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6.9/10
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Película biográfica del escultor francés Henri Gaudier-Brzeska.Película biográfica del escultor francés Henri Gaudier-Brzeska.Película biográfica del escultor francés Henri Gaudier-Brzeska.
- Nominada a1 premio BAFTA
- 1 nominación en total
Allan Corduner
- Newspaper vendor outside library
- (sin créditos)
Harry Fielder
- Angry Man in Crowd
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Savage Messiah is perhaps the least famous of Ken Russell's biopics from the early-to-mid 70s. He made films about Tchaikovsky (The Music Lovers), Lizst (Lizstomania), and Mahler (Mahler) during this period, and in this offering his subject is the French sculptor Henri Gaudier-Brzeska. Gaudier-Brzeska, though not a household name, is certainly an interesting character and this film is a worthwhile experience for anyone who wants to find out more about him, or anyone who has an interest in his career.
It is, however, typically erratic and in-your-face, as most of Russell's pictures are. There's sex and nudity, lots of bitter and angry dialogue, and heaps of soul searching. In real life, Gaudier-Brzeska married a Polish noblewoman twenty years his senior and was tragically killed during WW1. Russell revels in exploring the complexity of their relationship, but he makes little of Gaudier-Brzeska's wartime experiences (which in actual fact might have been well worth showing in more detail).
I like this film because it is fast-paced, unconventional and witty. Having said that, I wouldn't put it in my list of all time favourites because it lacks warmth and narrative clarity. It's not as intense as Russell's The Devils, but it stands alongside that film of one of his better motion pictures.
It is, however, typically erratic and in-your-face, as most of Russell's pictures are. There's sex and nudity, lots of bitter and angry dialogue, and heaps of soul searching. In real life, Gaudier-Brzeska married a Polish noblewoman twenty years his senior and was tragically killed during WW1. Russell revels in exploring the complexity of their relationship, but he makes little of Gaudier-Brzeska's wartime experiences (which in actual fact might have been well worth showing in more detail).
I like this film because it is fast-paced, unconventional and witty. Having said that, I wouldn't put it in my list of all time favourites because it lacks warmth and narrative clarity. It's not as intense as Russell's The Devils, but it stands alongside that film of one of his better motion pictures.
Ken Russell made entertaining films; you would be unlikely to fall asleep during your first viewing of any of them. He was at the top of his game in the 1970s when 'Savage Messiah' was made (his previous film was 'The Boy Friend' starring Twiggy). This one is a biopic about French artist/sculptor Henri Gaudier portrayed here as unconventional, out-of-control, over-the-top, and his love for an older Polish woman writer. She is played by Dorothy Tutin who wins the film's acting honours hands down. The DVD released by Warner in 2011 has moments where the sound is slightly out of sync, especially during Helen Mirren's scenes; perhaps the editors were thinking about something else. Ms Mirren, in her late-20s here, cuts a striking figure as a suffragette and obliges us by appearing in her birthday suit.
This one is arty in such an unconventional and politically incorrect way, that surprises the viewer. Though old in style, it's 'fresh' in ideas and context.
It's the 3rd or 4rth Ken Russel film I got to see. Altered states, Music lover, Gothic, all rule in their own universe. And so does Savage Messiah.
RECOMMENDED TO ALL WHO ARE INTERESTED IN THE TRUE NATURE OF ART
I sure loved it!
It's the 3rd or 4rth Ken Russel film I got to see. Altered states, Music lover, Gothic, all rule in their own universe. And so does Savage Messiah.
RECOMMENDED TO ALL WHO ARE INTERESTED IN THE TRUE NATURE OF ART
I sure loved it!
It's about art and the love for art, but not artistically shot as other Russell films. On a scale from 1 to 10( Lisztomania being 10, the maximum Russell), this one is probably a 3. The two main characters has an unique and interesting relationship, but not amicable since they are both loud, rude and crazy. They are annoying and not very enjoyable to watch. For someone who lives in NYC, they do remind me of the frantic hipsters I see on the streets everyday... On a scale from 1 to 10( Women in Love being 10, the maximum enjoyable, for me anyways), this one is likely a 3 also. However after some research I found out that both of them have mental illness(No way!). I wish I knew that before so maybe I would have enjoyed the movie more? The lines are very good, values too(10 outta 10), if you love art you are bond to adore this movie, one way or another.
I remember seeing this in theaters in the early seventies ( it never seems to be on television nor is it available on DVD). The two scenes I remember best were Dorothy Ttin savagely cutting up vegetables and Helen Mirren's Gosh Boyle descending the staircase nude in all her youthful and voluptuous glory. What a memorable moment. The rest of the film seemed to be about this modern sculptor/welder/whatever who had the typical artistic characteristics of ego and insensitivity. I remember that Helen Mirren's character was not exactly admirable but she was so stunning in that staircase scene that I did not care. Mirren has since ( and before in Age of Consent) done some great nude or semi-nude scenes but this is the one she will be remembered for.
¿Sabías que…?
- TriviaEarly in this movie, Henri Gaudier (Scott Antony) is seen in the employ of a certain Mr. Saltzman (Otto Diamant), who hires him, not to create original works as he would like, but to make copies of other people's work. This may be a private joke on producer and director Ken Russell's part, as the producer Harry Saltzman had some years earlier hired him, ostensibly with a view to producing one of Russell's personal projects (a movie about Tchaikowsky), but in fact to make the third movie in the "Harry Palmer" film franchise, Con el mundo a sus pies (1967). Russell eventually made the Tchaikowsky movie (La otra cara del amor (1971)) without Saltzman.
- ErroresSophie, a native speaker of Polish, is shown mispronouncing the Polish word rysowac' 'to draw': she says REE-so-vak although the correct Polish pronunciation is (approximately) rih-SOH-vats' (with the final -ts' sound pronounced palatalized, almost like -tch).
- Citas
Sophie Brzeska: My book is about sleep; that thick oily substance. Under the surface you float; half dreaming, half waking. Hidden, you hope, yet the world comes though. You cannot imagine the ways I've evolved to abolish myself there... under the surface. Half sleeping. Half waking. Leaving your worries and your clothes asleep. But the rent never sleeps and time never sleeps.
- ConexionesFeatured in A British Picture (1989)
- Bandas sonorasTWO FLEAS
Composed by Dorothy Tutin
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- How long is Savage Messiah?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 37 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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