Un par de graduados de la escuela secundaria pasan una última noche paseando por la pista con sus amigos antes de ir a la universidad.Un par de graduados de la escuela secundaria pasan una última noche paseando por la pista con sus amigos antes de ir a la universidad.Un par de graduados de la escuela secundaria pasan una última noche paseando por la pista con sus amigos antes de ir a la universidad.
- Dirección
- Guionistas
- Elenco
- Nominado a 5 premios Óscar
- 9 premios ganados y 13 nominaciones en total
Ron Howard
- Steve
- (as Ronny Howard)
Charles Martin Smith
- Terry
- (as Charlie Martin Smith)
Terence McGovern
- Mr. Wolfe
- (as Terry McGovern)
Kathleen Quinlan
- Peg
- (as Kathy Quinlan)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"I just love it when guys peel out." -Debbie Dunham
American Graffiti is the best film about teenagers. It actually has a point, unlike the other teenage films where all that they do is get drunk and party. American Graffiti is about different types of teenagers doing different things on the last night that they all have together in 1962 after graduating. They all actually learn about themselves and what they want to do with their lives. One of the older
teenagers, Curt, is planning on leaving the next day. Steve is trying to work out his relationship with Curt's sister, while John and Terry have their own dates for the night. American Graffiti is a wonderful film on many levels. It is both funny and serious. A great direction by George Lucas and a fine cast with Ron
Howard, Richard Dreyfuss, Cindy Williams, Paul LeMat, Charles Martin Smith,
Candy Clark (Oscar-nominated), MacKenzie Phillips, Harrison Ford. One of the
best films of the 70's and the only teen film in my memory that has had the
pleasure of being nominated for Oscar- Best Picture. 10/10 stars.
American Graffiti is the best film about teenagers. It actually has a point, unlike the other teenage films where all that they do is get drunk and party. American Graffiti is about different types of teenagers doing different things on the last night that they all have together in 1962 after graduating. They all actually learn about themselves and what they want to do with their lives. One of the older
teenagers, Curt, is planning on leaving the next day. Steve is trying to work out his relationship with Curt's sister, while John and Terry have their own dates for the night. American Graffiti is a wonderful film on many levels. It is both funny and serious. A great direction by George Lucas and a fine cast with Ron
Howard, Richard Dreyfuss, Cindy Williams, Paul LeMat, Charles Martin Smith,
Candy Clark (Oscar-nominated), MacKenzie Phillips, Harrison Ford. One of the
best films of the 70's and the only teen film in my memory that has had the
pleasure of being nominated for Oscar- Best Picture. 10/10 stars.
In 1962, I was 19 years old. So, don,t ask me if I can relate to the movie American Graffiti. Music, emotions, friends, drive-ins, THAT WAS MY LIFE.. . and many scenes remind me of that good time, before making adult decisions.
Darn, Curt leaves friends and family to persue studies in the East. I left friends and family to start my carreer as a jounalist in a small town weekly newspaper in 1963. And YES, I sured danced to music and songs provided by a real little musical groups. The Platters were standard fare for slow dances. Those sock ups dances in gymnasiums were soooooo full of different kinds of emotions. My Wolfman Jack was Joey Reynolds, then a fast talking DJ, at WKBW, in Buffalo, that came in strong at night in Montreal. And yes, I went back years later to my old high school to walk in the halls, like Curt, and remember ... remember friends that I still had and those that had moved into their own world of responsabilities and out of mine. All the songs in me movie can stick to something I lived listening to them, as they came out, got airplay and made me dance or fall in love, if not both. My Mel'S Drive In was a A & W drive in and, yes, in our gang there was a 1957 Chevrolet, with a boosted motor under the hood. Milner would have loved to drive it. I could go on and on.... Don't ask me if it's a great movie. For me, it's a window on my youth and, darn, did I have a great time. So, for me, the movie is GREAT !. I always watch it with a broad smile on my face. No nostalgia goose bumps for me. Life is great also today but when I watch American Graffiti, I have the immense pleasure of reliving my teenage years and enjoy the magic of them, with all my heart and soul. Thanks Lucas !!!!
Darn, Curt leaves friends and family to persue studies in the East. I left friends and family to start my carreer as a jounalist in a small town weekly newspaper in 1963. And YES, I sured danced to music and songs provided by a real little musical groups. The Platters were standard fare for slow dances. Those sock ups dances in gymnasiums were soooooo full of different kinds of emotions. My Wolfman Jack was Joey Reynolds, then a fast talking DJ, at WKBW, in Buffalo, that came in strong at night in Montreal. And yes, I went back years later to my old high school to walk in the halls, like Curt, and remember ... remember friends that I still had and those that had moved into their own world of responsabilities and out of mine. All the songs in me movie can stick to something I lived listening to them, as they came out, got airplay and made me dance or fall in love, if not both. My Mel'S Drive In was a A & W drive in and, yes, in our gang there was a 1957 Chevrolet, with a boosted motor under the hood. Milner would have loved to drive it. I could go on and on.... Don't ask me if it's a great movie. For me, it's a window on my youth and, darn, did I have a great time. So, for me, the movie is GREAT !. I always watch it with a broad smile on my face. No nostalgia goose bumps for me. Life is great also today but when I watch American Graffiti, I have the immense pleasure of reliving my teenage years and enjoy the magic of them, with all my heart and soul. Thanks Lucas !!!!
This is the ground-breaking work by George Lucas, loosely based on his friends and his experiences as a teenager living in the San Joaquin Valley at the beginning of the 1960s, a time of gentle naiveté and innocence. There are no words to describe the edgy sweetness and humor that permeates this ensemble story of friends and enemies, jocks, brains, and punks maneuvering through the stultifying heat of the last weekend of summer vacation, 1962.
American Graffiti is a comedy, a drama, a tragedy, a musical, and a reminder of what small-town America once was, a mere forty years ago. From its breezy humor to its excruciating last moments (I remember theater-goers stunned in their seats, sobbing after the credits were done), Lucas's first major hit hits home. American Graffiti is pure magic.
American Graffiti is a comedy, a drama, a tragedy, a musical, and a reminder of what small-town America once was, a mere forty years ago. From its breezy humor to its excruciating last moments (I remember theater-goers stunned in their seats, sobbing after the credits were done), Lucas's first major hit hits home. American Graffiti is pure magic.
While born three years after the events in the film, I could still relate to the plight of being a teenager on the threshold to adult life. I think it takes a pretty insensitive person not to be captivated by this excellent movie (boring? - because just one car blew up, or what?!). This was the 3rd or 4th time I saw it, and it is just getting better. It is unusual to see filmmaking of this caliber coming from Hollywood (not least when considering Lucas' latest offering - blech!), but like movies like "The Year My Voice Broke" and "My Life as a Dog", "American Graffiti" tells us something about where we came from, without being dull or preachy. ***½ out of ****
I don't know if George Lucas really knew what he had in this picture--surely the screenplay seemed funny enough, and the thought of the cars and the period music was enticing--but did he really know these "unknown" actors would bring these characters to life? It seems almost a fluke, shot in 29 days and on a tight budget, but "American Graffiti" is a classic. It is perhaps pure nostalgia, mixing pathos and humor, sadness and craziness, hope and reflection in quiet little bursts of excitement. After cruising with Milner all night, teenage Carol hates to say goodbye but does, waving from her porch with the light on; Toad survives one bad accident after another, but his real moment is in hearing praise from his date (fantastic, husky-voiced Candy Clark, dolled up like a speeding Sandra Dee) just before she says good night; after chasing his dream date all night, Kurt (Richard Dreyfuss, green and anxious, and appealingly bemused) finally gets to talk to the stunning blonde wonder on the telephone, where she whispers a wrenching goodbye. The whole movie is steeped in reflection. It has great, great humor, yet it leaves one with a bittersweet melancholia. For yesterday is in the past, with our music, our memories and our hesitant farewells. ***1/2 from ****
The Life and Times of Harrison Ford
The Life and Times of Harrison Ford
Take a look back at Harrison Ford's movie career in photos.
¿Sabías que…?
- TriviaDue to the low budget, George Lucas was unable to pay all of the crew members. He offered to give many of them a screen credit in lieu of payment, and they accepted. Traditionally, only department heads received screen credit. Giving screen credit to all crew members is now standard, which is why closing credits last so much longer now.
- ErroresThe movie is set in 1962, but a cinema marquee advertises Demencia (1963) (released in 1963). This was done on purpose by George Lucas, because Dementia 13 was Producer Francis Ford Coppola's first movie.
- Citas
Curt Henderson: You're the most beautiful, exciting thing I've ever seen in my life and I don't know anything about you.
- Créditos curiososWorded epilogues prior to the credits shows what happen to the characters following the movie. While this has since become commonplace in films, it was considered innovative at the time.
- Versiones alternativasOriginally released at 110 minutes; re-edited and re-released in a slightly longer version (112 minutes) in 1978 when many of its then-unknown stars became famous.
- ConexionesFeatured in Aeropuerto 1975 (1974)
- Bandas sonorasAt The Hop
Written by John Madara, Artie Singer and Dave White (uncredited)
Performed by Flash Cadillac (as Flash Cadillac and The Continental Kids)
Produced by Kim Fowley
Courtesy of Roulette Records:
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Locura americana
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 750,000 (estimado)
- Total en EE. UU. y Canadá
- USD 115,000,000
- Total a nivel mundial
- USD 115,006,690
- Tiempo de ejecución1 hora 50 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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