Al ser suspendido debido a la mortal caída de un portorriqueño al que perseguía, un policía de Nueva York promete, cueste lo que cueste, mantener las calles limpias tras el asesinato de su c... Leer todoAl ser suspendido debido a la mortal caída de un portorriqueño al que perseguía, un policía de Nueva York promete, cueste lo que cueste, mantener las calles limpias tras el asesinato de su compañero.Al ser suspendido debido a la mortal caída de un portorriqueño al que perseguía, un policía de Nueva York promete, cueste lo que cueste, mantener las calles limpias tras el asesinato de su compañero.
Chico Martínez
- Frankie Diaz
- (as Chico Martinez)
Jose Duvall
- Ferrer
- (as Jose Duval)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"When a man's partner is killed...You're supposed to do something about it"...Sam Spade..."The Maltese Falcon"
Do Something Duvall Does.
It Takes the Defrocked Cop to the Underbelly of the Puerto Rican Community in New York City that is Rife with Talk of Revolution in the Homeland.
Robert Duvall, in His First Starring Role, is a Powerhouse of Politically Incorrect Racist Rants and Fearless Behavior as He Bulldozes through Crime Gangs and Crime Lords.
It's a Dour Movie that Strips Away any Pretension of Police Hero-Worship.
A Movie so Bleak and Uncomfortable that it was Pummeled even on its Release-Date as so Offensive, in 1973, that Few Found it anything but Deplorable.
Viewed Today, it is Curious bit of Moviedom that Marks its Territory with Brutal, Unlikeable Human-Beings.
Be it Cop or Thug.
That Makes the Movie a Cringe-Fest of Unfettered, Unpleasant , Post-Code "New Hollywood".
There is a Second-Act Chase Scene, Featuring a Public Transit Bus, Full of Terrified Passengers.
The Ex-Cop Exploits it for Personal Satisfaction with No Regard for the Innocent Lives.
He, seemingly, is so UN-Aware that He Giggles with Glee.
This Makes the Movie more of a Cartoon than a Gritty Neo-Noir.
There are Other Things that are Over-the-Top.
Like the Comic-Book Villain with a Huge In-Your-Face Mustache and Sunglasses.
This is a Guilty-Pleasure at Best.
Watching Duvall and All Taking the Zeitgeist of the Crime Film Renaissance and Going So Far as to be Ridiculous.
Do Something Duvall Does.
It Takes the Defrocked Cop to the Underbelly of the Puerto Rican Community in New York City that is Rife with Talk of Revolution in the Homeland.
Robert Duvall, in His First Starring Role, is a Powerhouse of Politically Incorrect Racist Rants and Fearless Behavior as He Bulldozes through Crime Gangs and Crime Lords.
It's a Dour Movie that Strips Away any Pretension of Police Hero-Worship.
A Movie so Bleak and Uncomfortable that it was Pummeled even on its Release-Date as so Offensive, in 1973, that Few Found it anything but Deplorable.
Viewed Today, it is Curious bit of Moviedom that Marks its Territory with Brutal, Unlikeable Human-Beings.
Be it Cop or Thug.
That Makes the Movie a Cringe-Fest of Unfettered, Unpleasant , Post-Code "New Hollywood".
There is a Second-Act Chase Scene, Featuring a Public Transit Bus, Full of Terrified Passengers.
The Ex-Cop Exploits it for Personal Satisfaction with No Regard for the Innocent Lives.
He, seemingly, is so UN-Aware that He Giggles with Glee.
This Makes the Movie more of a Cartoon than a Gritty Neo-Noir.
There are Other Things that are Over-the-Top.
Like the Comic-Book Villain with a Huge In-Your-Face Mustache and Sunglasses.
This is a Guilty-Pleasure at Best.
Watching Duvall and All Taking the Zeitgeist of the Crime Film Renaissance and Going So Far as to be Ridiculous.
Based on the true story of officer Eddie Egan,, who also has a small part in this movie,, I found it to be urban gritty, and to the point,, after he get's suspended from the force for causing the death of a bad guy,, he takes up bartending part time.. he later find out that his partner was viciously gunned down,, now he must take action 'Dirty Harry" style,, he sets out on a mission with only one thing in mind,, get the man or men that killed his partner,, the bad guys are led by a character named "Sweet William" , and now the battle is on good vs. evil,, sure this isn't gonna win any awards by no stretch of the imagination and certainly pales compared to the French Connection,, but this is a movie worthwhile of you're time.
Useless to say that this crime drama is a pure product of the seventies, any idiot and not even a movie buff, could confirm. Everything here, everything is connected to the seventies style: dialogues, music, haircuts, subject, violence, everything. Robert Duvall, as in THE OUTFIT, is excellent in this role inspired by DIRTY HARRY and also FRENCH CONNECTION. I often confound this film with SEVEN UPS, I don't know why.... It is fast paced, gritty, violent, how could it be else? I like this film very much and am very happy to see it once more. I read the novelization written by Mike Roote, the same guy who did the same with SCORPIO.
In a film about a man who's in the film playing the best friend of himself, it's an unashamedly affectionate apology for life and antics of Mr French Connection Eddie Egan. In fact the portrayal of the man himself by the man himself played in front of him becomes so uncomfortably assertive I started to feel like I should leave the room, that perhaps the movie would rather be on its own.
Still with all that love on show it should come as no surprise it's a racist, sexist and somewhat tedious police procedural with its morality clasped somewhat firmly (ahem) with Duvall's contempt with everyone and everything that's not Cop and meting out punishment for being less mortally challenged than his God-spot.
While the aforementioned TFC was an prescient existential nightmare about the USA's damaged ego and rightly lauded, Badge presents a throwback to Fritz Lang's The Big Heat when one man can make a difference like a proto John McLean without the wisecracks, and was justly ignored as fable.
Still with all that love on show it should come as no surprise it's a racist, sexist and somewhat tedious police procedural with its morality clasped somewhat firmly (ahem) with Duvall's contempt with everyone and everything that's not Cop and meting out punishment for being less mortally challenged than his God-spot.
While the aforementioned TFC was an prescient existential nightmare about the USA's damaged ego and rightly lauded, Badge presents a throwback to Fritz Lang's The Big Heat when one man can make a difference like a proto John McLean without the wisecracks, and was justly ignored as fable.
This is nowhere near as good as "The French Connection" by a long, long way. "Badge 373" is just business as usual, with nothing to commend it. Robert Duvall is given the lead for a change in his thinly-veiled portrayal of real life cop, Eddie Egan. Gene Hackman brought a great deal of depth and personality to his character of Popeye Doyle. Duvall wasn't able to do the same here. The plot is dull and predictable.
¿Sabías que…?
- Trivia"373" was Eddie Egan's badge number as a detective with the NYPD.
- ErroresIn one scene, there's a New York Police Department car(Car #1097) with a New York State passenger vehicle license plate on the front bumper. New York City police cars only have their own license plates identifying the car number, and only on the back. In fact few police departments in New York State use state plates for their cars, and those that do only use Police license plates.
- Citas
Eddie Ryan: Departmental trial? Who are you kidding? You know cops are always guilty until proven innocent.
- ConexionesReferenced in Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s (2012)
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By what name was Badge 373 (1973) officially released in India in English?
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