Kojak

Theo Kojak was and IS the epitome of cool. He was a top cop, he kicked major criminal ass, he sucked on lollipops to kick his smoking habit, and best of all, he maintained a crome-dome so cool and fashionable, Vin Diesel doesn't even come close! The late, great Telly Savalas brought to life Det. Kojak, and thus this creation was the precursor to all those hip "supercop" TV shows to come, with NASH BRIDGES bearing in mind. Who loves ya, baby? Kojak does.

Sure, Dragnet was in a category all its own and Naked City did pave the way for Kojak, but the grit was too shiny and fake. I grew up in NYC and later, after I moved away, when I watched Kojak in syndication I would get so homesick. What got to me the worst wasn't seeing landmarks like The Angry Squire or Washington Square, but by shooting on city streets, the NYC detritus was blowing down the sidewalk. Yes, that made me lonesome for home. Kojak was a show by, for, and about New Yorkers. Kojak's attitude was a New York cop's attitude, he was tough and glib and underneath that layer was the soft chewy center.

Law & Order owes a huge debt to Kojak. I knew I would have to watch L&O because of what I can only describe as Kojakisms, and it is a disservice to Kojak (& to Telly) that he is only remembered for "Who Loves Ya, Baby?". Kojakisms were as rich and varied as literature.

Here are some of my favorites:

"That's the way the baklava crumbles, baby"

"Whatever you do, don't you so much as double park anywhere near Manhattan South, 'cause you'll get a Hear Ye and a Hear Ye and a greeting you'll never forget."

"Light a candle, baby; a Get Well card won't do."

"...kiss off Goldilocks, your porridge is getting cold."

"You could package that with a wrap-around deodorant and still come out with a stink."

"...the Internal Affairs shoo-flies, they're gonna be all over us like a groom on a honeymoon. And lemme tell ya something, we all better be virgins or have a pretty good story."

"Gather ye rosebuds while ye may; there's a chill in the air.'

"The wine, it smells beautiful baby, but the company, strictly down the tubes."

"Ya know what a vendetta is? It's when a whole bunch of people kill a whole bunch of people for years and years and years and like that!"

" Yer no good! And that's the end of the story!"

Absolutely one of the best shows ever.

Telly Savalas was a grizzled film and TV veteran when he got the spotlight in 1973, with KOJAK. It was a most deserved turn in the sun. Telly took this character and made it his own...the ethnicitity, the old world charm, the brains behind the tough NYPD detective lieutenant that had a genuine compassion for the crime victims he encountered. Telly was the man! The scripts were outstanding, especially in the first season, when penned by Jack Laird, Robert Foster and Halston Wells. The direction was cineamatic quality by the likes of Leo Penn, Jeannot Szwarc and Joel Oliansky. Memorable episodes as SIEGE OF TERROR, DEAD ON HIS FEET, LAST RITES FOR A DEAD PRIEST, THERAPY IN DYNAMITE...I could go on and on. It's also the breeding ground where James Woods, Steven Keats, Harvey Keitel and David Proval cut their small screen dramatic teeth. It's time for this TV legand to be released uncut and unedited on video.

Telly Savalas used his considerable charisma to breathe a little life into this look at a New York detective.Helped by some good location filming in the Big Apple and fairly realistic plots(not to mention that Noo Yawk attitude), Kojak stands as an above average 70's cop show.

This series, a vehicle for star Telly Savalas, stands out in my mind as becoming more as it developed. The location filming in NY jogs memories of those who visited or lived in the city at that time. The plots frequently involved The Mob, which reflects the time. Some stories were patently unrealistic, but every time I'd complain about such, the camera would move into the street and that winter grating steam would wind around the sound of shoe leather, giving a pretty good suggestion of Dashielle Hammett (sp?). Interesting guest stars would occasionally show up, George Savalas proved a very natural actor and some of the humor appeared unforced and ad lib. A better show than much of the drivel in that decade.