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IMDbPro

Kozure Ôkami: Sanzu no kawa no ubaguruma

  • 1972
  • Not Rated
  • 1h 22min
CALIFICACIÓN DE IMDb
7.9/10
7.2 k
TU CALIFICACIÓN
Kozure Ôkami: Sanzu no kawa no ubaguruma (1972)
SamuraiActionAdventureDrama

Agrega una trama en tu idiomaTrailed by a clan of female ninja, Ogami is paid to assassinate a clan traitor accompanied by three killers known as the Gods of Death.Trailed by a clan of female ninja, Ogami is paid to assassinate a clan traitor accompanied by three killers known as the Gods of Death.Trailed by a clan of female ninja, Ogami is paid to assassinate a clan traitor accompanied by three killers known as the Gods of Death.

  • Dirección
    • Kenji Misumi
  • Guionistas
    • Kazuo Koike
    • Goseki Kojima
  • Elenco
    • Tomisaburô Wakayama
    • Kayo Matsuo
    • Minoru Ôki
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.9/10
    7.2 k
    TU CALIFICACIÓN
    • Dirección
      • Kenji Misumi
    • Guionistas
      • Kazuo Koike
      • Goseki Kojima
    • Elenco
      • Tomisaburô Wakayama
      • Kayo Matsuo
      • Minoru Ôki
    • 36Opiniones de los usuarios
    • 62Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos118

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    Elenco principal39

    Editar
    Tomisaburô Wakayama
    Tomisaburô Wakayama
    • Ogami Itto
    Kayo Matsuo
    Kayo Matsuo
    • Yagyu Sayaka
    Minoru Ôki
    Minoru Ôki
    • Benma Hidari
    Akiji Kobayashi
    Akiji Kobayashi
    • Ozunu Kurokuwa
    Shin Kishida
    Shin Kishida
    • Kuruma Hidari
    Shôgen Nitta
    • Tenma Hidari
    Takashi Ebata
    Takashi Ebata
    • Mitsugu
    • (as Kanji Ebata)
    Kappei Matsumoto
    • Ichirobei Hirano
    Akihiro Tomikawa
    Akihiro Tomikawa
    • Daigoro Ogami
    Izumi Ayukawa
    • Otoki
    Kazutarô Kuni
    • Awa Retainer
    Maki Mizuhara
    • Oriku
    Ima Masaki
    • Otaki
    Reiko Kasahara
    • Ochika
    Yuriko Mishima
    • Oyo
    Yukari Wakayama
    • Omon
    Michi Azuma
    Michi Azuma
    • Oko
    Sei Hiraizumi
    Sei Hiraizumi
    • Dirección
      • Kenji Misumi
    • Guionistas
      • Kazuo Koike
      • Goseki Kojima
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios36

    7.97.2K
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    Opiniones destacadas

    9EVOL666

    The Second (And My Personal Favorite) Of The BABY CART Series

    Another winner in the BABY CART series (but honestly, I can't find too much fault in any of the films in this set of "classic" films...) and personally my favorite single entry...

    This one has the Lone Wolf and his Cub still enjoying the "misadventures" of samurai-for-hire, and of course their quest for vengeance against the Yagyu clan that initially betrayed them. Some intriguing enemies in this one includes a band of female ninjas and the "Gods Of Death". There is also the requisite side story of Itto's "hit of the day"...

    This one has some pretty fast-and-furious fight scenes and is probably the most action packed of the series. Again, like the other entries, good acting, great sets and costumes, beautiful camera-work, and the almost magical but extremely unorthodox "chemistry" between father and son are not to be missed. Highly Recommended 9/10
    SaracenReborn

    Tomisaburo Wakayama is simply without equal.

    These movies were infamous for their incredibly brutal and bloody swordplay sequences, but equally impressive IMHO was the leading actor- Tomisaburo Wakayama a.k.a. "Lone Wolf" was surely the greatest martial arts star ever. The command and authority with which he wielded a sword (and other weapons) was just phenomenal. The blade truly was an extension of himself, and his use of it was the definition of lethal, with none of the unnecessary/show-off flourishes so desperately thrown about by today's wannabes. He had incredible presence and charisma- easily on a par with the likes of say Eastwood or Bronson- with eyes that reflected pure death, and the desolation in his soul. There were moments in the "Babycart" series where you'd swear he was the personification of his namesake, the Wolf. You never doubted for one second that he WAS shogun executioner, masterless samurai, assassin for hire. One look at him in action, and you could readily understand why his enemies trembled at the mention of his name, and ran from him in sheer terror. Alas, Lone Wolf is one with void now, but his legend will live on forever in these films.

    Forget Toshiro Mifune. Forget Takakura Ken. Forget Sonny Chiba. Forget Bruce Lee, Jackie Chan, Jet Li, Donnie Yen, and any of those wire-reliant ballet dancers from Crouching Tiger Hidden Dragon. And CERTAINLY forget any American martial artists that you could care to name. Tomisaburo Wakayama was, is, and forever shall be, THE MAN!
    6SpaaceMonkee

    Serious or Not?

    The first Lone Wolf film was enjoyable and innovative, but this first sequel unsuccessfully straddled the line between comically violent and serious in a way that the film couldn't maintain.

    In this film, Itto continues his journey of vengeance with his young child along for the ride, rolling along in a cleverly weaponized wooden stroller. (Never before has a toddler been complicit in so many killings!) It's a fun movie for the mindless action, but it never really goes beyond that. At times the movie seems like it wants to be a more serious film, but then it veers back to a perpetually nonchalant Itto effortlessly slaying would-be killers along the road.

    Overall, it felt like a movie attempting to bridge genres without ever cleanly landing in the one that fit.
    8BA_Harrison

    Another fine outing for Lone Wolf and Cub.

    In this, the second in the Lone Wolf and Cub series, ronin Ogami Itto (Tomisaburo Wakayama) and his son Daigoro (Akihiro Tomikawa) continue to wander the land as assassins for hire, all the while keeping an eye out for members of the nasty Ragyu clan, who want them dead.

    When the wealthy Awa clan approach Itto, offering him 500 gold pieces to kill a man who might be able to ruin them financially, he accepts; in order to complete his mission, he must face many dangers, including a team of vicious female warriors, and the highly skilled Hidari brothers, also known as the Gods of Death.

    Baby Cart at the River Styx sees director Kenji Misumi delivering a breathtaking sequel to his excellent Sword of Vengeance. Like a Japanese Sergio Leone, he once again uses extreme close-ups, rapid zooms, sparing use of a haunting soundtrack, and superbly choreographed violence to continue his epic tale of a man and boy on a gore-spattered journey through 'hell'.

    From the opening scene in which Itto quickly dispatches of two Yagyu clansmen, through to the stunning climax which sees Lone Wolf and Cub battling the Hidaris in a desert, this film is a stunning and often beautiful display of carnage. Battles take place in complete silence, with the vanquished always taking a second or two before they fall to the ground, blood gushing from their wounds. Daigoro also gets in on the act, activating spring-loaded blades in his cart to slice off the feet of the enemy. Misumi's handling of these scenes is superb, with some great use of innovative and ground-breaking visual techniques (one great fight scene has images superimposed onto each other to give the action a surreal and dreamlike quality).

    But it's not all mindless violence. There are occasional moments of tenderness too, with the close bond between father and son displayed in a couple of notable scenes: Ogami gently bathes Daigoro, with one hand on his sword in readiness for trouble; and Daigoro nurses his injured father back to health, trading his jacket for food.

    My only gripe with Baby Cart at the River Styx is that the film is often very dark, and it was extremely hard to see what was going on, particularly during the many night scenes. Whilst this may be due to my DVD being a bad transfer, it did affect my enjoyment of the film (I had to re-watch the gory dismemberment of one unfortunate shinobi at the hands of the female ninjas with my TV's brightness and contrast whacked right up), which is why I give it slightly less than Sword of Vengeance—7.5/10 (although I have to round my rating up to 8 for IMDb, which technically puts it on a par with the first one).
    Sadsack-3

    A combination of intelligent plot and blood spurting action. A winner!

    It was this film that converted me to the joys of blood spattered gory Japanese epics. The action is amazing - each fight scene a gem. The main characters take everything so calmly that I began to see Blues Brothers-esque deadpan humour in some of the more gruesome sequences. Watch this film with your friends so you can all scream at the TV each time a fight kicks in. It worked for me.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The distinctive hats worn by the Gods of Death, are a traditional Japanese straw hat often associated with ronin. The style of hat is known as roningasa. 'Ronin' meaning masterless and wandering samurai, and 'gasa' meaning hat.
    • Errores
      When Ogami and Daigoro are walking through the forest shortly before being attacked by Kurokawa and his ninja henchmen (around the 31:30 mark), cars can be seen driving by in the background on the left side of the frame.
    • Citas

      Benma Hidari: [Ogami Itto has bested him and slashed him across the neck with a sword; blood is starting to flow from the wound, making a certain sound] My neck... my own neck... It sounds like it's wailing. My neck was sliced open diagonally. The cut wails like a cold winter wind. They call it "mogari-bue," - the whistle of a fallen tiger. I've always wished to kill someone, just once, and create such a fine cut and to sing this tune. Now I'm hearing it from my own neck. What a laugh.

      [rolls over dead, with blood spurting out from his neck wound onto the sand]

    • Conexiones
      Edited into Asesino Shogun (1980)

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    Preguntas Frecuentes15

    • How long is Lone Wolf and Cub: Baby Cart at the River Styx?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 22 de abril de 1972 (Japón)
    • País de origen
      • Japón
    • Idioma
      • Japonés
    • También se conoce como
      • Lone Wolf and Cub: Baby Cart at the River Styx
    • Productoras
      • Katsu Production
      • Toho
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 22 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 2.35 : 1

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