The Blue Knight

I also saw this NBC mini series in its original uncut network run in the fall of 1973 and then saw it repeated in 1975, but that's it. Yes, it needs to be released on DVD or VHS in its original state because this is classic landmark adult TV. This was the re-birth of William Holden's career and he was beyond memorable as Bumper Morgan. The characters ran better here than in print and that was hard to top because Wambaugh wrote a great first person character analysis with his novel of the final works days of a dinosaured LAPD street cop. Overlooked was the supporting mastery of Joe Santos, Vic Tayback and Sam Elliot. Along with KOJAK, this was TV's best of 1973.

I saw this mini series when it first aired back in the seventies before the days of the vcrs. The only time I ever saw it again was after it was cut down to a 90 min. TV Movie with most of the "bite" taken out of it. I think that it was this movie that made me realize how good an actor William Holden was. I certainly would like this entire min-series put on a DVD. I would buy it in a heartbeat.

I have read the book so many times I forgot how many, it was that good! I saw the TV movie when it first came out in the days before video staring William Holden and the TV show staring George Kennedy, Holden had the moxie that Wambaugh describe in his book but Kennedy had the build, Bumper Morgan weighing in at 275 pounds, the TV series was played down more than the movie was as far as attitude and Bumper way of thumping on people, but they were both excellent films and were way ahead of their time. You had to wait for Hill street Blues to come to TV before you got another true life cop show. Blue Knight was on TV in 1973 and 1975-76, Hill street did not come on tell late 80's I believe, that left a lot of years without good police shows on TV. now people are use to good shows with Law & Order and others but I remember a time when on a Saturday night at 7pm all you had to watch was Lawerance Welk, he-ha, and bugs bunny,! I choose the Bunny..

This movie was terrific in it's view of what police work was like at that time, before the handcuffs were put on the police more than they were on the criminals. Bumper Morgan was the kind of cop I trained under, and each of them, and he, were real characters. The most memorable line to me was, when Morgan (William Holden) told the State's Attorney, after screwing up in court and being asked why "Because I'm 50 lousy years old, and I just can't cut it anymore!" Only people who have been in law enforcement can understand the truth in that admission...... This is a wonderful movie on many levels. It shows how police work used to be done in another era, it may make some people realize that maybe it was better done that way, it may scare some people, and it truly sheds light on the dilemma that faces a man in the twilight of his chosen career. A stellar performance by Holden, who was in his twilight at the time it was filmed. Perhaps he brought more to the role than even he realized. His personal decline was mirrored in his portrayal of the kind of cop we all want when we are the victim, but never, ever want to face as the offender. Darkly brilliant !

Director Robert Butler concocted together this 188-minute TV series, which may have been the blueprint for the better known and orchestrated HILL STREET BLUES series that enjoyed some considerable success in the 1980s.

Cinematography is strictly competent and fitting, featuring mostly drab surroundings and down and outers in the seedier parts of a major US city.

William Holden holds those 188 minutes together thanks to a masterful performance and dry delivery. It is a pity that an actor of his immense quality should have made so many poor choices, but certainly THE BLUE KNIGHT deserves watching for his contribution alone.

The script is rather thin. Nothing much happens. The character of Bumper Morgan, the street cop played by Holden, is fairly well etched and credible. I found it more difficult to understand Lee Remick's part. Beautiful woman that she was, a university lecturer to boot, why would she bother with a bottom of the barrel cop struggling with ghosts from the past like his failed marriage and his dead son? And when he seems to have made a place for her and a kid in his life, he kicks it all out and goes back to his lonely street cop job even though he is on his last day and about to hang up holster, gun and badge. Baffling, to say the least.

I give this a very generous 7/10 because of Holden. The rest is completely forgettable.