Opiniones de usuarios

The plot for this bloody Yakuza film follows a similar formula found in director Kinji Fukasaku's other gangster flicks. Bunta Sugawara stars as Gondo, a low level hoodlum who murders a gang leader in order to achieve a higher status. However, after his release from prison, he soon discovers that the old ways have changed, and his place in the gangster hierarchy is uncertain.

"Outlaw Killers: Three Mad Dog Brothers" (1972) is more episodic in nature compared to some of Fukasaku's other genre pieces. In fact, the title is deceiving. Despite the brothers mentioned, this is really Gondo's story through and through. Something else different is the somewhat darker depiction of the Japanese underworld, with sequences of excessive rape and victimizing of innocent people that are hard to stomach. This harsher point of view makes it nearly impossible to root for our protagonist, despite a cool and confident performance by Sugawara.

Having said that, the director's usual stylistic choices are present as always. This ends up being the timeless story of a man (criminal) wanting to go out on his own, to be his own boss, and getting bogged down with tradition, ritual, and a lack of respect. Fans of the genre will not be disappointed, though viewers trying to get into early 70's Yakuza films might be better served starting with something like "Sympathy for the Underdog" (1971), which is also directed by Fukasaku and features several of the same actors.

If a balls-out, no-holds-barred, raw and raunchy crime flick doesn't sound like your kind of thing, you can stop reading right here. How many of us are left? Good. So, for the rest of us, Kinji Fukasaku crafts another typical yet hugely entertaining slice of yakuza action. If you have seen any number of his films from the early 70's, you'll be treading very familiar territory with Outlaw Killers. It's another take on the typical "yakuza foot-soldier is released after doing time in prison for a hit on an enemy gang and finds it hard to adjust to the new conditions; hilarity ensues" plot. However despite the lack of originality, Fukasaku makes up for it with a breakneck pace and hard-boiled grittiness. Every other minute someone gets beaten, blackmailed, robbed, raped, stabbed, beaten some more, beaten with a crowbar and generally brutalized in all sorts of manners. Never a dull moment. What kicks things up a notch is Fukasaku's trademark style. All the hand-held shots and dutch angles might seem arbitrary to the uninitiated, but we're talking about a master director at work here; you'd be hard pressed to find anyone who can place you right in the middle of the action better than he does. The "messy", anarchic look of it all is just a different form of stylization, yet it's obvious it suits the material like a glove. Every fight has a vibrant, palpable feel to it. You can almost taste the salty blood on your lips. He has a great ally of course in a cast full of familiar faces, spearheaded by the ever reliable Bunta Sugawara. Most of the actors appearing in Japanese films are great physical actors and this ensemble is no exception. Overall, Outlaw Killers is by no means a subtle, sophisticated film. No, it's rough and gritty and personally I wouldn't have it any other way.