Estratto dagli archivi segreti della polizia di una capitale europea

An early appearance by Camille Keaton gives Tragic Ceremony its main point of interest. It's not as good as What Have You Done to Soalnge?, but her role is substantial enough for fans to check it out.

Probably it ranks as the second-best of her Italian-era appearances. Her icy beauty and blank expression are suited to her largely passive role.

The plot falls into the Old Dark House genre, with four fashionable and well-off young people becoming stranded at a mansion on a stormy night. Sort of like a straight non-musical version of Rocky Horror.

Black magic and other supernatural events follow, with logic going out the window. The supernatural elements keep this from really being considered as classical giallo.

But there is a fair bit of detective work and violent crime, so some people still put under the giallo banner. It's not apparent in the costumes and locations, but the action is supposed to be in the UK as Scotland Yard is mentioned.

Overall, it is a bit of a generic mix of Gothic horror and police motifs that never reaches its full potential.

Some stars are world-famous and forever immortal for just one role they played. Camille Keaton, for instance. She was the lead actress of the notorious "I Spit on Your Grave", in which she cut off the wiener of a rapist in a bathtub and instantly became a cult siren. What most people have forgotten, however, is that the lovely and damn sexy Keaton also starred in a handful of Italian gialli/thrillers, including this oddly amusing genre hybrid.

The official title roughly translates as "Extracts from the Secret Police Files of a European Capital". Since it's a downright horrible title, the film is commonly known as "Tragic Ceremony", but even that is slightly misleading. "Tragi-comical Ceremony" would be more apt, since the titular black mass where the film builds up towards to is literally a MESS. The film starts out with a free-spirited and hippie-like atmosphere, with four young friends on a yacht, around a camp site with a guitar, and in a dune buggy. There's one girl for three boys, so monogamy is definitely out of the question. The buggy runs out of gas on a stormy night, and a vicious gas station attendant sends them to the mansion of the wealthy Lord & Lady Alexander. Then quickly comes the hilarious "ceremony"! The intention is to sacrifice one girl (Keaton) but the whole thing turns into massive bloodbath, with extremely cheesy gore and chaotic shrieking. Although the undeniable highlight of the movie, the insanity doesn't stop here, since our young friends escape from the mansion but nevertheless die in mysterious and gruesome circumstances shortly after.

The plot is shamelessly and blatantly inspired by the, in 1972, still fairly recent murders committed by the Satan-worshiping followers of Charles Manson. The name of poor Sharon Tate is even boldly mentioned. There are quite a few dull moments, but "Tragic Ceremony" is curiously addictive horror oddity worthy of its cult status. Several great names involved, too, like director Ricardo Freda, writer Mario Bianchi, composer Stelvio Cipriani, and acclaimed cast members like Luigi Pistilli and Luciana Paluzzi.

I recently watched the Italian film 🇮🇹 Tragic Ceremony (1972) on Tubi. The story follows a group of privileged friends returning from a yacht trip, only to discover their cars are out of gas. Seeking shelter for the night, they find a remote mansion-unaware that they might not make it until morning...

Directed by Riccardo Freda (Witch's Curse), the film stars Camille Keaton (I Spit on Your Grave), Tony Isbert (The Rift), Luigi Pistilli (The Good, the Bad and the Ugly), Luciana Paluzzi (Thunderball), and Máximo Valverde (Fresh Flesh).

This is an uneven but entertaining horror film. It has an engaging premise, beautiful leading ladies, a classic horror setup, and solid atmospheric settings. The horror makeup is wild but fun, featuring a memorable throat slash and some gruesome corpses. The last 15 minutes are especially strong, delivering a solid reveal and conclusion. My biggest complaint is that the background music doesn't always match the scenes, but it's a minor issue.

In conclusion, Tragic Ceremony is neither great nor essential, but it has enough to offer for the right audience. I'd rate it 5.5-6/10 and recommend it with the appropriate expectations.

A free-spirited quartet of young hippie-types (Jane (Camille Keaton), Joe (Maximo Valverde), Bill (Tony Isbert), and Fred (Giovanni Petrucci)) are on a pleasure trip when their terminally unreliable vehicle becomes virtually unusable on a stormy night. They take refuge in the villa owned by the Alexanders (Luigi Pistilli, Luciana Paluzzi), who have a sinister agenda planned for the night. When our protagonists interfere, they are subject to more terror than they can handle.

Rather slow to start, and awfully talky at times, "Tragic Ceremony" is a standard tale in some ways (complete with the use of the "old dark house" and "stormy night" tropes), and delivers no big surprises, but it walks an interesting line between suspense and spectacle. The four main characters are set up as basically engaging people who are easy enough to watch, and the supporting cast is strong. (The great Paul Muller turns up at the very end as a doctor whose job is to provide a final bit of exposition.) Keaton, the memorable star of the infamous exploitation-revenge-thriller "I Spit on Your Grave", is a compelling, striking beauty from whom you can't take your eyes. The music (by the talented Stelvio Cipriani) is good, as well as the location shooting. But what really makes sitting through this somewhat obscure Italian genre flick worth it is the massacre that occurs at approximately the midway point. You can tell that the filmmakers were pleased with their "sword cutting into a guy's head" effect (the FX were by Carlo Rambaldi): we see it a total of five times before the film is over!

Director Riccardo Freda apparently resented the job of guiding this particular film, but the results on screen are still pretty effective. At least it doesn't play out in a *completely* predictable way; the films' second half makes it worth sitting through the first half.

Six out of 10.

Strong first half and mediocre second half.

The first half is filled with the slow building dread of the occult. There is a wonderful and unexpected climax that I won't spoil.

Then, the second half begins. And it kind of devolves into a mini-slasher story. The film recovers in the final scene which ties back to the first half.

It's def worth checking out for the fan who has already seen everything and likes genre bending.. even if it's only partially successful.