The Woman Hunt

The Woman Hunt is yet another version of the often copied classic The Most Dangerous Game; only this time, the main focus is on sleaze rather than horror. The film was written by Jack Hill and directed by Eddie Romero - two of the people involved in bringing us sleaze classics such as The Big Doll House and The Big Bird Cage; so anyone that has seen those two will have some idea of what to expect from this one. Naturally, the film was made on a low budget and as such it all feels very cheap - they couldn't afford good actors either, but apparently beautiful women don't cost much...so that's good. Naturally, the basis for the plot focuses around the idea of a bunch of women being captured; and then hunted down for sport. We focus on the group of mercenaries charged with rounding up the women needed (which are kidnapped to order). They hunt down the women and then take them back to their employers; a rich group of people that use the women as prostitutes for their rich clients.

The Woman Hunt clearly does take influence from The Most Dangerous Game; although it doesn't completely rip it off and only the second half of the film is a real copy. The film is very uneven for much of the duration. Parts of it seem to be dubbed too, and the dubbing is really atrocious. The night shots are far too dark and at times I struggled to see what was going on. This also transcends to the plot, as the film is interesting in parts; and then rather boring in others, which really brings down the quality of the film. The only big name in the cast belongs to Sid Haig; and if anything he's completely wasted - especially considering how much he stood out in Jack Hill's pair of women in prison movies. The film is not very graphic either; although the version I saw ran for barely seventy five minutes, so there's a good chance that it was cut. Even so, it could have been a lot sleazier which would have improved the whole film. Overall, I'd say this might be worth seeing for fans of grindhouse cinema...but it's a long way from being a classic.

As you can derive from the title as well as from the tagline "Set your sights on the Tastiest Game of all", this is a cheap and extremely anti-feminist exploitation version of the legendary cinema classic "The Most Dangerous Game", with abducted slave girls (of all ethnics) instead of shipwrecked passengers and constant sexist dialogs instead of genuine suspense. But hey, who's complaining, because "The Woman Hunt" is one of the most wondrously tasteless and vastly entertaining movies of its kind. With a team including Eddie Romero (director), Jack Hill (writer) and star Sid Haig, you simply know not to expect a masterpiece of plotting or sophistication, but you definitely are guaranteed to witness thrills, bloody action and loads of nudity. Ironically enough, the titular hunt never comes … or at least not as it was intended. The first three quarters of the film revolve on the "recruitment" of the unsuspecting ladies (for example, luring two innocent girls on a yacht) and the second half focuses on their escape alongside an employee rebelling against his boss. The big chief and his wealthy businessmen guests go after them, of course, but the hunt is unprepared and hectic. Meanwhile, there are large amounts of mutual intrigues between the hunters as well as the preys. The obscurity status of "The Woman Hunt" is very undeserved, if you ask me, as it's definitely much better than the majority of contemporary (s)exploitation movies. The tropical island setting is magnificent, all female cast members (either good or bad) are stunningly gorgeous, Sid Haig obviously had a fun time sprouting offensive lines and there are some highly memorable moments of gratuitous violence to enjoy. Of course you've seen this premise several times before already, and probably better, but "The Woman Hunt" somehow feels refreshing and at least the script attempts to add ingenious little story elements, like for instance the sex-identity crisis of Lisa Todd's character and the unexpected anti-climax end shot. I'm probably way too generous in my praising and rating for this movie, but what the hell, it's sensational and super-rancid 70's goodness that comes with the highest possible recommendation.

Yet another adaptation of the The Most Dangerous Game (1932) this is more in line with the same years The Suckers (1972) in it's attempt to spice things up a tad.

Telling the story of a slave ring that captures young women before setting them off into the wilderness to be hunted. So it's a tweaked version of the original and near identical to The Suckers. The whole think reeks of an exploitation film yet is about as erotic as a fart.

That's right the movie has little in the way of T&A levels which is I'm sure what most people watching this will be seeking. Instead it merely teases it while delivering a very underwhelming adaptation of a vastly superior film.

I was bored and that doesn't happen very often. The original tale is about building tension and suspense, whereas here it has neither and just plods along at very underwhelming pace.

Once again I recommend sticking with the 1932 original and if you come seeking nudity and playful eroticism then look elsewhere.

The Good:

It ended

The Bad:

Awful acting

Goes nowhere

Really boring

This movie essentially begins with five attractive ladies being kidnapped and taken to an isolated place deep in the jungle with the understanding that they are to be used as sex slaves. However, upon the arrival of a few powerful and wealthy men, it is disclosed that these women are going to be hunted and killed for sport. As luck would have it, one of the abductors named "Tony" (John Ashley) has lost the confidence of his employer "Spyros" (Eddie Garcia) and decides to escape along with these women which greatly increases their chances of survival. Even so, they still must elude the hunters and cope with an equally dangerous jungle environment in the process. Now rather than reveal any more I will just say that this film turned out to be slightly better than I expected due in large part because of the coherent plot and the smooth transition from one scene to another. Additionally, having several beautiful women like Pat Woodell (as "McGee"), Laurie Rose ("Lori") and Lisa Todd ("Magda") certainly didn't hurt either. In any case, while this clearly wasn't a great movie by any means, it managed to maintain my interest for the most part and because of that I have rated it accordingly. Average.

The best thing about this movie is the opening credits, with an animated target centering on the names of the leads. The second best thing is a funny Sid Haig line: "My nose ain't the thing that grows!". The third is the (brief) female nudity. The fourth COULD be Pat Woodell, who was striking in "The Big Doll House", but here she is almost unrecognizable with that awful haircut. The fifth COULD be the lesbian villainess, but it's pretty clear that the actress who plays her doesn't have her heart into it. And that's it for the good or could-be good things. The "woman hunt" of the title doesn't begin until after about 50 minutes, and it's totally unexciting like the rest of the movie. Those who saw this at the drive-ins back in 1975 must have been asleep in their cars, or at least otherwise "occupied". I can't imagine them paying any attention to the screen. (*)