Misión Imposible

I grew up watching this series and enjoyed it throughout its run. It was, of course, completely outrageous, but that was what made it fun. In the first years of the show, the MI team concentrated on espionage in foreign countries; later, they turned to the USA.

Although I loved Peter Graves in the show, I think Steven Hill brought an air of mystery to his character. I'll always have a soft spot in my heart for the original cast of Hill, Landau, Bain, Morris, and Lupus. Bain was ahead of her time, an older woman playing a glamor girl. Lupus, whom I had the pleasure of meeting and interviewing a few years ago, played a character of few words - in fact, people used to have contests counting his lines. He was quoted as saying if he ended up in one more tight space with Greg Morris, he was going to wind up engaged! This was a show where the cast changes seemed to work pretty well, Graves, Leonard Nimoy, and Linda Day George especially.

I have so many favorite episodes. One was Cinnamon's involvement with Eric Braedon in the days when he was Hans Gundegast, the psychic one about the bees, the William Shatner back in time episode, the episode with Robert Conrad - there were so many. Later on in the show, the missions would go wrong and Graves or one of the others would have to improvise - that was great.

As far as I'm concerned, the movies had nothing to do with this show. Very disappointing what they did with the Jim Phelps character. He was furious, and I don't blame him. Some things are sacred!

Your mission, should you choose to accept it, is to forget what Tom Cruise and John Woo made of MISSION: IMPOSSIBLE with their movies and watch this intelligent and entertaining TV series instead. It's (even after more than 30 years) the best show of its kind. The stories are complex, very exciting and the music score... Well, who doesn't love that wonderful theme written by Lalo Schifrin. This tape will self-destruct in five seconds. Good luck, Jim!

Classic televison, which was inspired by Jules Dassin's spoof of his own French masterpiece, Rififi, from the mid 1960s. One of its best elements were the famous guest stars that appeared in the show, which added more interest to the already interesting storylines. Unlike the film adaptations, Mission:Impossible(1966) is an excellent crafted tv show that was ahead of its time in some areas of special effects. My favorite actors from the show were Leonard Nimoy, Martin Landau, and Peter Graves.

I have got to hand it to the people behind the original Mission Impossible series. Their pilot episode was bound to hook people. Mission Impossible was a winner from the start.

The Impossible Missions Force were a team of agents with no emotional attachments who went on secret missions usually against organized crime or rogue nations. They did not go in and use guns or fists to fight a problem-the name of the game was manipulation, deception, trickery, fraud, you name it. The agents were in fact anti-heroes who stooped to the level of the bad guys themselves. But I still loved them for it.

It would be unfair to reveal any of the intricate details of the plots for the series but let's just say they were clever. Mission Impossible was a show that required a viewer's full attention-you simply couldn't switch onto an episode halfway through and expect to know what's going on. Mission Impossible was clever throughout it's entire run. The IMF always had a plan which had to be strictly adhered to for it to be a success. They used every mean trick in the book to bring the bad guys down and they always slipped away at the end without the bad guys ever finding out who they were. In fact, quite a few episodes involved the bad guys falling out with each other after believing the other one was out to get him when in fact it was the IMF who had set it all up.

A clever show indeed-highly recommended.

One of my fondest memories of TV viewing in the late 60's and 70's, was the weekly hour of tension which Mission Impossible provided. There was the initial bewilderment of trying to work out how on earth the brief flashes of peculiar devices and tension-ridden confrontations could possibly be woven into a coherent plot. Next, there were the wonderfully mundane locations in which Peter Graves would retrieve the briefing materials and the tape which invariably dissolved in a cloud of smoke.

After all the introduction, the remaining fifty minutes was sometimes an anti-climax. More often, it was very satisfying to see the initial vignettes fitted jigsaw-pattern into the plot. Perhaps towards the very end of the series, the plots became a little stilted or physically impossible; but invariably entertaining.

Like most fans of the original series, I found the over-hyped film of the same name to be an facile and shallow work with no redeeming features. I would die happy seeing a film in which Martin Landau, Peter Graves, Greg Morris et al. emerge creaking from retirement to save the day, and as they so often did, drive off leaving thwarted villains to turn on each other.