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'That Girl' is a 60s sitcom that holds up much better than most when viewed almost 40 years later.

Altho Marlo Thomas provides most of the zaniness that sitcoms often seek to provide, my favorite role was actually Ted Bessel's Don Hollinger. The character of Don was, for the most part, a very calm, composed influence on the show. He seldom got flustered in the face of Ann's occasional hysterics or her father's often stern disapproval. Despite the 'character of his character', he was no straight man. Each episode has several intelligent witticisms or truly amusing wry comments from Don.

The series stayed remarkably consistent through the entire run, in my opinion never 'jumping the shark', as so many long running sitcoms are prone to.

Don and Ann set a good example for a mature and caring relationship, even in the face of comedy script episodes and antics.

Highly recommended.

"That Girl" is one of those shows that I enjoyed during it's first run on ABC and in it's reruns over the years, but it's been many years since i saw this as it has not been on TV in a while. The re-discovery of this on DVD reveals that it is even better than I remember it. The cast in all instances is first-rate, and the scripts are crisp, funny, full of heart and do not date one bit. Marlo Thomas supposedly had a hand in most of the aspects of this classic series, and I say a great job well done. Like John Forsythe in "Bachelor Father", this show was her baby and no show could have had a better mother. ME-TV has just begun re-running this as of this writing, and my partner and I were laughing out loud at many of the antics on the marathon which launched the series on New Year's Day. The film quality of the show has been so beautifully preserved that it looks brand-new. The 1960s background makes the series a kind of time capsule back to those fashions and some of the early episodes especially feature some great location footage shot in N.Y.C. which add to the "theatrical" look of this series. Each episode has the look of a mini-movie, being shot with one camera. The laugh-track is present but not overdone or intrusive. The format of the single girl trying to make it on her own would be echoed a few years later in the super-classic "Mary Tyler Moore" show. "That Girl" had great writing throughout it's five seasons, and Ms. Thomas wisely opted out of the show before it became stale as so many other long-running shows of the period did. She also avoided knuckling under to the network by not having Ann and Donald marry. This was her personal decision and in retrospect, a wise one. Marlo Thomas herself, being the daughter of the great Danny Thomas, had to prove herself with this series and boy, did she ever. Having "Make Room For Daddy", one of the great shows of it's own era, and "That Girl", one of the greats of the 60s, one hopes that there will be another generation of the Thomas family to give us yet another great series to enjoy. If this review sounds like a love letter to Marlo Thomas, so be it. It is.

... or if not that, Ted Bessell as one of the most sexually frustrated men of 1960's New York City. If the Mary Tyler Moore show had first aired in 1966 instead of 1970, it would have been this show. American culture changed that quickly. Marlo Thomas plays a young woman, Ann Marie, from the village of Brewster, New York who comes to the big city to become an actress, which is a tough career to break into, thus she takes a series of quirky jobs to get by which often become the central theme of certain episodes. In the very first episode she meets Donald (Ted Bessell), a writer for a magazine, and they are a couple for the next five years, a couple that - apparently - never has sex.

Back home, Ann's dad (Lew Parker) never quite trusts Donald's intentions with his daughter, and believes that girls should live at home until married. Thus a mainstay of the show is dad bursting in on Ann and Donald, either incidentally or intentionally, only to find them in what appears to be a compromising position (Ah ha! I've got him!) that in the end has a logical and platonic explanation.

If you didn't live through this period in history, you might think of the 1960's and believe it was nothing but an endless parade of hippies, pot smoking, and student/police confrontations over the Vietnam War. The fact is, most people in 1960's America were still living in the 1950's at the time, and women were still largely accepted only in traditional professions - teaching, nursing, secretarial work, acting - you know, jobs that involve either serving men or children. So That Girl was about as far as network TV could go with this topic - a young woman living in her own apartment pursuing a career in ANYTHING in New York City - without raising middle class eyebrows.

It was bright, funny, and innocent, sometimes to the point of being naive, but I'll always look back fondly on "That Girl" of my youth.

One TV Encyclopedia I consulted claims that since THAT GIRL was canceled in mid-season in 1971, there are "lost episodes" which were never aired, having to do with Ann and Don's wedding plans. IS ABC/TVLAND holding out on us? Can any one confirm or debunk this? As I recall-being 10 years old at the time---the couple spend that entire season looking at furniture, dreaming of a new house, pricing the wedding dress, etc. Also, I find it strange, given that the two are engaged during the last season, that Marlo Thomas supposedly demanded the marriage never take place? What was she going to do; have Ann leave Don at the altar?

I wonder how many preteen boys had a crush on Marlo Thomas like I did during the run of this program. She was soooo beautiful, and Ted Bessell seemed like an awfully lucky guy to me, except that he had to live in constant fear of Ann Marie's father, which was realistic enough as Mr. Marie was rather menacing, which by the time the series ended I realized was because he considered the Donald Hollister character a threat to his daughter's virginity. (Wonder how much different, if any, Danny Thomas was about that issue in real life?) In retrospect, this show requires suspension of disbelief even more than most sitcoms, as Ann, a supposedly struggling actress, had a better apartment and nicer clothes than many steadily-employed New Yorkers could have possibly have afforded, then or now. It's a shame that the show only went as far as Donald's bachelor party; it would seem to have been better if they had actually shown the wedding with the implication that "they all lived happily ever after" and that this show, after all really was a modern fairy tale. A fun aspect of the show was seeing how they were going to work the words "that girl" into the opening sequence.