Su marido es asesinado y ella violada; una mujer contrata a un cazarrecompensas para que la instruya en el arte de matar y así ejercer su venganza contra los tres proscritos responsables.Su marido es asesinado y ella violada; una mujer contrata a un cazarrecompensas para que la instruya en el arte de matar y así ejercer su venganza contra los tres proscritos responsables.Su marido es asesinado y ella violada; una mujer contrata a un cazarrecompensas para que la instruya en el arte de matar y así ejercer su venganza contra los tres proscritos responsables.
- Dirección
- Guionistas
- Elenco
- American Indian
- (sin créditos)
- Mexican Bandit Chief
- (sin créditos)
- The Preacher
- (sin créditos)
- San Angelo Sheriff
- (sin créditos)
- Guitarist on Veranda
- (sin créditos)
- Samuel Harrington
- (sin créditos)
- Shopkeeper
- (sin créditos)
- Mexican Soldier
- (sin créditos)
- Jim Caulder
- (sin créditos)
- Mexican Bandit
- (sin créditos)
Opiniones destacadas
Three fleeing Clemons brothers having just robbed a bank stop at a ranch to water and maybe steal some fresh horses. They shoot the owner and then ravish his wife who is Raquel Welch.
Imagine Nevada Smith where the mother doesn't die but seeks the three men out herself to even the score and you have Hannie Caulder. As Steve McQueen had a mentor in gunsmith Brian Keith she gets a good one in bounty hunter Robert Culp.
Her quarry as the notorious and probably inbred Clemons brothers are Ernest Borgnine, Jack Elam and Strother Martin. They are as nasty as the three who ravaged Nevada Smith's mother and they all come from the same parents. You could also compare them to the Clegg family of outlaws in the John Ford classic Wagonmaster.
Raquel Welch and Robert Culp make a fine pair of heroes, if they're not clean cut like Roy Rogers and Dale Evans they sure do look tall in the saddle.
By 1971 rape and other sexual issues could and were discussed in westerns. Westerns were more adult at that point though fewer were being made. Burt Kennedy whose films lean to the comic like The Rounders, The War Wagon, The Good Guys And The Bad Guys gets quite serious here. He also for the first time uses a woman protagonist.
It's a good film, but Burt Kennedy cheats a bit to give the film an artificial happy ending. But for that it could have been great.
The picture contains action , gun-play , humor and a little bit of violence when the violation and murders are happening . The film follows Spaghetti Western rules , thus gets violent feuds , greedy and extreme baddies , spectacular shot'em up , rapid showdowns, and habitual plot : the vengeance ; besides , being shot in Almeria (Spain) where during 1960s-1970s years had been filmed several Italian/Spanish Western . Quentin Tarantino later said the film was one of his inspirations for "Kill Bill . Raquel Welch is enjoyable and enticing , though wooden , Robert Culp as the veteran gunfighter is top-notch . Special mention for the humorous and ironical trio of brothers , they are amused parodying the Western killer gang . The usually villain Christopher Lee makes a brief intervention as good guy at a cameo , in his seven decade career , this is Christopher Lee's only Western . It appears Stephen Boyd as a ghostly gunman , he is uncredited at a brief appearance as the gunfighter simply known as "The Preacher" .
Lively and catching music by Ken Thorne . Glimmer and colorful cinematography by Edward Scaife . The film is produced by Tigon ,a known British production habitual in Horror films . The motion picture was directed by Burt Kennedy , a specialist in Western genre , he also rewrote the screenplay but was not credited . The film will appeal to Raquel Welch fans and Spaghetti Western enthusiasts .
The movie has an extremely intriguing pedigree: it's produced by the British company Tigon, was shot in Spain, and was directed by American Western specialist Burt Kennedy ("The War Wagon", "Support Your Local Sheriff!"). Not only that, but it actually plays its nasty bad guys for laughs much of the time, and Ernest Borgnine (as Emmett), Jack Elam (as Frank), and Strother Martin (as Rufus) are priceless as they spend much of their time bickering with each other; Martin is particularly funny.
This thing gets off to one Hell of a great start by coming up with a unique way to view a bank robbery: through the barrels of a shotgun! Superb widescreen photography (cinematography by Edward Scaife, camera-work by John Harris), beautiful scenery, and soaring music by Ken Thorne only add to the fun factor. Welch is quite easy to watch, and Culp, in one of his best ever roles, is excellent as the reluctant teacher. Diana Dors is wasted in a nothing role as a madame, but there's still great curiosity value in seeing Sir Christopher Lee here, as he plays Bailey, the kindly gunsmith who lives out in the middle of nowhere; his performance is wonderful. Look also for Aldo Sambrell, uncredited as a Mexican soldier, and Stephen Boyd, who has perhaps the most interesting role in the entire movie, as the mysterious and ultimately helpful "preacher". He utters not a word, yet has an undeniable presence.
A jaunty pace and generous doses of the red stuff help to make this a solid visceral entertainment. Quotable dialogue includes the gem "There are no hard women, only soft men." Clocking in at a trim 86 minutes, "Hannie Caulder" doesn't overstay its welcome, or ever get too draggy. It's sexy, violent, and a real hoot, and one of the influences on Quentin Tarantino's pair of "Kill Bill" films.
Eight out of 10.
The strong influences of Peckinpah and spaghetti westerns are pretty obvious and mix together surprisingly well. The plot could have deserved a bit more development but it gives fairly good enjoyment as it is, if you enjoy westerns in general. I consider this one of the better films from director Kennedy.
¿Sabías que…?
- TriviaIn his seven-decade career, this was Sir Christopher Lee's only Western.
- ErroresIn the opening few minutes, as the three bad guys are getting out of town after robbing the bank, they are riding across the desert and a radio antenna can be seen atop one of the mountains.
- Citas
Thomas Luther Price: If you're too close to a man, you see too much of him. You can watch him sweat, wet his mouth, blink. And while your eyes are taking all that in, he can kill you. Back off. See everything and nothing.
- ConexionesFeatured in The Many Faces of Christopher Lee (1996)
Selecciones populares
- How long is Hannie Caulder?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 459,650
- Tiempo de ejecución1 hora 25 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1