CALIFICACIÓN DE IMDb
6.7/10
2.8 k
TU CALIFICACIÓN
Un sicario de la mafia quiere retirarse, pero sus jefes no están de acuerdo. Surgen complicaciones y numerosos tiroteos sangrientos.Un sicario de la mafia quiere retirarse, pero sus jefes no están de acuerdo. Surgen complicaciones y numerosos tiroteos sangrientos.Un sicario de la mafia quiere retirarse, pero sus jefes no están de acuerdo. Surgen complicaciones y numerosos tiroteos sangrientos.
- Dirección
- Guionistas
- Elenco
Opiniones destacadas
Stylish, moody, innovative revenge-driven bloodbath. Also cheesy, of course, and sporadically very cheesy. It reminded me a lot of The Big Heat because it has the revenge plot set off by the exact same event, and the girl comes around to the good guy's side because of the same bad behavior by the bad guy. It's sad there's no Gloria Grahame but so fantastic that it's Alain Delon and not Glenn Ford. Could there be anyone as beautiful as Alain going around in a cashmere sweater and trenchcoat? Yet he's totally tough and icy cool. No one nowadays can touch him--though someone like Jude Law could try I guess. Hard for any girl to look good with him. The music was funky and perfect and there were several excellent car chases (and those aren't generally my cup of tea)--especially one willy nilly one in the woods. People also met their dooms in creative and bloody fashion, for instance in a junkyard cruncher. But beyond the cheese, the overall atmosphere was affecting and expertly pulled off. More creativity, excitement and freshness in that "forgotten" movie than most of what I've seen lately.
I have just finished watching a Japanese video version of this film (titled Big guns) and found it very entertaining. I would recommend this Franco/Italian made movie to any lovers of the Italian crime genre,why, well for a start the great cast of Euro-stars, apart from Alain Delon there's Marc Porel (Murder to the tune of 7 black notes/live like a cop die like a man), Anton diffring, Richard Conte, Carla Gravina and Erika Blanc. Also the way the movie was executed, a familiar story (of a mafia hitman who wants to retire) but shot and paced excellently. Of course- things don't go to well for the 'want-out' hitman (Delon) and finds himself with a personal vendetta on his hands.
Great bloody shoot-outs, great car chases, sexy leading ladies (who also get ruffed-up) and a phat "Schiffrintastic" score sometimes reminiscent of 'Harry's creed'. The version I watched ran into 112 mins and was widescreen.
If you get the chance, check this one out.
Great bloody shoot-outs, great car chases, sexy leading ladies (who also get ruffed-up) and a phat "Schiffrintastic" score sometimes reminiscent of 'Harry's creed'. The version I watched ran into 112 mins and was widescreen.
If you get the chance, check this one out.
Alain Delon is great as usual in the genre that fits him like a glove. Tony Arzenta, a Euro-crime action thriller is directed in style and in a manner of a true craftsmen. This is the first Duccio Tessari film I had a chance to watch, and I was mostly drawn to it by knowing what Delon plays best and that is Le Samourai type character, a professional in his emotionless job. In this one he is attached and detached and drives the story to the conclusion that wouldn't stand a New York minute in Hollywood factory of dreams. That's why I love him and Franco/Italian crime films. Highly recommended to all the fans of this genre. You'll enjoy it, no doubt.
The Eurocrime subgenre was quite popular in the late 60s & early 70s. But in all honesty most of them are cheap and badly made films. Tony Arzenta (Big Guns) is, despite its terrible title, a positive exception. And that is for three reasons: a cool Delon performance, a superb soundtrack and a great 70s atmosphere. The action is not bad, the story is the most standard story out there (former hitman takes revenge on his old employers for killing his family) and the acting is wooden at its best. But there is something about this film that makes it better than most of its fellow Eurocrime flicks.
Hit man revenge film.
A hit man wants out of the mob. The mob double crosses him. He gets some revenge by killing most of those involved.
This film has some strong action scenes. Some good chases. Lots of shooting. It's all done rather well. The acting better than average across the board here.
However, I was not a fan of the ending. I won't spoil it here. You'll either love it or hate it or ...not care either way. I didn't like it. A better ending, and this one could have been something special.
A hit man wants out of the mob. The mob double crosses him. He gets some revenge by killing most of those involved.
This film has some strong action scenes. Some good chases. Lots of shooting. It's all done rather well. The acting better than average across the board here.
However, I was not a fan of the ending. I won't spoil it here. You'll either love it or hate it or ...not care either way. I didn't like it. A better ending, and this one could have been something special.
¿Sabías que…?
- TriviaAlain Delon dubbed his own voice in both French and English language versions in the film.
- Versiones alternativasThe Japanese DVD omits a lesbian kiss at the night club and the beating of Carla Gavina, however a small fraction of the latter is present in the trailer.
- ConexionesFeatured in Trailer War (2012)
- Bandas sonorasL'Appuntamento (Sentado A' Beira Do Caminho)
di Bruno Lauzi (as B. Lauzi) - Erasmo Carlos (as E. Carlos) e Roberto Carlos (as R. Carlos)
Proprieta per l'Italia: ARISTON Edizioni Musicali - Milano
Editore originale: SERESTA Ediciones Musicales San Paolo
Disco Ariston AR/0368
canta Ornella Vanoni
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- No Way Out
- Locaciones de filmación
- Duomo, Noto, Syracuse, Sicily, Italia(Wedding scene)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 35min(95 min)
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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