CALIFICACIÓN DE IMDb
6.2/10
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TU CALIFICACIÓN
Susan, la recién casada, está obsesionada con visiones de Mircalla Karnstein, una novia centenaria que asesinó a su marido en su noche de bodas.Susan, la recién casada, está obsesionada con visiones de Mircalla Karnstein, una novia centenaria que asesinó a su marido en su noche de bodas.Susan, la recién casada, está obsesionada con visiones de Mircalla Karnstein, una novia centenaria que asesinó a su marido en su noche de bodas.
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Opiniones destacadas
There have been no less than FIVE classic European horror films based on the Sheridan LeFanu classic story "Carmilla". There was the creepy, expressionistic Carl Theodore Dryer film "Vampyr" back in the 30's. There was the famous Hammer period horror film "The Vampire Lovers" (which itself inspired two sequels). There was Roger Vadim's very French New Wave "Blood and Roses". There was Harry Kumel's superior, if somewhat overrated, "Daughters of Darkness". And there was this one, a Spanish film, which is perhaps the most exploitative and also the most bizarrely surrealistic of all of them.
The plot involves a man (Simon Andreu) and his young bride (Maribel Martin), who are on a seaside honeymoon. The woman suffers from a kind of sexual hysteria where she hallucinates strange men coming out of the closet and raping her. Interestingly though, it is the man who first discovers the lesbian vampire (Alexandra Bastedo). In what is undoubtedly the most arresting image in the film he digs her up from the beach sand where she is buried (for some reason) wearing nothing but a snorkel mask! (And demonstrating the film's exploitative pedigree, he first uncovers her sizable breasts). Of course, it isn't long before the lesbianism starts in earnest. The film is marred somewhat by a very ham-handed ending, but one that is also quite a statement (perhaps unintentionally so) on the reactionary machismo of Spain in the late Franco era.
This movie has an interesting if somewhat obscure cast. Simon Andreu was in a number of Italian giallo thrillers with fellow Spaniard Nieves Navarro (aka Susan Scott) and her Italian director husband Luciano Ercoli. He would stage a kind of comeback years later with a supporting role in Roman Polanski's "The Ninth Gate". The young and beautiful Maribel Martin was in three classic Spanish horror films in the late 60's/early 70's--"The House that Screamed", "A Bell from Hell", and this one--so it's both strange and regrettable that she completely disappeared soon after. British actress Alexandra Bastedo had a much longer career, going back at least to William Castle's "13 Frightened Girls" in 1963 and as far forward as Freddie Francis' "The Ghoul" in 1975. But she was almost always relegated to supporting roles, so it's good to see a lot more of her here (both in terms of the size of her role and the sparseness of her wardrobe).
The ending of the available prints seems rather truncated, perhaps suggesting censorship (although it's doubtful even this print ever played in Franco's Spain). It would be nice if someday another print would turn up with a smoother ending (and maybe a longer nude, lesbian clinch between Bastedo and Martin). Here's hoping anyway.
The plot involves a man (Simon Andreu) and his young bride (Maribel Martin), who are on a seaside honeymoon. The woman suffers from a kind of sexual hysteria where she hallucinates strange men coming out of the closet and raping her. Interestingly though, it is the man who first discovers the lesbian vampire (Alexandra Bastedo). In what is undoubtedly the most arresting image in the film he digs her up from the beach sand where she is buried (for some reason) wearing nothing but a snorkel mask! (And demonstrating the film's exploitative pedigree, he first uncovers her sizable breasts). Of course, it isn't long before the lesbianism starts in earnest. The film is marred somewhat by a very ham-handed ending, but one that is also quite a statement (perhaps unintentionally so) on the reactionary machismo of Spain in the late Franco era.
This movie has an interesting if somewhat obscure cast. Simon Andreu was in a number of Italian giallo thrillers with fellow Spaniard Nieves Navarro (aka Susan Scott) and her Italian director husband Luciano Ercoli. He would stage a kind of comeback years later with a supporting role in Roman Polanski's "The Ninth Gate". The young and beautiful Maribel Martin was in three classic Spanish horror films in the late 60's/early 70's--"The House that Screamed", "A Bell from Hell", and this one--so it's both strange and regrettable that she completely disappeared soon after. British actress Alexandra Bastedo had a much longer career, going back at least to William Castle's "13 Frightened Girls" in 1963 and as far forward as Freddie Francis' "The Ghoul" in 1975. But she was almost always relegated to supporting roles, so it's good to see a lot more of her here (both in terms of the size of her role and the sparseness of her wardrobe).
The ending of the available prints seems rather truncated, perhaps suggesting censorship (although it's doubtful even this print ever played in Franco's Spain). It would be nice if someday another print would turn up with a smoother ending (and maybe a longer nude, lesbian clinch between Bastedo and Martin). Here's hoping anyway.
After getting married with her husband (Simón Andreu), Susan (Maribel Martín) travels with him to his isolated manor. The sexual drive of the husband is intense, and Susan feels repulse for his sexual games and perversions.
Susan notes that there are only paintings of his male ancestors and none of their wives and she learns that the pictures are kept in the basement. When she sees the painting of Mircalla Karstein (Alexranda Bastedo), a.k.a. Carmilla, without her face, her husband tells that Carmilla killed her husband in the honeymoon. During the night, Susan has dreadful nightmares with Carmilla.
When Susan's husband finds a naked woman buried on the beach, he brings her home and finds that she is Carmilla. Susan is seduced by the woman and they have a lesbian relationship. Meanwhile her husband realizes that his life is in danger and Carmilla is a vampire. "La Novia Ensangrentada", a.k.a. "The Blood Spattered Bride", is an erotic and gore vampire film with an ambiguous story developed in a nightmarish atmosphere, but having a weak conclusion.
The story is never clear that Mircalla Karstein is a vampire indeed and based on the news in the disappointing conclusion, the plot may be understood differently, with the disturbed and dysfunctional Susan meeting the deranged stranger and having sexual attraction and making lesbian love with her. My vote is six.
Title (Brazil): Not Available
Susan notes that there are only paintings of his male ancestors and none of their wives and she learns that the pictures are kept in the basement. When she sees the painting of Mircalla Karstein (Alexranda Bastedo), a.k.a. Carmilla, without her face, her husband tells that Carmilla killed her husband in the honeymoon. During the night, Susan has dreadful nightmares with Carmilla.
When Susan's husband finds a naked woman buried on the beach, he brings her home and finds that she is Carmilla. Susan is seduced by the woman and they have a lesbian relationship. Meanwhile her husband realizes that his life is in danger and Carmilla is a vampire. "La Novia Ensangrentada", a.k.a. "The Blood Spattered Bride", is an erotic and gore vampire film with an ambiguous story developed in a nightmarish atmosphere, but having a weak conclusion.
The story is never clear that Mircalla Karstein is a vampire indeed and based on the news in the disappointing conclusion, the plot may be understood differently, with the disturbed and dysfunctional Susan meeting the deranged stranger and having sexual attraction and making lesbian love with her. My vote is six.
Title (Brazil): Not Available
By turns mysoginistic and feminist, this one has some spooky metaphorical comments on marriage, virginity and lesbianism. It also has the gorgeous cinematography, splendidly dreary autumnal locations and beautiful women going absolutely demented that we've come to expect from European horror movies of the time. Nudity is kept to the minimum, unusually, but the classically beautiful Alexandra Bastedo of cult TV series The Champions is the vampire this time, and the scene where she's discovered buried in the sand is totally surreal and inspired, almost Bunuelian. The movie flags a little in the middle, as most of them do, but the ending is suitably hysterical and subversive. It also seems to be almost a prequel for Vampyres, another stylish and sexy Spanish vampire flick.
This thrilling as well as sumptuous film contains horrifying scenes , chills , lush photography shot in Galicia , appropriate set design , brilliant costumes and lots of nudism and gore . A young hubby's (Simon Andreu) sexual fantasies frighten his new spouse (Maribel Martin) and cause her to seek advice from Carmilla (Carmilla is anti-heroine of J. Sheridan Le Fanu novella Carmilla), a descendant of Mircalla de Karnstein . Carmilla/Mircalla (Alexandra Bastedo) seduces the young bride and takes for her desires . She has developed an elaborate feeding ritual, that involves infiltrating the family of young girls and living alongside them, while she gradually drains their lifeblood over a period of weeks . She forces her to commit gory acts of mutilation and grisly killings . Mircalla Karnstein is a vampire that drains the blood of the victims to use as elixir of youth . She didn't know that her new friend is sucking her blood and the cause of her nightmare ; then there takes place the revenge of a young bride on her wedding night . Then happens a battle of wits between a husband versus seductive lesbian vampire fighting it out for control over his wife .
It's a creepy tale about lesbian vampire issue ; being plenty of thrills , chills , eerie events and lots of blood and gore ; including nudism in double version . Enjoyable version about the famous personage ¨Carmilla¨ with a good cast , brilliant cinematography , glamorous gowns , adequate production design , including evocative sights on palaces , beaches and rotten churches . Surrealist and fantastic images as as when the husband meets a naked woman buried on the beach, he brings her home and finds out that she is Carmilla , as well as the scary frames when Carmilla along with the bride kill their victims . This is based on Sheridan Le Fanu novel titled "Carmila" and on a story by Mathew Lewis , being written by the same director Vicente Aranda. Carmilla was born into the aristocratic Karnstein family in 17th-century Austria , she was originally called Countess Mircalla . Eerie as well as evocative musical score by Antonio Perez Olea . Colorful and luxurious cinematography by Fernando Arribas , being shot on location in Isla De La Toja, and Santiago de Compostela, A Coruña, Galicia, Spain ; adding a decent set production by Juan Alberto Soler.
This known character from Sheridan Le Fanu novel "Carmila" has been adapted several times , such as : ¨Twins of Evil" directed by John Hough , ¨Lust for a Vampire¨ (1971) played by Yutte Stensgaard , ¨ Daughters of Darkness¨ by Harry Kumel , Love for a Vampire""The Vampire Lovers aka "To Love a Vampire" played by Ingrid Pitt as Mircalla Karnstein and "Alucarda" and recently Lesbian Vampire Killers (2009) , among others .
The motion picture was professionally directed in his particular style by veteran filmmaker Vicente Aranda . He directed a series of award-winning movies firmly establishing him as one of the best Spanish filmmakers . His usual film editor is own wife , Teresa Font . Vicente is an expert on literary adaptations ,as he has adapted four novels by Juan Marsé Canciones Amor en Lolita's Club (2007), El Amante Bilingüe (1993), Si Te Dicen Que Caí (1989) and La Muchacha De Las Bragas De Oro (1980). Vicente often shoots strong erotic scenes , being ¨jealousy¨, a customary issue in his films . Vicente has been working from the 60s with ¨Fata Morgana¨ , Las Crueles¨ , ¨Novia Ensangrentada¨ , ¨Clara es el Precio¨ , among others . His greatest successes were intense dramas with plenty of sex such as ¨Amantes¨, ¨Pasion Turca¨ , ¨Si Dicen Que Cai¨ , ¨Intruso¨ , ¨Tiempo De Silencio¨ , ¨Carmen¨ , along with a delinquency tale : ¨El Lute¨ I and II starred by Imanol Arias , his fetish actor along with Victoria Abril (They have worked together 12 times) and specially the historical story titled ¨Juana La Loca¨ also dealing with jealousy and ¨Amantes¨, easily the best of the numerous films of Aranda .
It's a creepy tale about lesbian vampire issue ; being plenty of thrills , chills , eerie events and lots of blood and gore ; including nudism in double version . Enjoyable version about the famous personage ¨Carmilla¨ with a good cast , brilliant cinematography , glamorous gowns , adequate production design , including evocative sights on palaces , beaches and rotten churches . Surrealist and fantastic images as as when the husband meets a naked woman buried on the beach, he brings her home and finds out that she is Carmilla , as well as the scary frames when Carmilla along with the bride kill their victims . This is based on Sheridan Le Fanu novel titled "Carmila" and on a story by Mathew Lewis , being written by the same director Vicente Aranda. Carmilla was born into the aristocratic Karnstein family in 17th-century Austria , she was originally called Countess Mircalla . Eerie as well as evocative musical score by Antonio Perez Olea . Colorful and luxurious cinematography by Fernando Arribas , being shot on location in Isla De La Toja, and Santiago de Compostela, A Coruña, Galicia, Spain ; adding a decent set production by Juan Alberto Soler.
This known character from Sheridan Le Fanu novel "Carmila" has been adapted several times , such as : ¨Twins of Evil" directed by John Hough , ¨Lust for a Vampire¨ (1971) played by Yutte Stensgaard , ¨ Daughters of Darkness¨ by Harry Kumel , Love for a Vampire""The Vampire Lovers aka "To Love a Vampire" played by Ingrid Pitt as Mircalla Karnstein and "Alucarda" and recently Lesbian Vampire Killers (2009) , among others .
The motion picture was professionally directed in his particular style by veteran filmmaker Vicente Aranda . He directed a series of award-winning movies firmly establishing him as one of the best Spanish filmmakers . His usual film editor is own wife , Teresa Font . Vicente is an expert on literary adaptations ,as he has adapted four novels by Juan Marsé Canciones Amor en Lolita's Club (2007), El Amante Bilingüe (1993), Si Te Dicen Que Caí (1989) and La Muchacha De Las Bragas De Oro (1980). Vicente often shoots strong erotic scenes , being ¨jealousy¨, a customary issue in his films . Vicente has been working from the 60s with ¨Fata Morgana¨ , Las Crueles¨ , ¨Novia Ensangrentada¨ , ¨Clara es el Precio¨ , among others . His greatest successes were intense dramas with plenty of sex such as ¨Amantes¨, ¨Pasion Turca¨ , ¨Si Dicen Que Cai¨ , ¨Intruso¨ , ¨Tiempo De Silencio¨ , ¨Carmen¨ , along with a delinquency tale : ¨El Lute¨ I and II starred by Imanol Arias , his fetish actor along with Victoria Abril (They have worked together 12 times) and specially the historical story titled ¨Juana La Loca¨ also dealing with jealousy and ¨Amantes¨, easily the best of the numerous films of Aranda .
"The Blood-spattered Bride" is a remarkable film filled with haunting imagery gorgeously photographed by veteran cinematographer Fernando Aribas.Wonderful Alexandra Bastedo stars as a lesbian vampire who woos frigid newlywed Maribel Martin from her husband Simon Andreu on their honeymoon.After the film is over,you'll feel like you're waking from a dream,and all the inconsistencies and leaps of logic will surely infuriate many.There is also a nice amount of nudity and gore,so fans of Euro-horror will not be disappointed.
¿Sabías que…?
- TriviaThe film was based on the early vampire Gothic novella "Carmilla," written by Sheridan Le Fanu and published in 1871. Hammer Studios made Vampire Lover (1970) two years before based on the same novel.
- ErroresSusan draws a portrait of Mircalla Karstein, on which Susan's husband doodles in the upper right-hand corner. Later, when Susan looks at the drawing, her husband's doodling is missing.
- Versiones alternativasThe video version entitled Til Death Do Us Part is heavily edited
- ConexionesFeatured in Mad Ron's Prevues from Hell (1987)
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- Tiempo de ejecución
- 1h 42min(102 min)
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- Relación de aspecto
- 1.85 : 1
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