Last of the Summer Wine

The quality of 'Summer Wine' is reflected in its longevity and ongoing popularity.I consider myself fortunate that, having once lived near Holmfirth, the small Yorkshire town where the action was set, during the 1980's,I had the opportunity to sample at first hand, the various locations and was fortunate in seeing the filming of some of the earlier episodes. There may be some support for my view that the earlier episodes, which featured 'Blamire'( Michael Bates)as one of the three leading characters, were characterised by the interplay between these three characters,expressed in terms of dialogue rather than the 'comic' situations which became a feature of later episodes, coupled with the development of other characters who played little or no part in the first series. I consider that the quality of the scripwriting suffered as a result of the changes, particularly when the focus moved away from the central trio. Nevertheless, the programme maintained its popularity over many years and developed almost a cult following. Curiously, though, this popularity was not wholly shared by the population of Holmfirth, who saw the programme as a mixed blessing when the interest generated by the programme resulted in an influx of sightseers into their small, quiet narrow streeted town, with predictable results. Suffice it to say that while one or two enterprising people benefitted from the publicity, the sightseer were, it must be said, disappointed with the fact that there was very little to see of real interest and, of course, the 'characters' were nowhere to be seen. That the programme retained its popularity for so long can only be explained by how well the characters created the illusion of three eccentric old men enjoying their freedom in nostalgic adventures in beautiful surroundings where the sun always appeared to smile on them (the grim reality of the harsh Holmfirth climate being conspicuous by its absence) The secondary characters were always believable and the humour was, by and large, unsophisticated and free from innuendo, reasons, perhaps, for its acceptance in the context it was presented. It may be that the reason for the success of the programme is that it presents a world that no longer exists, a set of endearing characters,lost in their own little world, steeped in a kind of rural simplicity from which the harsh values and events of the real world are permanently excluded,playing the sort of schoolboy adventures in which we may, at one time, have all shared. Their hopes and doubts, dreams and uncertainties running through the tapestry of their lives, played out for us with a skill which belies the simplicity of the message that the programme conveys.

Simply put, this show has been my favorite discovery of late and I am definitely going to try and purchase each and every one of the episodes and specials if possible.

It has really not been done justice by the other comment here. I am absolutely in love with this show.

I had no idea it has been around as long as it has. Apparently the longest running show in England and possibly most anywhere.

With good reason as you will see if you watch a couple of episodes.

These gentlemen trying to recapture their youth are so funny and endearing

Running since the dawn of time, Last of the Summer Wine is one of the mot reliable elements of the BBC's output. Featuring wonderful actors in unique roles, it's ideal viewing for sitting down with the Sunday tea. It's warm, sentimental and old-fashioned. That every episode seems to end with a couple of OAPs rolling down a hillside in a tin bath on wheels is neither here nor there: it's charming and friendly. Spiky edges are provided by Dame Thora Hird, the wondrous Kathy Staff, and Jane Freeman, and the series is not challenging viewing. Harmless. The kind of telly you could watch with your granny. That most of the cast are your granny's age is another joy. Hardly cutting edge, and guaranteed to run until the end of the world, Last of the Summer Wine is truly immortal.

My father got me hooked on this series, after he mentioned how much he enjoyed it. A local PBS station was running it, and I just fell in love with the three old men and their antics. Of course, it doesn't hurt that Peter Sallis is also the voice of Wallace, as in "Wallace & Grommit" -- another personal favorite. My biggest frustration is that our PBS station stopped running it, the BBC has only released one set of tapes, and that is criminal for a show that's been on the air for 30 years! For gentle, character driven comedies, this show cannot be beat. Also, the scenery is beautiful. All those rural, rustic shots of the English countryside are gorgeous.

I was a big fan of this series before i appeared in it. I still get letters and cards from fans despite leaving the show in 1988. Roy Clarke is one of the greatest comedy writers of his generation, he explores the British class system, old age, and the relationships between Yorshiremen and the Women they love brilliantly. The early shows were about boredom, retirement, life in Yorkshire and friendship between men of differing backgrounds. When the show was taken over by Alan J W Bell ,who produced and directed all the episodes i appeared in, the comedy broadened. Wonderful slapstick and unlikely romance became the strong central themes. In 1987 the show regularly had viewing figures just below 20 Million, and it continues to have a cult following to this day. I made some wonderful friends on the series too, Jane Freeman (who played my Auntie Ivy), Bill Owen (who i sadly miss) Peter Sallis (who taught me so much when we worked on stage together) Thora Hird (who told great stories of her early life in the Co-op as a sales assistant) Joe Gladwyn (who told me the most wonderful tales of early music hall and variety shows) to name just a few... I think one of the best qualities of this show is that anyone of any age can watch it and find something amusing, popular family entertainment is rare these days and this is a gem.