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Solaris

Título original: Solyaris
  • 1972
  • B
  • 2h 47min
CALIFICACIÓN DE IMDb
7.9/10
103 k
TU CALIFICACIÓN
POPULARIDAD
2,678
470
Solaris (1972)
Ver Official Trailer
Reproducir trailer3:19
1 video
99+ fotos
AventuraAventura épicaCiencia FicciónCiencia ficción espacialDramaDrama psicológicoÉpicaÉpica de ciencia ficciónMisterio

Un psicólogo es enviado a una estación en la órbita de un planeta distante para descubrir qué ha enloquecido a su tripulación.Un psicólogo es enviado a una estación en la órbita de un planeta distante para descubrir qué ha enloquecido a su tripulación.Un psicólogo es enviado a una estación en la órbita de un planeta distante para descubrir qué ha enloquecido a su tripulación.

  • Dirección
    • Andrei Tarkovsky
  • Guionistas
    • Stanislaw Lem
    • Fridrikh Gorenshteyn
    • Andrei Tarkovsky
  • Elenco
    • Natalya Bondarchuk
    • Donatas Banionis
    • Jüri Järvet
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.9/10
    103 k
    TU CALIFICACIÓN
    POPULARIDAD
    2,678
    470
    • Dirección
      • Andrei Tarkovsky
    • Guionistas
      • Stanislaw Lem
      • Fridrikh Gorenshteyn
      • Andrei Tarkovsky
    • Elenco
      • Natalya Bondarchuk
      • Donatas Banionis
      • Jüri Järvet
    • 379Opiniones de los usuarios
    • 178Opiniones de los críticos
    • 93Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 premios ganados y 4 nominaciones en total

    Videos1

    Official Trailer
    Trailer 3:19
    Official Trailer

    Fotos197

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    Elenco principal23

    Editar
    Natalya Bondarchuk
    Natalya Bondarchuk
    • Khari
    Donatas Banionis
    Donatas Banionis
    • Kris Kelvin, psikholog
    Jüri Järvet
    Jüri Järvet
    • Doktor Snaut, kibernetik
    • (as Yuri Yarvet)
    Vladislav Dvorzhetskiy
    Vladislav Dvorzhetskiy
    • Anri Berton, pilot
    Nikolay Grinko
    Nikolay Grinko
    • Nik Kelvin, otets Krisa Kelvina
    Anatoliy Solonitsyn
    Anatoliy Solonitsyn
    • Doktor Sartorius, astrobiolog
    Olga Barnet
    Olga Barnet
    • Mat Krisa Kelvina
    • (as O. Barnet)
    Vitalik Kerdimun
    • Syn Anri Bertona
    • (as V. Kerdimun)
    Olga Kizilova
    Olga Kizilova
    • Gostya doktora Gribaryana
    • (as O. Kizilova)
    Tatyana Malykh
    • Plemyannitsa Krisa Kelvina
    • (as T. Malykh)
    Aleksandr Misharin
    • Shanakhan, predsedatel komissii Anri Bertona
    • (as A. Misharin)
    Bagrat Oganesyan
    • Professor Tarkhe
    • (as B. Oganesyan)
    Tamara Ogorodnikova
    • Anna, tetka Krisa Kelvina
    • (as T. Ogorodnikova)
    Sos Sargsyan
    Sos Sargsyan
    • Doktor Gribaryan, fiziolog
    • (as S. Sarkisyan)
    Yulian Semyonov
    • Predsedatel nauchnoy konferentsii
    • (as Yu. Semyonov)
    Vitaliy Statsinskiy
    • Chlen uchenogo soveta
    • (as V. Statsinskiy)
    Vera Sumenova
      Georgiy Teykh
      Georgiy Teykh
      • Professor Messendzher
      • (as G. Teykh)
      • Dirección
        • Andrei Tarkovsky
      • Guionistas
        • Stanislaw Lem
        • Fridrikh Gorenshteyn
        • Andrei Tarkovsky
      • Todo el elenco y el equipo
      • Producción, taquilla y más en IMDbPro

      Opiniones de usuarios379

      7.9102.6K
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      Opiniones destacadas

      KGB-Greece-Patras

      A gem of sci-fi & much more...

      Haven't seen any other Tarkofsky. I hear that this is the film he is least fond of. I intend to see more of him.

      As some other reviewer said, I had the feeling through the first one hour or so that some scenes went on for too long, or seemed a bit unnecessary and that it was too slow for the message to clearly be presented. But after a while, the slow pacing DID have a positive impact on the context of the film and on the "dialogue" between the film and the viewer. Anyway, after its plain & simple beginning, when the "action" is taken to the space station things get more and more interesting. No spoon-feeding here, as well. If you want all the mysteries in a film to be solved and explained, then you might not wanna see this, because the film is up to the viewer to think and dive in deep. Anyway, it ended up satisfying and leaving one in thoughts.

      I am so glad I got to see this fabulous thoughtful movie. It's full of nice visuals and context. A recommendation to all who are fed up with Hollywood crap - but even Hollywood geeks could find many in this, if they can tolerate with the slow pace...
      sowr

      A dream-like examination of love and first contact

      Two truths drive this film: the inadequacy of human-kind to understand the Universe, and the inadequacy of human-kind to understand the human heart.

      As such, using Lem's original idea, Tarkovsky successfully, explores these themes.

      We are drawn in, through hauntingly beautiful imagery, to the internal struggles of Kris Kelvin as he attempts to understand feelings of love for his suicided wife, who has been mysteriously resurrected, presumably as an attempt by Solaris to communicate, or torture.

      Of course Solaris is probably the most original alien ever concocted, (no phone-homes here) and as must be, utterly enigmatic and beyond communication.

      Be warned, this film is very long, and sometimes slow, but for those who consider themselves science fiction addicts, it is a must view.

      One of the top 5 sci-fi films of all time.
      10vbertola

      A unique experience

      It's now been some years since I last watched it. Still, I can't get rid of the impressions of emptiness, absurdity and impossibility to understand (the world, and the human mind) that this movie left into me. It can be violent to your mind, without showing a single violent image (by the way, I often see this movie as a counterpart to Clockwork Orange, even more than to 2001). It can stun you, with ten or twenty minutes of incomprehensible silence. It can deprive you of any certainty in the laws of nature - such as, people only die once - and thus leave you vulnerable and naked.

      I know that many friends to whom I've shown this move did not understand it. So I'm not saying you'll like it. But this is possibly the best (non-action) sci-fi movie ever made.

      Watch it at night, alone, when everything out of your home is dark, silent, and cold.
      9MrsRainbow

      had to watch it twice

      I'm just starting out into the vast world of foreign film and having seen this film on many a video store shelf, and knowing that it was considered a sci-fi classic, I thought it would be a good way to spend an evening. Based on the case I was expecting something along the line of typical American sci-fi. Needless to say I was wrong.

      I watched Solyaris twice in two days, because the first time I saw it I knew that I hadn't processed even a quarter of what I knew was there. I was taken completely aback. The second viewing was extremely rewarding.

      It was unusual for me, raised as I was on the sledgehammer moralizing and we'll make our point so obvious that there's no way you can miss it because we have no respect for your intelligence way of American film. I'm a huge literature buff, and this was one of the very few films I've confronted that is thoughtful and has so many things to say yet does it in a literary or poetic fashion.

      You will get out of this film what you bring to it. I've been to so many movies where the audience is not actually participating, it's being attacked. But true art is not domineering; it woos you.

      So to sum up, I greatly appreciated Tarkovsky's unwillingness to manipulate the viewer. It showed that he had respect for me as a thinking soul, and it is this love and respect for humanity which makes this a truly great film.
      McGonigle

      One of the best

      This has to be one of the best science fiction movies ever produced. Not because it's filled with gee-whiz gizmos or creepy aliens (it isn't) but because it actually gives you something to think about besides "I wonder how much they spent on *that* shot". When I was a kid, I used to love reading sci-fi because it stimulated my imagination, but as I grew up (especially once "Star Wars" came out), I found that it was harder and harder to find anything remotely resembling imagination or mystery in the genre.

      Well, this movie has restored my faith in what is possible to achieve under the guise of "sci-fi" (obviously, it's older than "Star Wars", but I didn't see it until years later, when I had basically written off the whole idea of science fiction movies). I saw it 10-15 years ago when it was re-released in the USA and liked it then, but seeing it again recently has convinced me that this is an all-time classic. As I said, it actually stimulates thought (rare enough in most sci-fi movies), but on top of that, it has a real and profound emotional impact that's far beyond what you find in most "dramas", let alone "kid stuff" like sci-fi. If this movie is intended to be an "answer" to "2001" (I'm not convinced that it is), the main contrast is that "Solaris" concerns itself with real human emotions, whereas the most interesting character in "2001" is the computer.

      For those who complain that it's boring, just go see something else. You'll obviously never get it. If the opening shot of water and plant life didn't tip you off to the fact that this movie is intentionally paced a little bit more deliberately than, say, "Buckaroo Banzai", then you should go out and try to get some sort of clue before watching this movie. It's not boring... it's SLOW. It's *meant* to be slow. Some of the scenes exist solely to set a mood, not to advance the plot. If you can't handle that, then this isn't the movie or you. But if you're able to sit still for 3 hours without squirming, and if you're able to enjoy a movie without having every idea spelled out in giant neon letters, then you just might like "Solaris", and find that it haunts you for years to come.

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      Argumento

      Editar

      ¿Sabías que…?

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      • Trivia
        This was the most widely seen of Andrei Tarkovsky's films outside of the Soviet Union. However, Tarkovsky himself reportedly considered it the least favorite of the films he directed. Not being a fan of the science fiction genre (which he criticized for its "comic book trappings and vulgar commercialism"), he was nevertheless persuaded to propose this adaptation of the eponymous and popular sci-fi novel 'Solaris' to appease the Soviet censors. However, he considered the film an artistic failure because of its need for technological dialogue and special effects, which prevented it from transcending its genre; something he believed his movie Stalker. La zona (1979) did better.
      • Errores
        At the moment when the station attains zero gravity, the candlestick passes floating in the air, with the flames burning the same as in earth. Actually, with zero gravity, the fire doesn't go upward, candle flames would rather be spherical and very weak (blue).
      • Citas

        Dr. Snaut: Science? Nonsense! In this situation mediocrity and genius are equally useless! I must tell you that we really have no desire to conquer any cosmos. We want to extend the Earth up to its borders. We don't know what to do with other worlds. We don't need other worlds. We need a mirror. We struggle to make contact, but we'll never achieve it. We are in a ridiculous predicament of man pursuing a goal that he fears and that he really does not need. Man needs man!

      • Versiones alternativas
        The Region-4 DVD was released by Shock as part of its Distinction Series and runs at 2 hours and 49 minutes, with some noticeable cut scenes throughout the films. This 2-disc set doesn't contain any deleted/alternate scenes.
      • Conexiones
        Edited into Spisok korabley (2008)
      • Bandas sonoras
        The Little Organ Book: Ich Ruf Zu Dir, Herr Jesu Christ - BWV 639
        Composed by Johann Sebastian Bach (as I. S. Bakh)

      Selecciones populares

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      Preguntas Frecuentes

      • How long is Solaris?
        Con tecnología de Alexa
      • Who is the midget in Sartorius' room?
      • What's the meaning behind the switches between black-and-white scenes and color scenes throughout the movie?
      • Who composed the main theme of this film, and what is the name of the piece?

      Detalles

      Editar
      • Fecha de lanzamiento
        • 26 de septiembre de 1972 (Checoslovaquia)
      • País de origen
        • Unión Soviética
      • Sitio oficial
        • TVP VOD
      • Idiomas
        • Ruso
        • Alemán
      • También se conoce como
        • Điều Tạo Nên Con Người
      • Locaciones de filmación
        • Akasaka, Minato, Japón(Berton's car scenes)
      • Productoras
        • Mosfilm
        • Chetvyortoe Tvorcheskoe Obedinenie
      • Ver más créditos de la compañía en IMDbPro

      Taquilla

      Editar
      • Presupuesto
        • RUR 1,000,000 (estimado)
      • Total en EE. UU. y Canadá
        • USD 22,168
      • Fin de semana de estreno en EE. UU. y Canadá
        • USD 11,537
        • 15 sep 2002
      • Total a nivel mundial
        • USD 230,989
      Ver la información detallada de la taquilla en IMDbPro

      Especificaciones técnicas

      Editar
      • Tiempo de ejecución
        2 horas 47 minutos
      • Color
        • Color
        • Black and White
      • Mezcla de sonido
        • Mono
      • Relación de aspecto
        • 2.35 : 1

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