I corpi presentano tracce di violenza carnale

With a title like 'Torso' one would expect this Italian horror film to either be very bloody or very lurid. In this case, it's both.

Murders at a Rome college forces a group of lady friends to retreat to an isolated house in the hills. But little do they know the killer has followed them...

While director Sergio Martino isn't Dario Argento or Mario Bava his direction in this film is pretty well done. He makes the most of a simple storyline with some lush filming locations, solid scenes of tight suspense, and an all-around attractive cast. Particularly great is the beautifully atmospheric stalking sequence with Carol in the woods, as well as the highly intense scene where Jane must hide from the killer while he dismembers one of her friends. This effort will be most entertaining to the exploitation fans, as the film has plenty of female nudity and the occasional bit of gore.

The cast is fairly decent, Suzy Kendall is the biggest stand-out though as a young woman trapped by the killer.

Over all a good horror effort that would later influence the slasher genre. Torso isn't for all tastes, but for the game giallo or slasher fan it's a great treat.

*** out of ****

Between 1971 and 1973 Sergio Martino directed a series of five astonishingly good horror-thrillers. In fact, it could convincingly be argued that in those years Martino was the premier Italian director in this genre. Torso is the final film in this sequence and while it may possibly be the least of the five it still remains an excellent entry in the giallo sub-genre. All five of his gialli had different angles that meant that they were not copies of each other. The Case of the Scorpion's Tail was a classic-style giallo that had a strong mystery element, The Strange Vice of Mrs Wardh added a significant layer of eroticism, Your Vice is a Locked Room and Only I Have the Key added intense melodrama into the mix along with the plot of Edgar Allan Poe's the Black Cat, All the Colors of the Dark combined the giallo with an occult horror story; what Torso did was move the genre closer to the slasher film. To do this the movie is stripped of much of the detective mystery strand that typified the genre in the early 70's and instead focuses on the sex, violence and tension. Maybe by 1973 the Italian public were growing tired of the plethora of mystery-driven gialli? I can't say but Torso certainly marginalises this and magnifies the salacious content.

The story revolves around a group of young college women who are terrorised by an unknown black-gloved killer. The girls themselves are, of course, gorgeous. Most of them seem to spend quite a lot of time lying around semi-naked as well. So from an erotic point of view this is a film that doesn't exactly mess about. In terms of its violence it's probably not as nasty as its reputation suggests although there is the famous hack-saw sequence that is admittedly quite grim albeit not especially graphic. There are several individual stalk and slash scenes, the best of which is a sequence in the woods. This part is very atmospheric, helped also by the effective music. Its scenes like this one and the saw idea that make this one feel like a precursor to the slasher films that would follow a few years later. But the best thing about Torso is its final third. In this part lead actress Suzy Kendall is trapped in a villa with the killer at work in the same house but unaware of her presence. This extended, deadly game of cat and mouse is really expertly handled by Martino and is one of the most suspenseful sequences in the giallo genre. It is ultimately what defines this film.

Torso is yet another excellent giallo from Sergio Martino. It comes highly recommended to fans of the genre. Just be aware that it's less concerned with plot mechanics and much more on suspense and vicarious thrills. Because the final third is so claustrophobic and intense it means that the wider mystery is almost forgotten about. But if this doesn't trouble you too much and you are happy with thrills that don't trouble your brain too much then this is a quality ride.

I was surprised at how well this movie was made. The direction is first rate. I saw a restored and "uncut" Danish DVD. It looked great. Although I'm not sure about the "uncut" part, as the are still images with full frontal nudity which do not appear in the movie. But there are plenty of attractive topless females. There's also plenty of violence and gore. But the story is good, too. Females are stalked by a violent psychopathic killer. They seek refuge in an isolated mansion. The police is on the trail of the killer. They story is well-written and shows the characters as having some intelligence. The only thing missing is more character development of the females. One doesn't sympathize much with any of them because we don't get to know them all that well. There's also a good explanation given for the killers motives. Overall a surprisingly good achievement.

"Torso" is a simply stunning giallo. Sergio Martino's movie has some genuine edge-of-the-seat moments, a very attractive female cast, a superb score by Guido and Maurizio De Angelis and beautiful cinematography.

While some of the special effects are a little on the poor side, the film succeeds in keeping the viewer enthralled in the plot and its strong points far outweigh any minor criticisms.

I really enjoyed this movie. It's not often that a film can keep me in suspense like this one did. Stylish, thrilling, erotic and gripping, "Torso" gives most other giallo films a real run for their money.

I admire this piece of giallo cinema because of its great style and how director Sergio Martino contrasts the gorgeously beautiful Italian countryside with the bloody activities of a mysterious gloved killer. In this film, the killer is unique because he/she casts a very unique, eerie presence whenever hinted at or briefly shown onscreen, usually wearing some sort of ski mask to hide his/her face. I also like the plot revolving around the red and black scarf, and how it ties in with the identity of the murderer. The story follows a group of young, gorgeous Italian coeds frightened when their friends start dropping like flies at the hands of a brutal slasher, who likes to strangle, stab and fondle the nude bodies of his victims (another sick, effective touch which makes the film all the more nasty). Four of the girls flee to a villa in a small, scenic village to get away from all the atrocities committed on campus. Of course, the killer has followed them there and is set on killing them off one by one. This film is very perverted in ways, the killings are all sexually sadistic in nature, and the motive basically revolves around the dangerous sexual games played by the beautiful coeds. I can't say more without revealing clues which may give away the killer's identity. "Torso" is also loaded with female nudity, as the film starts right off with a wild orgy going on as the credits roll, complete with close up shots of naked breasts. There is also a slight lesbian subplot involving two of the girls, although we don't see anything that graphic at all. No male nudity is present, which is too bad, I was really waiting for one of my fav hot actors, John Richardson, to take something off, but no such luck. Again, this movie is creepily effective, well-acted, and has great photography, and even if you do find it slow-moving, keep with it, as the finale is probably the best part of the film as the heroine has to watch the killer carve up her friends, one of the most unnerving sequences I have ever seen captured on film. The music is pretty good for the most part, but at times it seems like music better suited to a porno flick. And another thing to mention is, the uncut version of this movie doesn't seem to have that much gore at all, I just figured it would since such a big deal was made about it being uncut with all the "grisly violence" finally restored. It still seems like you're watching the R-rated version. Oh, well. This is still a fun movie, especially for those who love Italian horror.