La jauría humana

"The Chase" is a powerful and underrated drama. It has most of the ingredients that are required for a solid dramatic picture: exceptional acting (particularly by Brando), careful directing, well-drawn characters and good production values. The first half meanders a little, but in the second half the tension mounts and the film becomes constantly more and more involving and moving. So why does it have such a low reputation? Maybe because of all those reported production problems. But who cares? They're certainly not evident in the film! Recommended for mature viewers.

I had never heard about The Chase. Rented it from the local library, since it starred Marlon Brando and Robert Redford. Just watched it this morning. It blew me away. Without a doubt it is the best movie I have seen in 2009, and one of the movies to remember.

It does have some problems with editing and music at the outset and feels oddly paced in the first half hour, but when it finds its tone and picks up the pace, it's a true roller coaster ride of emotions.

The characters are archetypes, and the story aims more for dramatic effect than realism.

Brando is fine as the honest Sheriff, and Dickinson puts in excellent performance as his supportive wife. Redford is the outlaw on the run as an escape convict, even though he seems to be one of the most decent people around. Jane Fonda is his wife, who has fallen in love with the town's prince, played by James Fox who is on his own parallel escape from his father's (E.G. Marshall) money and materialism. Robert Duvall also gives a nice little supporting performance.

The villain is mob behavior, corruption, and a society that looks for pure pleasure instead of some sense and meaning. Honest and decent people are on the run from society's destructive tendencies, and the only one to protect the innocence of society is a single Sheriff, who does everything in his power to protect the law that nobody respects but himself.

Perhaps I am giving The Chase such a high rating partly because I had never heard about it before, and was completely blown away. It contains a lot of complex characters, and feels in the opening more like a play than a movie, but if you give it a chance, you may be pleasantly surprised.

I think it should belong to the Western genre, even though it takes place in the 60's. It got guys in cowboy hats, an outlaw, a sheriff, a rich man that is taking over everything, some romance, bystanders that aren't very innocent, and a wild bunch that happens to hide within a very disturbed society.

Highly recommended.

Much sexual water has gone under the bridge since the 1960s, and more than a few installments of "The Playboy Philosophy." So now, at the millennium's turning, a tale in which the prejudices, cynicism and sexual infidelities of a small southern town's dissolute ruling class figure prominently seems dated, even quaint. Yet such is the terrifyingly plausible spiral into anarchy depicted in 1966's The Chase that Arthur Penn's controversial film remains a disturbing piece of cinema. A thinner (but still imposing) Marlon Brando plays Sherrif Calder, a lone, laconic voice of reason in a town rapidly going insane on a hot summer's night. E.G. Marshall is Val Rogers, bank president and town monarch, suitably surrounded by fawning lackeys such as Ed Stewart (Robert Duvall, uncharacteristically loathsome as a milquetoast cuckold aching for revenge). The spark for the climactic firestorm is the return of "Bubba" Reeves, who has escaped from prison after being sent away for joy-riding in a stolen airplane. Everyone assumes he is coming back to avenge himself on Rogers' son, who has been keeping company with Reeves' wife Anna (Jane Fonda). The film's weakest performance is, arguably, turned in by Robert Redford, who is much too pretty and soft-spoken to be convincing as the fugitive hellion, Bubba. Overall, however, The Chase features some memorable performances, including those of Brando, Duvall and Janice Rule as Duvall's slutty wife, Emily. In addition to the fearsome inevitability of its violence, The Chase is notable for the horrific realism of the beating inflicted on the sherrif by a couple of corporate good 'ol boys - almost certainly the most graphic beating Hollywood had ever dared to put on film, and possibly unrivalled to this day for its sheer ferocity. Critics may have made much of the film's flaws, but as a study of a dysfunctional society poised to explode, The Chase still stands up as a sobering and powerful movie experience.

I was interested to watch 'The Chase' for three reasons. First Brando. Brando is regarded by most movie fans as one of the greatest actors of all time, but people usually only mention a handful of his films - 'A Street Car Named Desire', 'On The Waterfront', 'The Godfather', 'Last Tango In Paris' and 'Apocalypse Now'. Without a doubt they are all fine movies but what about his equally worthy performances in his lesser known films (e.g. 'One-Eyed Jacks', and 'Burn!')? Secondly, Arthur Penn. An extremely underrated director in my opinion, especially for his almost forgotten 'Mickey One' and 'Night Moves'. Thirdly, the first rate supporting cast which includes Robert Redford, Robert Duvall, E.G. Marshall, James Fox, Jane Fonda, Angie Dickinson and Clifton James. Apparently there were lots of behind the scenes problems with this movie, but despite a few flaws it's definitely worth watching. The sexual and racial themes were pretty daring for the mid-60s, and while I can see what some people are saying about its "soap" feel, it's quite compelling. Brando plays a small town farmer turned sheriff who is despised by many of his contemporaries because they think he is the puppet of the local millionaire Val Rogers (Marshall). Rogers' son Jake (Fox) is having an affair with a local woman (Fonda) who is married to a convict Bubba Reeves (Redford). Bubba escapes from prison and an innocent bystander is killed by his fellow escapee. Bubba initially plans on heading to Mexico, but he desperately returns to his home town for help, not realizing that he is being hunted as a murderer. News of his escape causes tensions to explode in the town, with catastrophic results for everyone. Brando is terrific throughout, and reason enough to watch this, but Fonda is surprisingly good, Robert Duvall is memorable as a cuckold, and character actor Clifton James ('Cool Hand Luke', 'Live And Let Die', 'The Last Detail') almost steals the movie as a hot headed drunken redneck. 'The Chase' may not be as great as it could have been, but I still think it deserves more attention than it gets. Brando fans shouldn't overlook this one!

The Chase (1966)

I give this movie extra credit for ambition, and for richness of story and complexity. It's a torrid soap opera overall, which is a good thing because it is saved by its romanticized excesses. The title is odd, in a way, because the obvious "chase" here is the pursuit of the convict on the run (played by Robert Redford, and not his best performance). But in a way there are all kinds of other chases here—women and men wanting each other with a whole network of adultery and would-be affairs at play.

But never quite shown. This is a movie pushing the end of the censorship code, but the code is still officially in place and so there are still some boundaries, even for a director like Arthur Penn, who would help New Hollywood blossom (notably with "Bonnie and Clyde" the next year). But the steamy background as this small town wrestles with decency, among other things, is great stuff.

Decency, as a core idea, is what the main character is all about—the sheriff played by Marlon Brando. Brando is great. He isn't quite the Texas sheriff intended, of course (he's "Brando"), but he has nuance and strength, and he helps his scenes a lot. But the movie is brimming with talent: Robert Duvall, for one. Two women do their parts—Jane Fonda and Angie Dickinson—though neither is given enough to do besides support their male counterparts (Fonda is a kind of "loose woman" and Dickinson is a girlfriend having affairs).

But Penn is the biggest talent, pulling together a very complicated story in two hours. Photographer Joseph LaShelle is great, too, one of the masters of early widescreen color in the US. Together they make this movie fluid, beautiful, and constantly demanding in the best way.

What holds it back is a little of the superficiality that is so common in early 60s films—it's about sensation and effect, about drama for its own sake. You never quite care about Redford in his run (he's a surprisingly small part of the movie until the end). And even all the other characters working out their prejudices are a bit on the surface.

There is a welcome racial theme here, and a generational one (young people utterly selfish and party hungry in this version, and older folk filled with prejudice and greed). I say see this film. There's a lot going on, and I could watch it a second time just for everything I missed.