CALIFICACIÓN DE IMDb
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Un ejecutivo subalterno convence a su amiga de fingir ser su esposa para poder seguir adelante en su empresa.Un ejecutivo subalterno convence a su amiga de fingir ser su esposa para poder seguir adelante en su empresa.Un ejecutivo subalterno convence a su amiga de fingir ser su esposa para poder seguir adelante en su empresa.
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The World, The United States and New York City were very different places in 1966 than they are as you're reading this. And Prime Time TV back then was determined to try to distract its viewers with elements that were either nostalgic or completely unrealistic.
But sometimes, there were shows that at least bordered on the facts of the day, even as they played it for laughs. One of those was "Occasional Wife."
At the time, there was a belief that if a man couldn't find a woman to marry him by a certain age, there was something bothersome, untrustworthy, "wrong" about him. So, if a bachelor was trying to climb the corporate ladder in a company, they likely would be passed over by a married guy, especially one with a family.
Such was the case for executive Peter Christopher (Michael Callan) who worked for a Baby Food company (hence, the "family image" issue), as Peter was looking to get promoted by his persnickety boss, Mr. Brahms (Jack Collins). So, Peter did the only thing he thought to do, get his platonic woman friend Greta (Patricia Harty) who was already pretending to be married to "slow down" the male patrons of the cocktail bar she worked at, to be a stand in as his spouse!
Peter moved Greta into an apartment two flights above his own, and the charade began, as Greta was working to become a fashion designer at a local art school (which Peter paid for as recompense for her having to be Peter's "wife").
Scenarios involved Greta playing house for Peter, even as Peter's actual girlfriends were around and about, unexpected visits from his corporate bosses for dinners, and all of the machinations and manipulations that those things created, including the requisite racing up and down the NYC building's fire escape so Peter could escape getting fired.
Plus there were the disapproving glances from the neighbor in-between those floors (great character actor, Bryan O'Byrne) who wordlessly watched the traffic flying past his window.
The most notable thing about the series was that it was narrated by long time Dodgers play-by-play announcer, Vin Scully, in an uncredited role, where he would describe the action and even make commentary about the circumstances (Ron Howard would carry this concept to its zenith with his similar narration of the sitcom "Arrested Development," nearly 40 years later).
The show attempted to be a little bit spicy for its day, sometimes bordering on the same territory that "Three's Company," with its "two ladies and one gentleman in the same apartment" concept perfected just a decade later. But, in the end, despite the charm of Callan and Harty in their roles and the descriptions and accounts offered by Scully, "Occasional Wife" was out at home in just one at bat, er, season.
But sometimes, there were shows that at least bordered on the facts of the day, even as they played it for laughs. One of those was "Occasional Wife."
At the time, there was a belief that if a man couldn't find a woman to marry him by a certain age, there was something bothersome, untrustworthy, "wrong" about him. So, if a bachelor was trying to climb the corporate ladder in a company, they likely would be passed over by a married guy, especially one with a family.
Such was the case for executive Peter Christopher (Michael Callan) who worked for a Baby Food company (hence, the "family image" issue), as Peter was looking to get promoted by his persnickety boss, Mr. Brahms (Jack Collins). So, Peter did the only thing he thought to do, get his platonic woman friend Greta (Patricia Harty) who was already pretending to be married to "slow down" the male patrons of the cocktail bar she worked at, to be a stand in as his spouse!
Peter moved Greta into an apartment two flights above his own, and the charade began, as Greta was working to become a fashion designer at a local art school (which Peter paid for as recompense for her having to be Peter's "wife").
Scenarios involved Greta playing house for Peter, even as Peter's actual girlfriends were around and about, unexpected visits from his corporate bosses for dinners, and all of the machinations and manipulations that those things created, including the requisite racing up and down the NYC building's fire escape so Peter could escape getting fired.
Plus there were the disapproving glances from the neighbor in-between those floors (great character actor, Bryan O'Byrne) who wordlessly watched the traffic flying past his window.
The most notable thing about the series was that it was narrated by long time Dodgers play-by-play announcer, Vin Scully, in an uncredited role, where he would describe the action and even make commentary about the circumstances (Ron Howard would carry this concept to its zenith with his similar narration of the sitcom "Arrested Development," nearly 40 years later).
The show attempted to be a little bit spicy for its day, sometimes bordering on the same territory that "Three's Company," with its "two ladies and one gentleman in the same apartment" concept perfected just a decade later. But, in the end, despite the charm of Callan and Harty in their roles and the descriptions and accounts offered by Scully, "Occasional Wife" was out at home in just one at bat, er, season.
This was my favorite show when I was in the sixth grade, and I was heartbroken when it was canceled.
Michael Callan and Patricia Harty had terrific chemistry (they would later marry, although not for long). Jack Collins was also perfect as Callan's boss, and the reaction shots of the Man In The Middle (i.e. the guy who had the apartment in between those of Callan and Harty) were priceless.
Back in the 60s, we accepted absurd premises on TV shows without giving it a second thought -- the beauty of Occasional Wife was that the actors performed as if there was nothing at all absurd in their situations.
Sure would love to see it again!
Michael Callan and Patricia Harty had terrific chemistry (they would later marry, although not for long). Jack Collins was also perfect as Callan's boss, and the reaction shots of the Man In The Middle (i.e. the guy who had the apartment in between those of Callan and Harty) were priceless.
Back in the 60s, we accepted absurd premises on TV shows without giving it a second thought -- the beauty of Occasional Wife was that the actors performed as if there was nothing at all absurd in their situations.
Sure would love to see it again!
This series is a complete, total and utter non-sequitur. Visually it's bright colors and stark scenery (this is a 1960's TV budget) are firmly planted in 1959. The story line superficially is pure Doris Day/Rock Hudson. The execution is more Larry David/Monty Python. This situation comedy is so surreal that it could never last more than a season in a world where HBO/Showtime would not exist for 20 years. From the bongos in the opening title music to the avant-garde narration you know you are in a parallel universe. The plots are totally stupid...hello, Jerry Sienfeld! The resolutions make no sense and the stories turn on a dime...Why?...Why not! As the playboy who hires a hat check girl (this is a time when men wore hats) to pose as his wife so he can get a job promotion (the president of a baby food company does not give promotions to unmarried men), Michael Callan makes an excellent self-centered playboy...and he sleeps with women he is not married to. Is this 1966 TV? Patricia Harty proves herself to be an incredible comedian. Cute, perky, smart and thoroughly self-absorbed; she is an utter gem (Coutney Cox, Jennifer Aniston and Debra Messing can't hold a candle to her talent). To add to the sideshow, the third billed character who appears in the opening manages to not say a word in the entire series. The guest stars are a "Who's Who" of 60's TV including Sally Field and John Astin. If you are a devoted fan of "The Beverly Hillbillies" or "The Andy Griffith Show", please move on. For the rest of us, sit back and enjoy.
When this show debuted, I was all of 8 years old. I loved it! Firstly, I would've married Michael Callan in 1966, if he'd only asked! I thought he was gorgeous. And Patricia Harty? Adorable.
The premise of the show sounds ridiculous now, but back then, there really wasn't any fuss and bother about discrimination in the workplace (or sexual harassment - just watch "Mad Men"!). If a boss said you had to be married to receive a promotion in his company, then you had to be married. Now, of course, if your boss laid down such a condition, you'd engage a lawyer and sue. But in 1966, you couldn't. What you could do was find a female friend, and pretend to be married, as far as your boss was concerned.
Luckily for Callan's character, he earned enough money to pay for an apartment in his building to house his "occasional wife". This not only helped to seal the deal - it also ensured that she was close at hand when needed. And having the apartments two floors apart gave us the opportunity to see the comic facial expressions of the guy who lived in between, as the Occasional Spouses ran up and down the fire escape.
The show was pretty racy for its time. The characters appeared to have sexual relationships without intending for them to end in marriage. Woooooooo....
In the pilot, Callan's mother nagged him about still not being married. She said, "You're not... 'eccentric'... are you?" (what a funny way of enquiring about his sexuality!), which he exasperatedly and quickly denied. It cracked me up.
I wouldn't mind seeing more episodes of this show, but I think it really was a bit of a one-trick-pony. There would've been only so many times where the boss showed up uninvited, or one or the other partner was seen with someone else... I don't see how it could've gone on longer than a year, now that I think about it.
Still, I thought it was a fun show to watch, and enjoyed seeing the pilot again.
The premise of the show sounds ridiculous now, but back then, there really wasn't any fuss and bother about discrimination in the workplace (or sexual harassment - just watch "Mad Men"!). If a boss said you had to be married to receive a promotion in his company, then you had to be married. Now, of course, if your boss laid down such a condition, you'd engage a lawyer and sue. But in 1966, you couldn't. What you could do was find a female friend, and pretend to be married, as far as your boss was concerned.
Luckily for Callan's character, he earned enough money to pay for an apartment in his building to house his "occasional wife". This not only helped to seal the deal - it also ensured that she was close at hand when needed. And having the apartments two floors apart gave us the opportunity to see the comic facial expressions of the guy who lived in between, as the Occasional Spouses ran up and down the fire escape.
The show was pretty racy for its time. The characters appeared to have sexual relationships without intending for them to end in marriage. Woooooooo....
In the pilot, Callan's mother nagged him about still not being married. She said, "You're not... 'eccentric'... are you?" (what a funny way of enquiring about his sexuality!), which he exasperatedly and quickly denied. It cracked me up.
I wouldn't mind seeing more episodes of this show, but I think it really was a bit of a one-trick-pony. There would've been only so many times where the boss showed up uninvited, or one or the other partner was seen with someone else... I don't see how it could've gone on longer than a year, now that I think about it.
Still, I thought it was a fun show to watch, and enjoyed seeing the pilot again.
I too loved this show as a teenager. It didn't last long but I remember it well. I thought I might be the only one who did until I looked it up and read the other reviews. It was a funny show with what I thought was a lot of potential for hilarious episodes. There was a lot of climbing in and out of windows and a lot of close calls when they were almost caught in separate apartments or with other people. It seemed to fit with the popular situation comedies of the time (Bewitched, That Girl, I Dream of Jeannie). I've always wondered why it didn't catch on. I wonder what was on the other networks at the same time. Would that explain why it was overlooked? I don't know if I would feel the same if I saw the episodes today but I would love to give it a try.
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- ConexionesReferenced in Mystery Science Theater 3000: Jungle Goddess (1990)
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