Shaft: borrasca mortal

Due the great success at Box-Office the producers right away schedule a sequel putting more money in the budge, allowing gets helicopter, speedboat, cars chase also a sophisticated visual on entire movie expecting increasing the offer, also they preserve the black mobster Bumpy Jonas (Moses Gun) and his mid bald colorful minion Willy (Drew Bundini Brown), either bringing the veteran Julius Harris to replace the friendly Charles Cioffi as N.Y. Chief of Police and for God's sake of course keeping the crafty director Gordon Parks.

The storyline is enough engaging when a good heart black mobster Cal Asby (Robert Kya-Hill) who died in an explosion at his funeral parlour & insurance company, previously planned by his partner Johnny Kelly (Wally Taylor) who was in trouble with an Italian Mobster Gus Mascola (Joseph Mascolo) due he owe 250.000 bucks for gambling, Cal Asby was about to buy Kelly's share, since he becomes a compulsive gambler, also Asby is regarded as a clean Mobster just exploiting the stakes he didn't allowed drugs or prostitution on Queens.

After his dead sudden Johnny Kelly takes over the business again, nonetheless Shaft's girlfriend is Asby's sister Arna Asby (Rosalind Miles) owns 50% of the partnership, Shafts intents preserved her share, however the infamous money subject of the strife disappears without a trace, meanwhile Kelly in dire straits playing a dangerous game selling his share for Bumpy Jonas and for Mascola, thus isn't sure a bright move for a loser gambler.

This sequel has many qualities, however aren't match to the original, moreover the soundtrack is fair good but caught in the same premise, the outcome at New York decommissioned shipyard is too contrived, sounds a Hollywoodian presentation, shallow and useless, added some turnaround, but the highlights stays at night club dancing scenes, fresh, and boldest sexy!!!

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First watch: 2021 / How many: 1 / Source: DVD / Rating: 7.5

The 1971 film of "Shaft" helped to save "M.G.M" from facing bankruptcy, so naturally they commissioned a follow-up movie. Titled "Shafts Big Score" and released in 1972, the plot is what defeats this film. The scenes look as though they were hastily thrown together with no sense of continuity. I could hardly decipher what was happening from one scene to the next and I know I'm not alone here. The action scenes aren't bad but they can't compensate for a narrative that is very weak in its structure. For some reason which is only known to a handful of people, a further "Shaft" film was made!

The second outing concerns about Shaft , the African-American independent eye-private . This time confronts sinister mobsters , battling black (again Bumpy, Moses Gunn) and white (Mascolo , Joe Santos) gangs . Fiercy Shaft finds a dead friend , a brother his sweet-girl , he ran under legitimate business , a funeral home and all types of insurances , however he hid stakes issues in Queens . Two-fisted Shaft in order to avenge his friend , vows revenge and investigates the deeds . Meanwhile , a police captain (Julius Harris) suspects on Shaft . Extremely tough Shaft spontaneously encounters himself in the middle of a bands war and running afoul of the underworld .

This one features thrills , hair-raising suspense , raw energy , nudism, adult subject matter and lots of violence . Plenty of intrigue, kinky sex and noisy action ; Shaft keeps things moving along , until final fight on a pier with a breathtaking pursuit by helicopter . Violent , tough screenplay by Stirling Shilliphant based on characters created by Ernest Tidyman . Great and enjoyable musical score by the same director Gordon Parks in Isaac Hayes style , recently deceased. Hayes's theme song stills resonates today .

Followed by superior third part 'Shaft in Africa (John Guillermin)' with Vonetta McGee and Frank Finlay ; besides contemporary and revisionist version by John Singleton (2000) with Samuel L. Jackson and as secondary Richard Roundtree as Shaft's uncle . Furthermore , seven television episodes (1973 , 74 years) starred by Roundtree . The Shaft series turned out to be one the best black films from the early 70s.

Private Investigator "John Shaft" (Richard Roundtree) is back and this time he is trying to find the murderer of his friend who was running a numbers game in Queens. As it so happens the victim's partner "Johnny Kelly" (Wally Taylor) had gambled away $250,000 and a mob boss by the name of "Gus Mascola" (Joseph Mascolo) wants it back-along with a 50% share in Johnny Kelly's numbers racket. However, Johnny Kelly has other plans and decides to double cross Mascola by getting another mob boss from Harlem named "Bumpy Jonas" (Moses Gunn) involved in the same deal. Not only does he hope for a war between the two mob bosses but he also wants John Shaft killed in the process too. Now, rather than reveal any more of the movie I will just say that this was an adequate sequel to "Shaft". While it started off pretty well it got bogged down toward the end with an extremely long chase-and-gunfight scene which I thought actually detracted from the overall effect. In any case, although it wasn't bad necessarily it still wasn't nearly as good as the original. I rate it as average.

Shaft really was the African-American answer to the popular James Bond franchise. This movie shows this perhaps more than any of the other Shaft movies. Violence, girls, sex, chases, "Shaft's Big Score!" has it all!

By no means any of the Shaft movies are among the greatest of all time. Nevertheless they are extremely memorable thanks to its main character, played by Richard Roundtree. He's hip, digs his women and isn't afraid to hold back when it comes to action. He's a classic and important iconic African-American character from the '70's.

The movie its story and plot lines are a bit messy (in that way this movie also resembles James Bond movies), which also makes the movie unclear and not always totally interesting to follow. The movie also really lacks a good main ruthless villain. The villain in this movie is perhaps introduced a bit too late to really leave his mark on the movie. In that way "Shaft's Big Score!" is a really lacking movie, when it comes down to its story, storytelling and characters.

Thankfully the movie isn't lacking in action and great dialog. Some of the dialog is just brilliant and suits the atmosphere of the movie- and its time period extremely well. Also of course the music adds to this atmosphere. But surprisingly good is also the action in the movie. The movie doesn't really feature that much action but the lack of it is made up during the great finale, that features a good old fashioned typical '70's car chase, boat chase and helicopter chase in one, James Bond style. It's really true that the ending makes up a lot. It makes you forget some of the weaker points of the movie, although in the end "Shaft's Big Score!" is still nothing more than an average action-flick with one great, cool main character.

A good movie featuring the classic character Shaft and some really great action.

6/10

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