Colapso: exterminio brutal

After the success of his classic Night of the Living Dead (1968), horror master George Romero followed up with this low-budget thriller.

Airplane crashes outside of a small Pennsylvania town and unleashes a bio chemical substance that turns the locals into murderous psychotics. The government steps in, but only makes things worse... far worse.

George Romero's films have long been known for their violence, disturbing nature, and social commentary and this early film is no exception. The Crazies has exciting action wrapped all in a thought-provoking and unsettlingly believable story. There's plenty of moments of gore and a number of scenes that are quite horrific (burning preacher anyone?). Romero's direction is nicely done, providing tense atmosphere and using the rural locations of Pennyslvania well.

Cast-wise some of the performances of this film seem a bit forced, but the performers do manage to hold it together. Harold Wayne Jones, Will MacMillian, and Lloyd Hollar are the best stand-outs.

While The Crazies is often forgotten among the horror films of the 70's, it's a good film from a great director. A must for Romero fans.

*** out of ****

Romero's zombie classics 'Night Of The Living Dead' and 'Dawn Of The Dead' are two of the best horror movies ever made, but they really cast a huge shadow over his career. Romero made two movies in between that are seriously overlooked, the fascinating character study of a vampire(?) 'Martin', and 'The Crazies', a paranoid thriller in a similar vein to the Dead movies. While not actually a zombie movie as such anyone who enjoys NOTLD or DOTD will find much to admire here. The budget is very low so the production values sometimes leave a bit to be desired and the acting is variable, but overall I think it's a terrific movie with some interesting echoes of both NOTLD and the Vietnam war. Will MacMillan (David) and Lane Carroll (Judy) aren't familiar to me, and neither is Lloyd Hollar who plays the Colonel in charge of the quarantine (he's very good), but cult fave Lynn Lowry ('Shivers') plays space case Kathy, her Dad (Richard Liberty) will be recognized by anybody who has seen 'Day Of The Dead', and David's 'Nam buddy Clank (Harold Wayne Jones) went on to appear in Romero's 'Knightriders'. And then there's the wonderful Richard France playing a similar character to the one he would memorably play in DOTD, an outraged scientist. 'The Crazies' pretty much flopped back in the 70s but looking at it now restored for DVD it's obviously one of Romero's best and a must for any horror buff. The commentary track by Romero and William 'Maniac' Lustig is also highly recommended as it offers lots of insights into the highs and lows of low budget film making.

Just in case some stubborn people are still questioning George A. Romero's talent after his 1968 milestone "Night of the Living Dead", we hereby present "The Crazies"! Once again a film stuffed with subtle criticism on society and pitch black humor. "The Crazies" immediately demands your full attention with a powerful pre-credits opening sequence and the high-excitement level is upheld throughout the entire movie. The little Pennsylvanian town of Evans City is overcome with a secret, but very lethal, government virus leaving the infected either dead or incurably insane. "Trixie" initially was developed as a chemical weapon, so not one of the scientists or army officers know how to put a stop to it when innocent people are exposed to it. The simple plot and cheap elaboration are excellently camouflaged by Romero's sharp eye for detail. Right from the start, he builds up a tense atmosphere of truly realistic mass hysteria that confuses even you – the viewer – in not knowing which characters are infected and which aren't. They could all simply be trigger-happy Pennsylvanian hillbillies for all we know! Although this film never really becomes "disturbing", there are quite a few scenes that shock and that feel strangely real. You could also state "The Crazies" was quite ahead of its time because chemical warfare is much more in the picture now than it was 30 years ago, when this film got shot. Romero's premise is simple but efficient: the malfunctioning and greed of the human race is much scarier than any fictional horror monster could ever be. Best example is the military men who become eerie and threatening in their icky white suits.

I first saw this in the early 90s on a vhs. Revisited it recently.

Small town residents go berserk after a viral epidemic engulfs em n military law is enabled to control the town's border, place people in quarantine n shoot the 'crazies'. While scientists work hard to learn the pathogen n search for a cure, two ex army men turned fire fighters along with three other civilians fight their way out to obtain the information n evade the quarantine.

The film moves at a good pace n surprisingly without it containing any zombies, it has sufficient tension n suspense. The chaos n fear shown is pretty relevant in today's covid 19 pandemic.

George Romero's legend as a genre filmmaker is secure; his repertoire is less sure, as his movies can be hit or miss. I admit I started watching 'The crazies' with expectations of something different than what we actually get. However, while the narrative starts slowly, it nonetheless ends up being duly engaging. What begins as a disordered effort to contain an outbreak gradually spirals out into a deepening crisis, and the spotlight on a handful of recalcitrant townspeople humanizes the course of events and a strong overarching theme of distrust in the military. The premise is disquieting, the story as it transpires is often unsettling, and in the midst of all the chaos, what scenes of violence we get are acutely jarring. The sense of horror here is broadly more thematic and conceptual than concrete, but even at that, this is a reasonably worthwhile classic.

The detail in the production design is somewhat impressive considering especially that this was only Romero's fourth film, a few short years after 'Night of the living dead.' The vehicles, props, and costume design presumably ate a fair portion of the budget, joined in that spread by special effects including blood. In general there's not much to speak of in terms of dialogue or characters, but the scene writing is pretty swell. And though never wholly captivating, or engaging to the extent we'd hope, the overall narrative is fairly solid.

Moments that could be emphasized with gravity or emotional weight are passed over with the same detached observer's eye that otherwise captures the unfolding events. With this in mind, the assembled cast get to explore their parts mostly only in instances of worsening infection - but they all inhabit their roles well to tell the story. And this rather summarizes 'The crazies' as a whole: the storytelling and film-making are fine, demonstrating Romero's practiced hand in the genre - and that's about it. Nothing about the movie is bad, but nor is anything exceptional to the point of demanding praise. It's modestly gripping, but not necessarily satisfying; entertaining, but not outright stimulating.

One shouldn't necessarily go out of their way to find this, but it's sufficiently deserving of consideration as to be worth watching if you come across it. As a horror film, and as a George Romero picture, 'The crazies' isn't the most essential slice of cinema, but it's a good time all the same.

Though as a lifelong resident of the greater Pittsburgh area, the idea of anything noteworthy coming out of Evans City, like a classic movie, is still a laugh.