Semnadtsat mgnoveniy vesny

One of the best films of Soviet Union. It is not about intrigues and spy games, though the plot is really gripping. Last months of WW II. Shtirliz - Soviet resident is under suspection of Gestapo. Being in the heart of Hitler's sistem, he struggled with hazi regime long years. The Third Reich bosses Himmler, Shellenberg, Wolf understand that their game is over, they try to save their own skin and seek for separate peace with USA and Great Britain. This treaty could be big calamity for Soviet people, and USSR secret service breakes ignouble plans of nazi. The famouse Soviet actor Vyacheslav Tikhonov (Prince Andej in "War and peace" by Bondarchuk) have excellent incarnated the interesting and very complicated character of Shtirliz. All other roles were played by the best actors of Soviet screen.

Some parts of film were shot in GDR. For the first time after WW II in Soviet cinema appeared the German soldier character, who was kind and humane person. Gestapo guard Helmut saved Russian secret service woman Katya with her child, but himself perished. This role was brillant played by GDR actor Otto Mellies.

"Seventeen moments of spring" is about people, who were cut off their home, country, families in order to fighting with nazi criminals.

What make this movie unique, is how Germans are shown. They are villains, but unlike in many modern movies these villains are not ugly, stupid or emotionless. They have personalities, they are clever, cunning and often charming. Just like one would assume many Nazis were in real life.

There is no much shooting or killing in this film. No special effects. What it has is a great story (loosely based on actual events, I think), great acting, dialogues, and cinematography. Although there are 12 episodes of the film, you will wish there have been more.

Great film. I should watch it again...

Well, I thought this was a fantastic production - very engrossing, with excellent performances, artistic direction, and intelligent scripts. It's a great example of how a television mini-series, as a format, can bring a novelistic type of depth of story and character to the screen. And it's easy to see why it's still so iconic in Russia.

By any technical definition, this particular series is propaganda -- it was ordered specifically by the Soviet government in order to interest more young people in the spy service. Any maybe it did. But "Seventeen Moments of Spring" acts in a way that's completely opposite to the propaganda usually works. Instead of simplifying issues and making them into easy black-and-white decisions, this series complicates them -- dwelling on the difficulty of the heroes' decisions, and taking care to imbue the Geramans with more humanity rather than less.

It's notable and, I think, key to the series' success that the centerpiece of each episode consists of one or two long, tense, subtle dialogue-heavy scenes. The contrast of the action-oriented expectations from the subject of spies and war with the tense character drama that we see is excellent.

The integration of real footage from the war and cameos from other major players are really well-apportioned, and give the character scenes that we're watching more importance to us for our having been reminded of their contextual importance.

The music is about perfect as well, helping to set the tone. In all, it's a spy drama who main modes are subtle, thoughtful melancholy in the foreground, with the element of constant danger tinging it from the background. In that, it's tone is unexpected and very successful. More than worth watching, even for those who don't normally go in for war or spy films.

This series are far greater than anything that has been filmed about war ever. It shows closely characters of German Nazi top during the last weeks of the war, when they understand that the war is lost. A Russian spy is working among them speeding up the war's end.

The pace of the film is slow and thorough, the movie is meant for people with ability to analyze, reflect. Characters of the people involved are depicted are so lively that the film fuses with the documentary pieces. Acting is extremely raw and natural, it actually in't acting, it's living. Tihonov in a role of Stirlitz portrays a real spy - brilliantly talented, sharp, calm, cold, patient - everything that areal spy has to be. At the same time he is not a greedy adventurous coat-turner, he works for his country, his people, his family. And the last - this film works as a litmus test on people. If you don't understand it you simply haven't matured for it. The film itself is flawless.

This movie is one of the top 10 movies for any Russian. Even if you are a foreigner, if you have subtitles or other mean of understanding the plot - you will be stick to your chair for all 11 (is it 11 or 13?) episodes.

The book of Semenov was great and the movie is even better. Great actors, who knew what the war is and how to show it. Amazingly intense plot, without any special effect, all rooted in the chess game between a Russian spy and German (nazi) opponents. Stylish black and white. In 1973 it was common, now it just looks good, as a true documentary.

What else? Music is perfectly suited to the moment and the whole movie is not seeking to draw a line between "good" and "bad" guys but, instead, trying to draw you into the tense atmosphere of the last 3 months preceding the end of WW2.

If you ask a few Russians in the street of Moscow or any other city what number 17 means to him, I bet $100 that over 90% will say "17 Moments of Spring" which stands for "Semnadtsat mgnovenij vesny".