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IMDbPro

La venganza de Ulzana

Título original: Ulzana's Raid
  • 1972
  • R
  • 1h 43min
CALIFICACIÓN DE IMDb
7.0/10
6.9 k
TU CALIFICACIÓN
La venganza de Ulzana (1972)
After fierce war chief Ulzana and a small war party jump the reservation bent on murder and terror, an inexperienced young lieutenant is assigned to track him down.
Reproducir trailer1:41
1 video
42 fotos
Desert AdventureQuestAdventureDramaWestern

Dos hombres muy diferentes dan caza al gran jefe Apache Ulzana y a sus hombres cuando estos abandonan la reserva.Dos hombres muy diferentes dan caza al gran jefe Apache Ulzana y a sus hombres cuando estos abandonan la reserva.Dos hombres muy diferentes dan caza al gran jefe Apache Ulzana y a sus hombres cuando estos abandonan la reserva.

  • Dirección
    • Robert Aldrich
  • Guionista
    • Alan Sharp
  • Elenco
    • Burt Lancaster
    • Bruce Davison
    • Jorge Luke
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.0/10
    6.9 k
    TU CALIFICACIÓN
    • Dirección
      • Robert Aldrich
    • Guionista
      • Alan Sharp
    • Elenco
      • Burt Lancaster
      • Bruce Davison
      • Jorge Luke
    • 83Opiniones de los usuarios
    • 50Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Official Trailer
    Trailer 1:41
    Official Trailer

    Fotos42

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    Elenco principal43

    Editar
    Burt Lancaster
    Burt Lancaster
    • McIntosh
    Bruce Davison
    Bruce Davison
    • Lt. Garnett DeBuin
    Jorge Luke
    Jorge Luke
    • Ke-Ni-Tay
    Richard Jaeckel
    Richard Jaeckel
    • Sergeant
    Joaquín Martínez
    Joaquín Martínez
    • Ulzana
    • (as Joaquin Martinez)
    Lloyd Bochner
    Lloyd Bochner
    • Captain Gates
    Karl Swenson
    Karl Swenson
    • Rukeyser
    Douglass Watson
    Douglass Watson
    • Maj. Cartwright
    Dran Hamilton
    Dran Hamilton
    • Mrs. Riordan
    John Pearce
    John Pearce
    • Corporal
    Gladys Holland
    • Mrs. Rukeyser
    Margaret Fairchild
    • Mrs.Ginsford
    Aimee Eccles
    Aimee Eccles
    • McIntosh's Indian Woman
    • (as Aimee Ecclés)
    Richard Bull
    Richard Bull
    • Ginsford
    Otto Reichow
    Otto Reichow
    • Steegmeyer
    Dean Smith
    Dean Smith
    • Horowitz
    Larry Randles
    • Mulkearn
    Hal Maguire
    • Trooper
    • Dirección
      • Robert Aldrich
    • Guionista
      • Alan Sharp
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios83

    7.06.9K
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    Opiniones destacadas

    7ma-cortes

    Violent and exciting Western about a relentless hot pursuit against bloody Apaches

    Offbeat Western concerning about an aging scout named McIntosh (Burt Lancaster)and an idealist Cavalry Lt. (Bruce Davison)commanding a group of soldiers , booth of them join forces on their way to track down an Apache Chiricaua leader named Ulzana(Joaquin Martinez) escaped from reservation of San Carlos. The veteran along with an Apache scout (Jorge Luke) agree to help them to chase vicious Indians but learn that the rebel Apache chieftain is hunting them down.

    This outlandish Western is based on mixture of modern violence and brooding dialog, is of real note. Lancaster plays perfectly a ready to retire veteran explorer trying to lead cavalry against marauding and cruel Indians. The last images when Lancaster-McIntosh stays below a cart being surrounded by brave Indians bear remarkable resemblance to frames regarding Gregory Peck from ¨Billy two hats¨ also by the same screenwriter Alan Sharp. Prestigious supporting cast as Lloyd Bochner as captain, Karl Swenson as tortured farmer and Richard Jaeckel as upright sergeant. Among some cavalry troopers appear secondaries as Jerry Gatlin, Richard Farnsworth and 'Nick Cravat' , Lancaster's usual partner. This gritty Western is ravishingly photographed in color by Joseph Biroc . Splendidly filmed on location in Nogales, Arizona and lands of : Coronado National Forest, Bureau of land of Management, State of Nevada, Department of Conservation and Resources, Division of the State Parks. It contains stirring musical score with Indian and military sounds by Frank DeVol , Aldrich's ordinary's musician. The talent for this vigorous Western that Aldrich shows is based on his powerful film-making that sustains interest and compels by careful concentration on the acting of Burt Lancaster. Robert Aldrich is a specialist on dramatic Western as ¨Veracruz¨, ¨Apache¨, ¨The last sunset¨ but also on Western with humor as ¨Four for Texas¨and ¨The Frisco kid¨. Rating : Very good, better than average and well worth seeing. This unusual Western enjoys recently elevated critical re-evaluation, though previously was considered as anti-Indian because they're brutally portrayed and being originally directed by Aldrich, a great expert in violent drama.
    DFC-2

    Grim, realistic, and non-judgmental guerilla war

    Stark and brutal, but completely lacking the melodramatic sturm und drang of most war movies, Ulzana's Raid plays out like it was another deadly day at the office for the participants. Produced as an allegory on the Vietnam War, Robert Aldrich and Burt Lancaster created a focused drama about the senselessness of hating your opponents and the absence of victory in ethnic conflicts. The participants and victimized settlers aren't so much dehumanized as they are inconsequential except to themselves.

    Filmed in Nogales, Arizona and Nevada, the conflict is played out realistically with both sides shepherding their supplies of time, endurance, ammunition, and manpower. The location shots are beautifully laid out with an emphasis on depicting the strategic planning of the apache raiders and opposing troopers. Several scenes stand out in sharp contrast to most war movies. In one group of scenes, Aldrich follows a German family and their fate as the wife rides off with her child and a trooper escort, and the well-armed husband stays behind to defend their home. In another, the troop commander sends two soldiers after a wounded apache raider. In both cases, he turns conventional logic and sentiment on its head in honor of a grimmer reality. To my mind, this is one of the best war stories ever made and the DVD lays it out in full screen Technicolor.
    8RJBurke1942

    Authentic period piece about the horrors of the Indian wars

    Robert Aldrich was a director I much admired, directing some of my favorite films: Kiss Me Deadly (1955) – the quintessential Mike Hammer flick – Hush, Hush Sweet Charlotte (1964), The Flight of the Phoenix (1965), The Dirty Dozen (1967) and others. Now, after missing it for over thirty years, I can now add this one: as a truly realistic and accurate portrayal of what would have happened in one of many skirmishes during the Indian wars of the late nineteenth century.

    This is a mature and sometimes grossly horrific account of what Apaches did to settlers and soldiers, and what soldiers did to Apaches. It pulls no punches in depicting how the marauding band of Apaches eviscerate the dead and play sport with the entrails of victims, how they rape and torture wives of settlers, how they torture the men slowly and most cruelly. But, it also shows how soldiers are driven to perform cowardly, and equally cruel acts when retaliating, in the name of justice.

    And caught in the middle of this mayhem is young Lt. DeBruin (Bruce Davison) who's given the task of rounding up Ulzana (Joaquin Martinez) and his band of Apaches who left the reservation, stole some horses and began to lay a path of destruction and death across part of Arizona. Being fresh out from military college, he needs help; and so, the fort commander (Douglass Watson) sends the grizzled Army scout McIntosh (Burt Lancaster) along to provide necessary advice and guidance – together with a company of toughened army veterans kept in check by a weary sergeant (the ever competent Richard Jaeckel). Rounding out the 'posse' is the Apache army scout Ki-Ni-Tay (Jorge Luke) who provides the young DeBruin (and the viewer) with insight into the mind of the Apache.

    The story resolves to a cat-and-mouse game between Ulzana and his pursuers, each trying to outguess and outmaneuver the other across and through the wide and desolate expanse of the Arizona hills and semi-desert. So, it's as much an entertainment as it is a lesson in the tactics necessary for the soldiers to gain the upper hand. There are some wonderful landscape shots that illustrate just how difficult the task was; and there are moments of sheer brilliance when Aldrich shows Ki-Ni-Tay's on-foot pursuit of one of Ulzana's band, a standout sequence of stealth and suspense.

    Throughout all of this McIntosh brings his long experience to bear upon DeBruin's decisions, convincing the lieutenant to set the only trap that would fool Ulzana into making a mistake – McIntosh reiterating many times that "those who make the first mistake" will lose. All too true because things always go wrong with the best laid plans...

    Once again, Lancaster shows the master's touch in this role: his crinkly eyes, lined face and quiet voice attesting to a man who's seen it all and who just wants to get a job done and survive another day. Which makes Davison almost perfect as the cherubic – almost angelic – faced neophyte who wants to do well but who also wants to change his world and make it better for all – including the Apache. Such irony...

    The only jarring notes were the sometimes-quick cuts (which made me wonder if some scenes had been deleted); and the sometimes-peculiar music sound track that you have to listen to, to understand my point. Otherwise...

    Not recommended for children as this film does contain some graphically awful scenes. For all adult fans of the western genre, however, I thoroughly recommend a viewing.
    9scttwortman

    Taking a Man's Power

    The only reason I have not given this movie a "10" is that I might find something wrong with it on subsequent viewings. If anybody knows of this film being available widescreen, unedited, and not bootlegged, let me know where. My high definition TV does not forgive picture flaws. Otherwise I will be patient for a remaster. As someone who is an amateur historian of the Indian wars, I can tell you this is the most accurate dramatization of the campaign against the Apaches ever filmed. Accurate history is presented in the fact that the Apaches were the dominant tribe of the southwest {the Comanches in Texas might have been their rival}. Ask the Puebloes, who actually welcomed the white man, as a buffer against the Apache. The Apache dominated the southwest long before the Spanish ever showed up. Their spiritual philosophy of "taking a man's power" was shared by other warlike Indian tribes all the way to the east coast {see "Last of the Mohicans", Mann's version}. The film manages to also be great western drama as well as a history lesson.There is no moral judgment, only the way it was. The cast is superb.Lancaster, Davidson, The Hispanic Indian actors. Richard Jaeckel, and Karl Swenson {two workhorse character actors, who turned in performances of a lifetime}. All these guys plus director Aldrich and the writers knew they were working on something special. Even the PC edited version is worth seeing. A great Cavalry/Indian western, maybe the best!
    9documain-1

    Forget the allegories, this is simply a great film.

    The first issue on this film is the question, "Is the print I am looking at complete?" When Ulzana's Raid was scheduled as a late movie on network TV, I set the timer to capture it. After viewing it, I was stunned. I watched it several times, trying to savor every detail. I could see, however, that network TV had edited out some graphically violent scenes.

    I purchased a home video version, but was disappointed. It had some of the graphic images restored, but some other scenes were missing from the purchased version that I had seen in the network TV version. For example, there is a scene between Lloyd Bochner and Douglass Watson, the post commander. Watson is listening to the oily Bochner attempting to weasel out of the detail to chase Ulzana. Watson is taking snuff during the scene, which is fascinating in its statement. It is a revolting exhibition, and it leaves you with the question of why anyone would do anything like that. Leaving it out of the film disturbs the balance, in that it is yet another example of the white man's questionable behavior. We already knew the Apaches were a little eccentric.

    Also missing is the scene between Lloyd Bochner and Bruce Davison where Bochner is selling the young lieutenant on the notion that he recommended Davison for the mission instead of he himself weaseling out of it. The naive lieutenant is most grateful. This scene is important in that it emphasizes DeBuin's naiveté, and shows the integrity of at least one of the cavalry officers.

    There is another scene deleted where McIntosh is reading from the Rukeyser's bible, and deriving obscure facts about the family that had been decimated by the Apaches. It was almost wistful in its statement of how the twists and turns of life depend on trifles.

    And there is the question of Mrs. McIntosh. Aimee Eccles plays the part, a credited role, but she appears as no more than a shadow in the two versions of the film I saw. Is something missing here also? Ulzana's Raid is a carefully constructed mosaic, and it is terrible that a "director's cut" is not available.

    Much of the commentary on this cult film addresses allegorical aspects, but I never got that from the film. I think it is more interesting to focus on Jorge Luke's character Ke-Ni-Tay. I have been able to identify Luke in a couple of films, most notably for me was Sunburn, wherein he plays a thug. He is evidently a veteran of the Mexican cinema, with 110 entries in the IMDb for his appearances. He handles this role with just the right touch.

    From the outset, Ke-Ni-Tay is shown as the superior man in most ways. He is extraordinary in his job, and more than competent. He is also a philosopher and teacher. He tells the lieutenant why the Apaches torture and kill their captives. "You not know about power. In this land, man must have power. Each man who dies, the man who kills him, takes his power." He also explains why Ulzana left the agency. "Ulzana is at agency long time. His power is very thin. He had old smell in the nose. The smell of dog, of women, of children. Man with old smell in the nose is old man. Ulzana wants new smell. The smell of bullet. Pony running. For power!" Ke-Ni-Tay is also a joker. When asked by the lieutenant if he knows Ulzana, Ke-Ni-Tay says, "His wife is my wife's sister. His wife ugly. My wife, not so ugly."

    Ke-Ni-Tay appears also to rate higher in the Apache pecking order as well. When Ulzana is finally cornered, and he realizes the raid is over, Ke-Ni-Tay confronts him with the death of Ulzana's son. Ulzana willingly submits to his own execution, and Ke-Ni-Tay performs the act with honor and respect, but without hesitation.

    Ke-Ni-Tay is an honorable man. When asked by DeBuin if he will kill the lookout, he says, "Ke-Ni-Tay sign paper." There is no question he will follow through.

    Ke-Ni-Tay is also a loving and loyal friend. His relationship with McIntosh goes way beyond a Lone Ranger and Tonto association. Their bond is shown subtly and beautifully by Director Aldrich, through looks and simple gestures. There are no words of sentiment between them, but their friendship is strong. Ke-Ni-Tay worries that the lieutenant will not ride back to help McIntosh. McIntosh rebukes the lieutenant for his implied insults to Ke-Ni-Tay simply because he is an Apache, as the lieutenant's hate for Apaches grows throughout the film. When asked if Ke-Ni-Tay can be trusted, McIntosh says simply but emphatically, "I trust him." At the end of the film, Lieutenant DeBuin is a wiser man than when he began his journey with Ke-Ni-Tay. As he leaves Ke-Ni-Tay to deal with the burial of Ulzana, DeBuin salutes him, with the simple address of "Scout," as he takes his leave.

    Ke-Ni-Tay is one of the most fascinating characters in film. His character is carefully constructed and revealed, and his stature grows throughout. He is complex and heroic—a man one would be honored to know.

    Ulzana's Raid is a cult film for sure. Look at the number of comments it has received here. This is a provocative and evocative masterpiece. Hopefully, this film will be restored to its original release. It deserves it.

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    • Trivia
      In an interview, Bruce Davison recalled how he got the part of Lt. DeBuin: "I went in to see [director] Robert Aldrich (I) and said, 'Mr. Aldrich, you have no idea how much The Sand Pebbles (1965) meant to me'. He said, 'Thanks, kid, but Robert Wise (I) made that film. But you're just dumb enough, you have the part".
    • Errores
      At the end of the movie just before Mcintosh and his party enter the canyon for the ambush he tells the Sergent that they have to wait for Ke-Ni-Tay to take out Ulzana's sentry. However, the decision for Ke-Ni-Tay to take out the sentry was made by Lt. DeBuin after Mcintosh had led the other party into the ambush so there was no way for Mcintosh to know what Ke-Ni-Tay was doing. However an experienced scout would know exactly what was required of his fellow scout in such a situation. McIntosh and Ke-Ni-Tay had been on the same wavelength throughout the film.
    • Citas

      Lt. Harry Garnett DeBuin: Do you hate Apaches, Mr. McIntosh?

      McIntosh: No.

      Lt. Harry Garnett DeBuin: Well, I do.

      McIntosh: Well, it might not make you happy, Lieutenant, but it sure won't make you lonesome. Most white folks hereabout feel the same way you do.

      Lt. Harry Garnett DeBuin: Why don't you feel that way?

      McIntosh: It would be like hating the desert because there ain't no water in it. For now, I can get by being plenty scared of 'em.

    • Versiones alternativas
      There are two versions of this film, Robert Aldrich's print (RA) and Burt Lancaster's (BL) print. There are many subtle differences between the two although the overall running times are similar and most of the changes involve alterations of shots or lines of dialog within scenes. In the UK the Lancaster version was released on VHS and the Aldrich version on DVD (same as the US version) The major differences versions are: (a) The Aldrich version has an opening scene (before the credits) showing Ulzana leaving the reservation. This is missing from the Lancaster print. (b) The BL version deletes almost all shots of Burt Lancaster's Indian woman - played by Aimee Eccles (c) The BL version has a scene showing the two troopers pursuing the wounded Indian, The off-screen Indian kills one of them with rifle fire and the survivor rides away. This is missing from the RA print therefore creating more ambiguity as to what actually happened when the survivor returns. (d) The scene in which the rape victim plunges herself in the river is longer in the RA version and she refers to herself trying to "wash it off". In the BL version, the scene is abridged to suggest only suicide.
    • Conexiones
      Featured in Moviedrome: Uizana's Raid (1990)

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    • How long is Ulzana's Raid?Con tecnología de Alexa

    Detalles

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    • Fecha de lanzamiento
      • 27 de octubre de 1972 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Lenguas apaches
    • También se conoce como
      • Ulzana's Raid
    • Locaciones de filmación
      • Coronado National Forest, Arizona, Estados Unidos
    • Productoras
      • Universal Pictures
      • De Haven Productions
      • The Associates & Aldrich Company
    • Ver más créditos de la compañía en IMDbPro

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      • USD 1,200,000 (estimado)
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    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 43 minutos
    • Relación de aspecto
      • 1.85 : 1

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