Il mio nome è Shangai Joe

very weird European take on the Spaghetti western-Kung fu connection that has haunted Hong Kong cinema since Shaw Bros. started using borrowed Ennio Morricone music for their films in the later '60s.

There is much to be said of this weird connection; but for now, let's remark that while "Shanghai Joe" shows really very little understanding of Kung Fu, it shows considerable savvy about Spaghetti Westerns; the action rarely lags, and the heros are heroic, the villains are villainous - yep, a good B-movie all around, perfect Saturday Matinée fare from its era.

(Cinephiles - note the tribute to Sergoi Leone at the end - a definite plus for me.) I agree -fun film of its type & date.

(54%) A film that shows "good" old boy cowboys in maybe the worst light possible as nearly every person featured bar a few Mexican characters are portrayed as huge and total b#stards. The guy that carts main character Joe to Texas is a git, the barman he meets is a turd, while everyone else is if anything even worse. This may not look up to much on the outset, but for a lowish budgeted 70's martial arts spaghetti western hybrid I enjoyed its simple charm. This is a little rough around the edges, though it moves along at a good pace with never really a dull moment throughout. There's plenty of fights, lots bad guys getting what they deserve, a sweet romantic sub-plot, and best of all: it's fun to watch.

Shanghai Joe is just a regular Chinese guy who has moved to America to get a good job and live the dream. Sadly for Joe everyone he comes across is a racist moron who don't want Joe to get anywhere. Sadly for them Joe tends to lose his rag and beat everyone who crosses him into submission.

This film is a lot of fun. A lot of fun. For the first half of the film Joe just goes from job to job being harassed and doling out justice, but then he crosses the wrong guy (a slave trader) and from then on the heat is on, in the form of ugly Gordon Mitchell and uglier Klaus Kinski! Basically just one action set piece after another, this film does not disappoint. Its a nice merging of spaghetti western and martial arts and Mario Caiano isn't daft, as he gives us loads of both in an overtly violent way.

Honestly, for a spaghetti western this one is really high on violence. Wrists are broken and bones protrude, folk are drowned in boiling water, hands are cut off, torsos punctured by fists and Joe even manually removes a guy's eyeball! Entertaining stuff.

I had this in my collection for years and now wish I'd watched it sooner. It's on YouTube if you don't own it.

Also - Joe screams Eeeeeaaaaeeaagh before braining someone. Watch out for that.

In 1882, spunky Chinese man Shanghai Joe hops atop a stagecoach from San Francisco (subtitle says St. Francisco!) to Texas in order to become a cowboy and ends up having to defend himself against a seemingly endless stream of trash-talking rednecks.

Soon Joe runs afoul of a group of nasty human smugglers who send four colorful hired killers to do him in, including Gordon Mitchell, a cannibal, and scalp-collector Klaus Kinski!

Coming out on the heels of the hit television show "Kung Fu", The Fighting Fists Of Shanghai Joe is a lot better than it's Italian knock-off status would suggest.

It's almost all non-stop action with loads of flying fists and flying lead. Blood, a bit of gore, and a great Ennio Morricone sounding score by Bruno Nicolai all fit the comic book nature of the film quite nicely!

In the title role, Chen Lee is really good and should have been in more movies than he was.

This one is a real oddity, a martial arts western, with a small role for the ever evil Klaus Kinski as the bounty hunter set to go and kill our Hero Joe.

Joe arrives in San Francisco, and instead of meeting the people of the land of the free he meets the land of the racists, and his troubles only just start to begin.

Joe is far to nice for his own good, polite and well-mannered, thats until he needs to defend his life and then his fists of fury unleash some retribution.

A lot of fun.