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IMDbPro

La última casa a la izquierda

Título original: The Last House on the Left
  • 1972
  • R
  • 1h 24min
CALIFICACIÓN DE IMDb
5.8/10
42 k
TU CALIFICACIÓN
POPULARIDAD
4,354
63
Sandra Peabody in La última casa a la izquierda (1972)
Two teenage girls heading to a rock concert for one's birthday try to score marijuana in the city, where they are kidnapped and brutalized by a gang of psychotic convicts.
Reproducir trailer2:07
1 video
99+ fotos
Asesino en serieB-HorrorCrimenHorror sangrientoSlasher TerrorTerrorThriller

Dos adolescentes que van a un concierto de rock por su cumpleaños intentan introducir marihuana en la ciudad, donde son secuestradas y maltratadas por una banda de convictos psicóticos.Dos adolescentes que van a un concierto de rock por su cumpleaños intentan introducir marihuana en la ciudad, donde son secuestradas y maltratadas por una banda de convictos psicóticos.Dos adolescentes que van a un concierto de rock por su cumpleaños intentan introducir marihuana en la ciudad, donde son secuestradas y maltratadas por una banda de convictos psicóticos.

  • Dirección
    • Wes Craven
  • Guionistas
    • Wes Craven
    • Ulla Isaksson
  • Elenco
    • Sandra Peabody
    • Lucy Grantham
    • David Hess
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.8/10
    42 k
    TU CALIFICACIÓN
    POPULARIDAD
    4,354
    63
    • Dirección
      • Wes Craven
    • Guionistas
      • Wes Craven
      • Ulla Isaksson
    • Elenco
      • Sandra Peabody
      • Lucy Grantham
      • David Hess
    • 563Opiniones de los usuarios
    • 153Opiniones de los críticos
    • 68Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 nominación en total

    Videos1

    Official Trailer
    Trailer 2:07
    Official Trailer

    Fotos190

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    Elenco principal15

    Editar
    Sandra Peabody
    Sandra Peabody
    • Mari Collingwood
    • (as Sandra Cassell)
    Lucy Grantham
    Lucy Grantham
    • Phyllis Stone
    David Hess
    David Hess
    • Krug Stillo
    • (as David A. Hess)
    Fred J. Lincoln
    Fred J. Lincoln
    • Fred 'Weasel' Podowski
    • (as Fred Lincoln)
    Jeramie Rain
    Jeramie Rain
    • Sadie
    Marc Sheffler
    Marc Sheffler
    • Junior Stillo
    Richard Towers
    Richard Towers
    • Dr. John Collingwood
    • (as Gaylord St. James)
    Cynthia Carr
    Cynthia Carr
    • Estelle Collingwood
    Ada Washington
    • Ada
    Marshall Anker
    • Sheriff
    Martin Kove
    Martin Kove
    • Deputy
    Ray Edwards
    • Postman
    Jonathan Craven
    Jonathan Craven
    • Boy with Balloon
    • (sin créditos)
    Anthony J. Forcelli
    • Ice Cream Store Clerk
    • (sin créditos)
    Steve Miner
    Steve Miner
    • Hippie Taunting Deputy
    • (sin créditos)
    • Dirección
      • Wes Craven
    • Guionistas
      • Wes Craven
      • Ulla Isaksson
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios563

    5.842.2K
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    Opiniones destacadas

    fedor8

    Exploitative trash masquerading as "social commentary".

    A strong candidate for "The Worst Movie of All Time". With his first film Craven reached heights of ineptitude and tastelessness that even Craven-haters should be surprised by, and the incompetence is far-reaching; in every respect imaginable does this film not fail to fail. This piece of exploitative trash is at the very least the worst killers-on-the-lam film ever made. The acting ranges from one-dimensional to atrocious to ridiculous, and the characters behave in such an inconsistent and illogical manner that I have to suspect that this movie wasn't so much directed as that it's simply a collection of improvised scenes by a couple of bored – and talentless - students who just happened to have had a camera nearby. One of the main things that separates a film like "I Spit On Your Grave" from this junk is that Craven has neither respect nor pity for victims of brutal crimes; this he shows more than obviously by playing utterly inappropriate cheerful music while the two girls are being shoved into the trunk of a car and then driven off. At the end of the film there is yet more upbeat music. This is not some fantasy zombie film where you can expect your audience to laugh with you about the exaggerated and silly events and cartoon violence that take place in the movie. The main events in this "reality-based" horror movie haven't got an iota of a humorous side to them, and the fact that Craven doesn't realize this shows what a sad little degenerate he is. An English professor??? What a joke. In-between scenes of torture, degradation, and murder Craven manages to squeeze in scenes of goofy cops, which we are supposed to find amusing.
    kinderwhore

    whatever

    "to avoid fainting"???!!! Oh puuuuurlease!!! What an aboslute let down! having been banned by the moral majority for over a decade,we have finally be deemed "adult" enough to watch LHOTL.now i love wes craven as much as the next woman but c'mon Wes..Give us a break!! Badly acted,poorly scripted and dare i say..badly directed.An absolute waste of my hard earned cash...i should've waited for it to be aired on T.V..probably one sunday night, late, when we're all in bed!! but if all else fails remember "it's only a movie"
    6kosmasp

    "Classic"

    Every horror movie claims for themselves that they kicked off something. Be it the slasher genre, be it the "let's go all in and not censor ourselves", be it the body count, gore, nudity, organs on display or whatever else you can imagine. In this case it is more the idea - although there are some short glimpses of visual and very explicit imagery.

    Wes Craven and Sean Cunnigham (who worked together on this and then went ahead to make two of the most iconic horror/movie villains of all time respectively - Freddy Kruger and Jason Vorhees) may feel like they wanted more or rather be more diverse. Do movies in other genres - but I do think they can be happy with their career. And it started with a very controversial and evil little movie like this one.

    The villains here are as despicable as they can get and the one moment where Wes claims they have a point of no return - well let's just say they are already past that way before that moment. So this is raw, it lacks sense in many respects and you can see there was not a big budget involved. But through it all you can feel the effect until today the movie had ... because of its success and because it was rough and did not really follow any rules
    6salemzin

    Wes Craven's "Debut" as a Director

    "The Last House on the Left" (1972) plays a pivotal role in the history of horror cinema, marking Wes Craven's directorial debut. Although it features somewhat quirky performances and moments of comedy that occasionally break the tension, this is undoubtedly a negative aspect, along with its strange and disconcerting soundtrack.

    However, the film manages to maintain an intense atmosphere in its more serious moments, whether through Craven's direction or the image quality that gives it an amateur feel, as if we were witnessing real events on camera. The film's plot may not be particularly innovative, but it makes up for it with its scenes of violence, which at the time were, in a way, considered a novelty.

    Although it has aged somewhat problematically in certain respects, "The Last House on the Left" still retains its disturbing power and deserves to be appreciated, especially for its lasting influence on the genre, serving as inspiration for countless other films.
    Michael_Elliott

    Virgin

    Last House on the Left, The (1972)

    *** (out of 4)

    Craven's notorious shocker is a remake of Ingmar Bergman's The Virgin Spring and deals with two teenage girls going to the city for a concert but being kidnapped by four crazed criminals. The girls and raped, tortured and eventually murdered but the killer's end up spending the night at one of the girl's houses where the tables are turned. I've seen this film countless times in my life and it always disturbed me to the point where I hated the movie with a passion. I always felt the movie was rather poorly made and in the end it was nothing but an exploitation show meant to disturb you. I still feel that way but I've actually doubled my normal star rating because the film actually worked with me this time. My stomach was still being turned and I was disgusted in its vile nature but I reckon that was the whole point. There's still a lot that I don't like about the film including the stupid comedy relief from the two idiot cops. Why Craven decided to throw this slapstick in is beyond me because it really feels out of place especially when it pops up after watching two teens get brutally murdered. Another issue is that the film looks incredibly cheap (it was a low budget) and amateurish but this adds some to its atmosphere and makes the film seem all the more real. The now legendary tagline that "it's only a movie" is something to really keep in mind as the film comes off very realistic as if you're watching a documentary. The performances are all rather mixed but they all suit the film fine and that includes David Hess as the leader of the gang and Marc Sheffler as his heroin addicted son. The dialogue in the film, especially the opening ten minutes, is downright awful but there's still no denying that this is a highly disturbing film that manages to be vile, disgusting and just downright evil.

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    Argumento

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    ¿Sabías que…?

    Editar
    • Trivia
      A mixture of red and blue food colouring mixed with caramel syrup was used for the fake blood, which contrary to most film "blood," actually looks real.
    • Errores
      Mari breathes and moves when her parents find her body (the original intention was that she should still be alive at this point and would identify her attackers before dying).
    • Citas

      Estelle Collingwood: Mari tells me you're from Manhattan. What does your father do?

      Phyllis Stone: Oh, my parents are in the iron and steal business.

      Estelle Collingwood: Iron and steel both together? How unusual.

      Phyllis Stone: Well, my mother irons and my father steals.

    • Créditos curiosos
      Opening text: "The events you are about to witness are true. Names and locations have been changed to protect those individuals still living."
    • Versiones alternativas
      The 1982 British release on the Replay video label omitted the scene where the sheriff and the deputy try to hitch a ride on Ada's chicken wagon, and the end credits were missing - though the now familiar 'freeze frames' of the principal actors appear, no credits are superimposed over them, and the final song continues to play over a completely black screen. In terms of gore and violence, the print Replay used was uncut.
    • Conexiones
      Edited into The Evolution of Snuff (1977)
    • Bandas sonoras
      The Road Leads to Nowhere
      Lyrics and Music by Steve Chapin & David Hess

      Performed by David Hess

    Selecciones populares

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    Preguntas Frecuentes

    • How long is The Last House on the Left?
      Con tecnología de Alexa
    • Why aren't the forced lesbian scenes in any release?
    • What are the differences between the old British BBFC 18 DVD and the uncut Unrated Version?
    • Is it true that an alternate cut was released on VHS?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 10 de enero de 1980 (México)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • MGM
    • Idioma
      • Inglés
    • También se conoce como
      • The Last House on the Left
    • Locaciones de filmación
      • Nueva York, Nueva York, Estados Unidos(buying grass scene)
    • Productoras
      • Sean S. Cunningham Films
      • The Night Co.
      • Lobster Enterprises
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 90,000 (estimado)
    • Total a nivel mundial
      • USD 135
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 24 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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