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Un grupo de adolescentes británicos que tienen poderes especiales. Se pueden comunicar entre sí mediante telepatía.Un grupo de adolescentes británicos que tienen poderes especiales. Se pueden comunicar entre sí mediante telepatía.Un grupo de adolescentes británicos que tienen poderes especiales. Se pueden comunicar entre sí mediante telepatía.
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This was the 3rd British SciFi series from the 70's/80's that we decided to introduce our daughter to during the Covid lockdowns via BritBox; although at the moment they only have the first 4 series rather than all 8.
This one is aimed more at the younger audiences than the other 2 (Blake's 7 and Sapphire & Steel) - and although I wasn't so keen on the 1st Series, it certainly seemed to find its feet after that, even although some of the plots do have the odd hole in them.
Despite being aimed at the younger audience we all enjoyed watching it - and I thought it was better than the attempted 2013 relaunch.
This one is aimed more at the younger audiences than the other 2 (Blake's 7 and Sapphire & Steel) - and although I wasn't so keen on the 1st Series, it certainly seemed to find its feet after that, even although some of the plots do have the odd hole in them.
Despite being aimed at the younger audience we all enjoyed watching it - and I thought it was better than the attempted 2013 relaunch.
I would like by saying that if you are American (as per the only other review), you may indeed find this series hard going. Not because of the story lines, generally, but because of the woeful effects. By US standard, even at the time, TV and film was way ahead of the game and an effects budget of just £12,000 a series was never going to cut any mustard. However, look through this and let yourself get involved with the plots and story lines and you will find yourself being almost hypnotically drawn into it. For a kids show at this time, it was way ahead of the game and many of us older viewers who remember it did indeed rush home from school to see it. Perhaps because it made a distinction between Saps (Homo Sapiens) and The Tomorrow People (Homo Superior), thus any kid left out of the cruel grim schoolyard politics of the depressive early 70's felt that they were catered for by Tim, Stephen et al. Granted it is exceptionally British middle class, and the characters good and bad are perhaps a little unidentifiable to anyone from, say Pismo Beach CA, but its worth the journey and heres why. The ingredients are all here, dark, strong and at times brooding stories; good well rounded 'good guys', fantastically over the top 'bad guys', bad and laughable effects but again all part of the fun; editing and lighting errors and gaffs (that are still in by the way), a haunting, industrial theme tune and great credits. The Tomorrow People episodes have influenced many contemporary scifi TV pro grammes and the series has been resurrected twice (latest this year).
So I urge you to try the original UK series. Laugh if you must, and you probably will, but I would wager the experience will stay with you for quite a while after. You may even love it as I do, even though you might not know exactly why. The Tomorrow People then. A classic BECAUSE of the flaws.
So I urge you to try the original UK series. Laugh if you must, and you probably will, but I would wager the experience will stay with you for quite a while after. You may even love it as I do, even though you might not know exactly why. The Tomorrow People then. A classic BECAUSE of the flaws.
If like me, you were in your early teens when this first aired, you were probably a fan too of this low-tech but engaging children's sci-fi series. Replacing another favourite in the ITV schedules of the time, "Ace Of Wands", "The Tomorrow People" aimed even more at its target school-age audience by employing child actors in the lead roles of teenage "homo- superiors" with the ability to telepath and "jaunt" through time and space.
Unfortunately this was its biggest weakness, as the young actors in the starring parts are almost universally wooden, every take looking like they're repeating a line learned a minute before. The sets and special effects are similarly dodgy, all cardboard and flashing lights, yet watching the episodes today some forty years on, with its excellent theme tune and arresting title sequence, it still takes me back to my childhood, when I would settle in after school and watch it faithfully.
That nostalgic glow makes it easy to forgive its rather obvious shortcomings and to be fair the stories I've re-watched are okay too, sort of junior Dr Who. The good news is that all the original episodes are currently available to watch somewhere in hyper-space, unlike the late lamented "Ace Of Wands" so enjoy them while you can.
Unfortunately this was its biggest weakness, as the young actors in the starring parts are almost universally wooden, every take looking like they're repeating a line learned a minute before. The sets and special effects are similarly dodgy, all cardboard and flashing lights, yet watching the episodes today some forty years on, with its excellent theme tune and arresting title sequence, it still takes me back to my childhood, when I would settle in after school and watch it faithfully.
That nostalgic glow makes it easy to forgive its rather obvious shortcomings and to be fair the stories I've re-watched are okay too, sort of junior Dr Who. The good news is that all the original episodes are currently available to watch somewhere in hyper-space, unlike the late lamented "Ace Of Wands" so enjoy them while you can.
The Tomorrow People is an unusual series about the next evolution of humanity. Children are being born with the abilities of telekinesis, teleportation, and telepathy, and call themselves Tomorrow People. They cannot kill anyone, and hide their abilities from the saps (homo sapiens, the normals) while getting drawn into adventures by aliens and time travelers determined to exploit their abilities.
It's a startling and refreshing take on kids shows at the time. The Tomorrow People are fully aware of what they are when they "break out" and gain control of their powers, and are aided by Tim, their biological computer. It's very much like a kid's version of Doctor Who but with less horror and nihilism. Good performances from the cast of children actors help as well.
There are problems though. The budget and production values are bad even for seventies television, most noticeable in any monster or spaceship shots. There's a weird homoeroticism to it as well, most noticeable in the story arc "The Medusa Strain" with a bit part from Star Wars actor David Prowse as a loincloth wearing android. Many of the early arcs are split among four or more episodes which lead to a lot of padding and wasted time.
The stories are still oriented towards a kids audience, so adults may find themselves wishing for more depth. While the plots are still fresh the show is dated fairly heavily now, and a lot of the impact is lost since many kids shows cover SF themes. Still, for those of us that watched it as kids on Nickelodeon in the late seventies/eighties, it was a mind-expanding experience, right down to the psychedelic opening sequence. Worth a rental if you like British SF or want to remember it if you watched again, but there are too many flaws to make it a classic.
It's a startling and refreshing take on kids shows at the time. The Tomorrow People are fully aware of what they are when they "break out" and gain control of their powers, and are aided by Tim, their biological computer. It's very much like a kid's version of Doctor Who but with less horror and nihilism. Good performances from the cast of children actors help as well.
There are problems though. The budget and production values are bad even for seventies television, most noticeable in any monster or spaceship shots. There's a weird homoeroticism to it as well, most noticeable in the story arc "The Medusa Strain" with a bit part from Star Wars actor David Prowse as a loincloth wearing android. Many of the early arcs are split among four or more episodes which lead to a lot of padding and wasted time.
The stories are still oriented towards a kids audience, so adults may find themselves wishing for more depth. While the plots are still fresh the show is dated fairly heavily now, and a lot of the impact is lost since many kids shows cover SF themes. Still, for those of us that watched it as kids on Nickelodeon in the late seventies/eighties, it was a mind-expanding experience, right down to the psychedelic opening sequence. Worth a rental if you like British SF or want to remember it if you watched again, but there are too many flaws to make it a classic.
My memory of the show was completely buried from when I had seen it on Nickelodeon when I was a kid. Then I saw mention of it somewhere not long ago, and it all came rushing back to me, memories of what had been my favorite TV show at the time. That prompted some searching, and as a result, I am the proud owner of the first two seasons of The Tommorow People on DVD, which I ordered from Blackstar in the U.K. Watching it was quite an experience, being torn between thinking "this is so cheesy" and "this is absolutely brilliant". As I found watching the commentary, I wasn't the only one. Featuring Nicholas Young (John), Peter Vaughn-Clarke (Stephen), and Philip Gilbert (the voice of Tim), they made what I thought was going to be a technical commentary into a hilarious inside look at the making of the show, which they obviously thought was as cheesy and brilliant as I did. Everyone thinking of getting the DVD's should watch it. This is especially easy as the DVD's you order from the U.K. are Region 0, which means they can be watched all over the world (don't be fooled by blackstar.co.uk or amazon.co.uk when they mark them as Region 2 on the websites, they are all Region 0). Well worth the money for anyone who remembers the show and wants to take a stroll down memory lane.
¿Sabías que…?
- Trivia"Jaunting", the term used for teleporting in this series, comes from the novel "The Stars My Destination" (British title "Tyger Tyger") by Alfred Bester.
- ErroresIn the episode "The Vanishing Earth", the Spidron (who is supposed to be a plant creature) is having a conversation with Steen and turns his head, revealing the actor's human head underneath the Spidron's hood.
- ConexionesFeatured in The 100 Greatest Kids TV Shows (2001)
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