren't those exteriors filmed in Cleveland? I don't think those buildings on his street were seen in any other Hollywood backlot, and they looked a touch more shabby than ordinary). So we have "Boom Boom" as the real moral center of the movie. He's racked with guilt over having injured Hinkle (Lemmon), so much so that he sees to Hinkle's recovery, even carrying him around like a wounded puppy, letting his game suffer, and he's the one who's most hurt by the scam.
The movie also shows a hopeful light on race relations in the mid-60's: Ron Rich gets to play a character with some feelings and some ambition beyond the NFL, and it's he and Lemmon's characters who become buddies at the end.
A fine study in contrasts at work here; Matthau, as the shyster lawyer has something resembling a family life, while Lemmon, ostensibly the nice guy, is shown to be very lonely, still stuck in the apartment his wife left him in (and aren't those exteriors filmed in Cleveland? I don't think those buildings on his street were seen in any other Hollywood backlot, and they looked a touch more shabby than ordinary). So we have "Boom Boom" as the real moral center of the movie. He's racked with guilt over having injured Hinkle (Lemmon), so much so that he sees to Hinkle's recovery, even carrying him around like a wounded puppy, letting his game suffer, and he's the one who's most hurt by the scam.
The movie also shows a hopeful light on race relations in the mid-60's: Ron Rich gets to play a character with some feelings and some ambition beyond the NFL, and it's he and Lemmon's characters who become buddies at the end.
When a cameraman is knocked over during a Cleveland Browns game, the sharks move in - or should I say shark - in the form of "Whiplash Willie," his brother-in-law, in "The Fortune Cookie," a 1966 film written and directed by Billy Wilder.
Lemmon plays Harry Hinkle, a television cameraman, who is involved in a freak accident during a football game, when he is knocked over by "Boom Boom" Jackson. As soon as his brother-in-law, attorney Willie Gingrich (Matthau) hears that Harry suffered a compressed vertebrae in his youth (from jumping off of a garage roof without opening his umbrella), he warns his hospitalized victim not to get well. He has a paroled dentist come in and shoot him up with drugs so that he can pass the insurance medical tests, puts him in a wheelchair, a collar, and a corset, and takes him home to recover. Meanwhile, the insurance company has a camera on him and his apartment bugged. Harry's tramp ex-wife (Judi West), an aspiring singer, comes back to him as soon as she smells money to jump-start her career. The guilt-stricken Boom Boom becomes his servant. Boom Boom's football game suffers, and he turns to drink. Whiplash Willie, in the meantime, is negotiating a $200,000 settlement.
Insurance fraud and ambulance chasers are still very topical. One has only to look at the number of commercials for attorneys telling you an accident is worth big bucks. Leave it to Billy Wilder and partner I.A.L. Diamond to write such a witty, cynical script about a man with a conscience up against a man who will stop at nothing to cheat the insurance company.
Walter Matthau is an absolute riot as Willie, and won the Academy Award for his performance. Willie is an obvious cheat who knows all the angles and is able to get around them. Lemmon is great as a lonely man who goes along with the subterfuge with the carrot of his ex-wife returning dangling in front of him. Ron Rich gives a natural, sympathetic performance as Boom Boom, the devastated football player.
The script is very witty and the performances are great. Billy Wilder was one of film's greatest writers and directors, and in "The Fortune Cookie," he shows he's still got what it takes.
Lemmon plays Harry Hinkle, a television cameraman, who is involved in a freak accident during a football game, when he is knocked over by "Boom Boom" Jackson. As soon as his brother-in-law, attorney Willie Gingrich (Matthau) hears that Harry suffered a compressed vertebrae in his youth (from jumping off of a garage roof without opening his umbrella), he warns his hospitalized victim not to get well. He has a paroled dentist come in and shoot him up with drugs so that he can pass the insurance medical tests, puts him in a wheelchair, a collar, and a corset, and takes him home to recover. Meanwhile, the insurance company has a camera on him and his apartment bugged. Harry's tramp ex-wife (Judi West), an aspiring singer, comes back to him as soon as she smells money to jump-start her career. The guilt-stricken Boom Boom becomes his servant. Boom Boom's football game suffers, and he turns to drink. Whiplash Willie, in the meantime, is negotiating a $200,000 settlement.
Insurance fraud and ambulance chasers are still very topical. One has only to look at the number of commercials for attorneys telling you an accident is worth big bucks. Leave it to Billy Wilder and partner I.A.L. Diamond to write such a witty, cynical script about a man with a conscience up against a man who will stop at nothing to cheat the insurance company.
Walter Matthau is an absolute riot as Willie, and won the Academy Award for his performance. Willie is an obvious cheat who knows all the angles and is able to get around them. Lemmon is great as a lonely man who goes along with the subterfuge with the carrot of his ex-wife returning dangling in front of him. Ron Rich gives a natural, sympathetic performance as Boom Boom, the devastated football player.
The script is very witty and the performances are great. Billy Wilder was one of film's greatest writers and directors, and in "The Fortune Cookie," he shows he's still got what it takes.
In the course of Hollywood legends, there emerges a great chemistry when certain scripts, actors, and directors are combined to make a movie. In this immortal Black and White film, we have such a combination. Herein we have, the late, great Jack Lemmon playing Harry Hinkle, a standard cameraman working with a TV crew covering a Cleveland Browns football game. As the game proceeds, a celebrity running-back Luther " Boom Boom " Jackson (Ron Rich) accidentally runs off the field and directly into the filming cameraman, knocking him out cold. Fortunately for Hinkle, his wily Brother-in-law, William Gingrich, attorney-at-law, (Walter Matthau) leaps into his life and proposes an insurance lawsuit which, if Hinkle goes along with, will net them $1.000.000. Hinkle explains to 'Whiplash Willy,' there is nothing wrong with him and will not participate in the scheme. The plan is doomed, until Gingrich uses a trump card, Hinkles' ex-wife Sandy, (Judi West) whom Harry believes still loves him. The plan is flawless despite the fact, the Insurance company hires the Purkey (Cliff Osmond) Dectective Agency to spy on him 24 hours a day. While Gingrich is busy with the Insurance lawyers and Hinkle is attempting to win his wife back, by pretending to be an invalid, no one notices Luthor Jackson is miserable, drinking and becoming despondent. The movie is wonderful as Lemmon and Matthau are a superb team under the direction of their favorite director Billy Wilder. This is a great movie and certain to become a Classic. ****
¿Sabías que…?
- TriviaProduction had to be halted for several weeks after Walter Matthau had a heart attack. His weight dropped from 190 to 160 pounds by the time filming was completed and he wore a heavy black overcoat in some scenes to conceal the weight loss.
- ErroresWhen the "stop-action replay" of Harry's accident is shown, the camera is focused on Harry for a second or two before Boom Boom hits him. In reality, the camera would be following the action on the field and would not be focused on Harry, since the director and camera operator would not have known in advance that Boom Boom would hit Harry. Harry would not have come into view until after Boom Boom is knocked out of bounds.
- Créditos curiososThe end credits conclude with a thank you message to the players and management of the Cleveland Browns, and the National Football League for their cooperation.
- Versiones alternativasThe 1997 VHS release showed black and white versions of the 1994 United Artists variant and MGM logo at the start and end of the movie respectively.
- ConexionesFeatured in AFI Life Achievement Award: A Tribute to Billy Wilder (1986)
- Bandas sonorasYou'd Be So Nice to Come Home To
Music and lyrics by Cole Porter
Sung by Judi West
Also strains played throughout the movie
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Fortune Cookie
- Locaciones de filmación
- Cleveland, Ohio, Estados Unidos(Roswell Hotel-opp. Hinkle's apt East 20th St between Euclid and Chester Avenues, now a part of the Cleveland State University campus.)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,705,000 (estimado)
- Tiempo de ejecución2 horas 5 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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By what name was Por dinero, casi todo (1966) officially released in India in English?
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