Río de la muerte, río del amor

This is often credited as "the first cannibal horror film", although it has less to do with cannibalism than with Italian shockumentaries such as "Mondo Cane". Viewing it is an often repellent but altogether fascinating experience - one that you will not soon forget. Umberto Lenzi's direction, which is a curious mix of skill and amateurishness, combined with the location shooting, give it a documentary-like feel that compensates for the thin and sloppily set-up plot. (***)

This was the first of the 6 major Italian Cannibal flicks of the 70's, (and early 80's). And it isn't that bad at all. It has a quite good story, and the acting is suprisingly good. The love story is a little far-fetched, but the film itself is quite enjoyable, except, once again for the real animal deaths.

Not as good as either of Deodato's, but certainly better than Eaten Alive, Cannibal Apocalypse, or Trap Them and Kill Them.

Umberto Lenzi was a diverse director, having made Giallo films, Italian crime films and some of the most notorious cannibal flicks, not to mention a whole host of other films with various sub-genres of horror. Deep River Savages is the film that is often given credit for kicking off the whole cannibal tradition, and it's also a member of the British 'Video Nasty' list, which lead to it's banning in the eighties. It's odd that this film should be on that list; however, as it's debatable as to whether or not it's even a horror film. Sure, it features some gore; but this is more like an early version of Dances with Wolves than its more bloodthirsty cannibal film cousins. The film follows Ivan Rassimov; a man who, after accidentally killing another man in a bar, finds himself in the Amazon jungle, where he is taken captive by a bunch of savages. After enduring various tortures, he finds himself the object of affection for a dim-witted female member of the tribe, and when she chooses him as her husband; he soon realises that despite being bloodthirsty savages; these guys aren't all that bad...

Ivan Rassimov is one of my favourite cult Italian actors, and he does well in this film as his rugged appearance fits the feel of the movie very well and this makes him believable in the lead role. His performance gives the film credibility; something which is lacking in a lot of these types of films. He is joined by his Last Cannibal World and Eaten Alive co-star Me Me Lai, whose appearance again helps the movie and the pair do actually bode quite well on screen together. Umberto Lenzi's direction is assured as usual, and he does a good job of ensuring that the location fits the tone of the movie at all times. The jungle setting is well realised, and the shots the savages' village look great. The film is, like Kevin Coaster's highly rated nineties film, more than a little bit cheesy; and this isn't helped by Ivan Rassimov's voice-over. If it wasn't for the fact that I've seen 1957's 'Run of the Arrow', I would imply that Kevin Costner stole ideas from Umberto Lenzi. Of course, Dances with Wolves was about an Indian tribe; but there isn't a lot of difference. Still, I'd take Ivan Rassimov and cannibals before Kevin Costner and Indians any day! Overall, this isn't one of the 'great' Italian cannibal films...but it's not bad either.

Ivan Rassimov plays American photographer John Bradley, on vacation in Thailand. He and his guide end up deep in the jungle, where he is abducted by a primitive tribe. They put him into a variety of tortures and trials, until finally accepting him as one of their own. He finds adjusting to this new life to be surprisingly agreeable, especially when he becomes smitten with Maraya (Me Me Lai), the lovely daughter of the tribes' leader.

Considered to the vanguard film in that jungle / cannibal genre popularized by the Italians, this is definitely a trail blazer, but people who've already seen more famous entries in the genre may be caught off guard with this one. It's more of a straight drama (heavily influenced by Elliot Silversteins' Western "A Man Called Horse") with touches of horror than a body munching / body count / exploitation feature. In reality, despite the presence of a hostile cannibal tribe in the film, only one person ever gets turned into a feast.

"Sacrifice!", a.k.a. "The Man from the Deep River", isn't without its gory pleasures, however. It benefits from excellent location shooting and utterly convincing local color. It's wonderfully shot, and scored, and is overall quite appealing and engaging. It's not to all tastes, though, because it includes some brief moments of animal cruelty that will turn off some members of the audience. This, of course, has only become one of the elements that recurs throughout many an Italian jungle adventure.

Rassimov is good as the hero. The intoxicatingly gorgeous Me Me Lai, who went on to appear in "Jungle Holocaust" and "Eaten Alive!" as well, is very easy to watch. (Viewers should be quite content with the amount of female nudity that is present.) The other performances are quite effective.

This is as good a story of both the beauty and savagery of nature as one could see.

Eight out of 10.

This is a earlier film directed by Umberto Lenzi in 1972. This is also considered to be the first of a series of many cannibal films. Although, this film dosen't necessarily focus on the cannibalism but more on character development and story.

Basically, a man goes into the amazon and is captured by a vicious tribe. It isn't until he kills one of their own that he is excepted into the tribe.

I just saw this movie and I thought it was a decent film. Nothing to spectacular but enjoyable nonetheless. The main problems with this film is it tends to drag at many points and the gore is very limited. Another problem with this film is (just like almost all other cannibal films) the fact that they have real animals being slaughtered. Just like in my review of Cannibal Holocaust and Cannibal Ferox, I just don't understand the use in killing animals on the screen for shock value.

Altogether, this isn't a bad film but nowhere near as good as some of Lenzi's later work. 6/10 stars