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IMDbPro

La morte ha sorriso all'assassino

  • 1973
  • Not Rated
  • 1h 28min
CALIFICACIÓN DE IMDb
5.7/10
1.8 k
TU CALIFICACIÓN
Luciano Rossi in La morte ha sorriso all'assassino (1973)
DramaMisterioRomanceTerrorThriller

Greta, una misteriosa mujer con amnesia, es acogida por los adinerados señores von Ravensbruck. Los tres pronto entran en un triángulo amoroso que se vuelve mortal, a medida que el truculent... Leer todoGreta, una misteriosa mujer con amnesia, es acogida por los adinerados señores von Ravensbruck. Los tres pronto entran en un triángulo amoroso que se vuelve mortal, a medida que el truculento pasado de Greta se va revelando poco a poco.Greta, una misteriosa mujer con amnesia, es acogida por los adinerados señores von Ravensbruck. Los tres pronto entran en un triángulo amoroso que se vuelve mortal, a medida que el truculento pasado de Greta se va revelando poco a poco.

  • Dirección
    • Joe D'Amato
  • Guionistas
    • Joe D'Amato
    • Romano Scandariato
    • Claudio Bernabei
  • Elenco
    • Ewa Aulin
    • Klaus Kinski
    • Angela Bo
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.7/10
    1.8 k
    TU CALIFICACIÓN
    • Dirección
      • Joe D'Amato
    • Guionistas
      • Joe D'Amato
      • Romano Scandariato
      • Claudio Bernabei
    • Elenco
      • Ewa Aulin
      • Klaus Kinski
      • Angela Bo
    • 44Opiniones de los usuarios
    • 33Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos54

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    Elenco principal16

    Editar
    Ewa Aulin
    Ewa Aulin
    • Greta von Holstein
    Klaus Kinski
    Klaus Kinski
    • Dr. Sturges
    Angela Bo
    • Eva von Ravensbrück
    Sergio Doria
    Sergio Doria
    • Walter von Ravensbrück
    Attilio Dottesio
    Attilio Dottesio
    • Inspector Dannick
    Marco Mariani
    • Simeon
    Luciano Rossi
    Luciano Rossi
    • Franz von Holstein
    Giacomo Rossi Stuart
    Giacomo Rossi Stuart
    • Dr. Herbert von Ravensbrück
    Fernando Cerulli
    Fernando Cerulli
    • Professor Kempte
    • (as Franco Cerulli)
    Carla Mancini
    Carla Mancini
    • Gertrude
    Giorgio Dolfin
    • Maier
    Tony Askin
    • Sturges Corpse
    • (sin créditos)
    Evelyn Melcher
    • Gertrud - The Maid
    • (sin créditos)
    Oscar Sciamanna
    • Party Guest
    • (sin créditos)
    Pietro Torrisi
    Pietro Torrisi
    • Dr. Sturges' Mute Assistant
    • (sin créditos)
    Mira Vidotto
    • Mask Ball Guest
    • (sin créditos)
    • Dirección
      • Joe D'Amato
    • Guionistas
      • Joe D'Amato
      • Romano Scandariato
      • Claudio Bernabei
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios44

    5.71.7K
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    Opiniones destacadas

    Michael_Elliott

    Death Smiles at Murder

    Death Smiled at Murder (1973)

    ** (out of 4)

    Joe D'Amato directed this extremely bizarre and downright confusing film that tries to mix Gothic horror with the giallo. I'm not exactly sure what the hell the film is about but it goes something like this. After a carriage wreck, a young woman (Ewa Aulin) is left without her memory so she stays with a husband and wife who both take a sexual liking to her. There's also a strange murderer going around and there's also a weird doctor (Klaus Kinski) who is trying to create a formula that will bring the dead back to life. Before long, the wife kills the young woman but soon she reappears. Is it a ghost or something else? As I said, this film makes absolutely no sense whatsoever. There are several other story lines that I could have included in the plot but I'm not exactly sure what they had to do with anything either. D'Amato does a good job with the cinematography, which added with the music score makes for some nice atmosphere. Aulin is easy on the eyes and delivers the best performance in the film but overall this thing it too much of a mess to really enjoy. The film's pace, although gets quite tiresome after a while.
    Dethcharm

    "It's Completely Baffling, This Whole Case!"...

    Greta von Holstein (Ewa Aulin) survives a terrible accident, and is taken in by the Ravensbruck family. Dr. Sturges (Klaus Kinski) is called in to examine her. This somehow leads to his discovering how to re-animate the dead. When someone murders Sturges and absconds with his secret, horror soon follows.

    That's the basic, skeletal plot. The rest of DEATH SMILES ON A MURDERER is a series of love affairs, sexual situations, and a soap opera story line with an Edgar Allan Poe tie-in, interrupted by gruesome deaths. This may sound cockeyed and absurd, and it is. However, there's something eerie about it that makes it watchable. It's held together by a sort of nightmare logic.

    Beautifully filmed, with haunting set pieces, it seems nonsensical, yet satisfying nonetheless. Ms. Aulin is both stunningly beautiful and terrifying!

    EXTRA POINTS FOR: The graveyard scene!...
    7Coventry

    D'Amato's confusing, but extremely stylish, horror masterpiece.

    Death Smiled at Murder…and horror admirers all over the world salute Joe D'Amato for delivering this film, by which he proves that he's not just an insane and untalented adult-filmmaker. Okay, D'Amato made a lot of meaningless, cheap quickies throughout his entire fertile career but he does know how to tell a creepy and unsettling horror tale. Just look at 'Beyond the Darkness'…or this 'Death smiled at Murder', which is an even better example. The plot doesn't always make sense, but it's beautiful to look at and it's very stylishly elaborated. The settings and photography are mesmerizing and the delightful musical score is almost hypnotic. But of course, this wouldn't be a D'Amato film if it didn't also feature a rather large dose of sleaze and violence. Kinky Joe shamelessly stuffed his film like a Thanksgiving turkey with slightly perverted elements (incestuous lust, an obscene love-triangle…) and nauseating gore (decomposed corpses, a face entirely shattered by shotgun…)

    Summarizing the plot of 'Death Smiled at Murder' isn't a very easy thing to do as it handles about multiple macabre topics. A sinister doctor is on the verge of translating an ancient formula carrying the secret of how to raise the dead. A beautiful young girl and her deranged brother seem to be involved in this process as well but they first annihilate the entire population of a countryside mansion. The owners of this mansion, a rich couple, are both romantically involved with the gorgeous girl named Greta. The acting is fairly good as well, with Klaus Kinski on top. His role in the film isn't very essential, but his up-to-no-good grimaces provide the story with an extra bit of eeriness. With this film, D'Amato proved being capable of delivering films that are on the same quality-level as some of the Jess Franco films and maybe some of the weakest Mario Bava films. Recommended to every fan of top-Eurosleaze
    6Indyrod

    Not your typical D'Amato movie

    Death Smiles at Murder-Aristide Massaccesi (aka Joe D'Amato) This is not your typical D'Amato movie, if there is such a thing. There's graphic violence, a little gore, but nothing really over the top. But what this movie has, is a little style and maybe even ~~gasp~~ some class. It's very confusing, and includes everything from reanimation, to a three way love affair, to a murder mystery. The basic plot is about a young beautiful woman Greta, who shows up at a Villa and is involved in a horse carriage accident which impales the driver. A couple take her in since she has developed amnesia. There's a series of flashbacks that attempt to cast some Intel on who she is, but not why she is there. Klaus Kinski has a small role as the doctor who attends to her, but has a totally different agenda which deals with a concoction he's working on to bring back the dead. Soon the movie gets even more bizarre and even takes a little from Poe's "Black Cat". Everything looks pretty damn good in this movie, the sets, the actors, and the main thing I noticed is the main theme to the soundtrack is straight out of "Suspiria". In fact, you could pretty much say ~~stolen from Suspiria~~.

    Both the Husband and his Wife fall in love with Greta, and the Wife especially turns out to be rather jealous and walls up Greta in the dungeon. After that some even more bizarre happenings occurs resulting in the gruesome death of the Wife. But what happened to the walled up Greta? Well, that little chore is up to the local Police Inspector, and he hasn't got a clue as to what is going on, because Greta has vanished. This all culminates in a fairly good, if not confusing, ending that seems to put most of pieces back in order.
    lazarillo

    Something is happening, but I don't know what it is. . .

    This movie seems interesting on paper: it's directed by the infamous Aristide Massacessi (aka Joe D'Amato) and it features overly intense German actor Klaus Kinski and Swedish nymphet Ewe "Candy" Aulin. But fans may find D'Amato being a little too classy, Kinski being a little too subdued, and Aulin being a little too dressed. This movie is a latter-day Italian Gothic but it was made at a time when those films, which had been big in the 60's, were in decline and the more delirious Italian gialli were ascendant. This film is a strange hybrid of the two--it has the period trappings of a Gothic horror but makes even less sense than your average giallo.

    The plot (if that word applies here)involves two different doctors who seem to be reviving the dead for some reason--or are they? (I'm not being mysterious here--I really don't know). One of them is Klaus Kinski, but I suspect the famously temperamental actor might have stormed off the set so they gave part of his role to somebody else. Ewe Aulin is the dead(?) woman who seems no worse for wear. After her carriage crashes on the estate of a nobleman (who coincidentally is the doctor's son),he and his wife take her in and they both fall in love with her. The wife, however, is very jealous (although it's not clear of whom) and keeps trying to kill this possibly already dead girl. After an unsuccessful bathtub drowning (which naturally turns into a steamy lesbian sex scene) she seals her in a tomb with the family cat (for yet another Italian homage to Edgar Allen Poe) before the movie sinks completely into incomprehensibility.

    This film resembles other latter-day Italian gothics like "The Devil's Wedding Night" (with Rosalba Neri) or "The Night Evelyn Came out of the Grave" (with Erika Blanc). I would have preferred Neri or Blanc to Aulin in this kind of movie--they all look good naked, of course, but Blanc and Neri are a lot better in these evil roles. The cinematography here is definitely superior to the other two films, however, and is the best thing about this movie (it's easy to forget that D'Amato was a superb cinematographer before he became a world-renowned pornographer). Fans of virtuoso cinematography, non-linear Eurohorror, and badly-dubbed Eurobabes, who aren't bothered too much by a complete lack of plot will probably like this. Others may not.

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    ¿Qué le han hecho a Solange?
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    6.3
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    6.7
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    I quattro dell'Apocalisse
    6.3
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    Shock... ¡convulsión!
    6.3
    Shock... ¡convulsión!

    Argumento

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    ¿Sabías que…?

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    • Trivia
      All the guts used in the film were real intestine.
    • Citas

      Greta von Holstein: Franz! Franz! Try to catch me! If you do, I'll be your slave for a month, and I'll do anything you want. Anything!

    • Conexiones
      Featured in Porno Holocaust - Die Filme des Joe D'Amato (2001)

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    Preguntas Frecuentes13

    • How long is Death Smiles on a Murderer?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 11 de julio de 1973 (Italia)
    • País de origen
      • Italia
    • Idioma
      • Italiano
    • También se conoce como
      • Death Smiles on a Murderer
    • Locaciones de filmación
      • Italia
    • Productora
      • Dany Film
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 28min(88 min)
    • Relación de aspecto
      • 1.85 : 1

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