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The Glass House

  • Película de TV
  • 1972
  • Not Rated
  • 1h 30min
CALIFICACIÓN DE IMDb
7.1/10
994
TU CALIFICACIÓN
The Glass House (1972)
Drama

Agrega una trama en tu idiomaCorrections officer Brian Courtland, naive drug pusher Alan Campbell, and college professor Jonathan Page convicted of manslaughter report to prison and soon learn the truth about the prison... Leer todoCorrections officer Brian Courtland, naive drug pusher Alan Campbell, and college professor Jonathan Page convicted of manslaughter report to prison and soon learn the truth about the prison system. From a Truman Capote story.Corrections officer Brian Courtland, naive drug pusher Alan Campbell, and college professor Jonathan Page convicted of manslaughter report to prison and soon learn the truth about the prison system. From a Truman Capote story.

  • Dirección
    • Tom Gries
  • Guionistas
    • Truman Capote
    • Wyatt Cooper
    • Tracy Keenan Wynn
  • Elenco
    • Vic Morrow
    • Alan Alda
    • Clu Gulager
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    994
    TU CALIFICACIÓN
    • Dirección
      • Tom Gries
    • Guionistas
      • Truman Capote
      • Wyatt Cooper
      • Tracy Keenan Wynn
    • Elenco
      • Vic Morrow
      • Alan Alda
      • Clu Gulager
    • 24Opiniones de los usuarios
    • 10Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Ganó 1 premio Primetime Emmy
      • 2 premios ganados y 4 nominaciones en total

    Fotos6

    Ver el cartel
    Ver el cartel
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    Ver el cartel
    Ver el cartel
    Ver el cartel

    Elenco principal13

    Editar
    Vic Morrow
    Vic Morrow
    • Hugo Slocum
    Alan Alda
    Alan Alda
    • Jonathon Paige
    Clu Gulager
    Clu Gulager
    • Brian Courtland
    Billy Dee Williams
    Billy Dee Williams
    • Lennox
    Kristoffer Tabori
    Kristoffer Tabori
    • Allan Campbell
    Dean Jagger
    Dean Jagger
    • Warden Auerbach
    Scott Hylands
    Scott Hylands
    • Ajax
    Edward Michael Bell
    • Sinclair
    • (as Edward Bell)
    Roy Jenson
    Roy Jenson
    • Officer Brown
    Alan Vint
    Alan Vint
    • Bree
    Luke Askew
    Luke Askew
    • Bibleback
    Tony Mancini
    • Steve Berino
    G. Wood
    G. Wood
    • Pagonis
    • (sin créditos)
    • Dirección
      • Tom Gries
    • Guionistas
      • Truman Capote
      • Wyatt Cooper
      • Tracy Keenan Wynn
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios24

    7.1994
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    Opiniones destacadas

    7stamper

    For rent at the local video store? It's amazing!

    How many TV movies do you know of, that are for rent at the local video store? Not that many I bet ey? Well then how many do you know that are more than 30 years old? None I bet! I know of only one, and this is it! Although I must say that it cost me a pretty penny to rent this one (almost 6 euro's), I cannot say that money went to waste.

    The idea of renting this film actually came from my parents who had seen this one on TV in the 70's. It had made a very deep impact on them and each time I'd watch a prison film with my dad he'd start about this one (just as he keeps saying that Le Collectionneur des cerveaux is a great film). When I finally looked it up on IMDb I was amazed that the film was written by the great Truman Capote, which then became one of the main reasons I wanted to see this film and I cannot say that I was disappointed.

    The Glass House is a strong film about life in prison and still accurate and up to date more than 30 years later, since it depicts what is rotten at the core of the prison system. I do not imply that anything can done to change it, but I guess the film tells us the sad truth about human beings. What they will do for money, what they will do with power and eventually what they will do to each other.

    The performances in this film are very good and since it is quite graphic for a 30 year old TV movie I can understand that it must have been quite shocking back in the day. Nowadays (after Shawshank and Animal Factory) you just are not as easily impressed anymore. I've seen worse on news channels to be honest and that in all honesty is the only part where the movie suffers from it's age. It's just not as raw, brutal and in your face as 30 years ago.

    While I have to admit that the story has a pretty basic 'prison' movie plot, the direction, characters and the quality of the acting keep it interesting and exciting. Something not all movies from the 70's, hell even movies now accomplish. While this film hast lost some of it's edge to aging, I guess I have to agree with my parents and say that this is definitely a film that will stick around in your head. Maybe not the whole film but I bet that you'll remember the surprise ending. I know I will remember it, along with Vic Morrow's great performance.

    7 out of 10
    roulette-2

    Exceptional early tv

    I wish I had the video in my library but it's very hard to find...Rented copies are suspected 'pirated' copies from tv. Very poor quality. This is Morrow's best role. Alda's best role and Gulager's best role. The most believable prison movie ever made. No heroes here just heavy reality crammed into 90 minutes on network tv! Makes "The Shawshank Redemption" look like "Mary Poppins". Kudos to Morrow (the most vile characterization ever captured on film). Think "One Flew Over the Cuckoo's Nest" without the comic relief. Too depressing to make my top 10 list but it's in the top 20.
    7BDeWittP

    Frightening and Fascinating

    The Glass House is as interesting and fascinating as it is gruesome and horrifying. After seeing all the accounts of corruption and violence, we have every reason to believe it when the opening credits say "The story and characters are ficticious (sic), but the situations are real." It's also kind of ironic and comical that whoever wrote that sentence needs a course in spelling. This movie, as I understand, was filmed entirely on location in Utah State Prison. Many, if not all, of the extras are real inmates, which adds to the authenticity of the film.

    The movie begins a with handful of convicts, including a college professor named Jonathon Paige (Alan Alda); a naïve, young drug pusher, Alan Campbell (Kristoffer Tabori), and an idealistic corrections officer named Brian Courtland (Clu Gulager) all starting their first day in prison. The new fish are introduced to the brutal, vicious crime boss Hugo Slocum, played brilliantly by the classic villain character actor Vic Morrow. We know he means business right from the get-go ("...when I offer you somethin' for free, you take it!").

    Paige is assigned to work in the prison pharmacy, where he refuses to supply one of Slocum's men, Ajax (Scott Hylands), with drugs. Big mistake. Now he's really put a bullseye on his back. "Too bad," says the other inmate in the pharmacy, whom we only know as Lennox (Billy Dee Williams), "you could've done easy time." Amen. We learn there is sometimes a fine line between morals and sensibility.

    The story reveals more violence, corruption, and tragedy: there's a scalding, knifing, gang rape, and an accidental shooting. At first, Officer Courtland, being a man of principle, is excited and anxious to work in the prison system, because he wants to make a difference. The guards, however, seem to be content to look the other way, and the Warden seems oblivious, too. As Courtland sees the unraveling of violence among the inmates, along with corruption and indifference among the staff, he begins to question the integrity of the system. Just as Lennox bluntly states, "Cons, guards, can't tell the difference after a while." We see that this is shockingly true.

    Courtland tries to warn the cold Warden (Dean Jagger) that a killing is inevitable, but the Warden shrugs it off by saying "Sometimes it's just better to let certain given situations adjust themselves" (translation: I don't care if the inmates kill each other). Meanwhile, another one of Slocum's gang, who knows he's going to be slain shortly, gives a handwritten notebook, with records of the guards Slocum bribed, to Paige. They both know that if the book can somehow get to the right people on the outside, the violence and corruption can be exposed. However, the situation is about to boil over, and Paige knows time is closing in on him.

    The characters are all very well-written and well-played by the actors. Alan Alda is convincing as the sincere and confused professor who is trying to keep everyone off his back, do his time and get out. Vic Morrow is magnificent as the tough, brutal, ruthless gang boss who wants it his way or no way at all, and will kill anyone who challenges him. Clu Gulager is equally resounding as the heroic, wholesome prison guard who is a little wet behind the ears. Kristoffer Tabori gives a good performance as the little lost puppy with his tail between his legs. We know he's going be attacked sooner or later, and he plays fear and realization best with the horror in his eyes and his facial expressions. Billy Dee Williams's character, Lennox, the inmate who is morally correct, yet tough and smart enough to know the art of prison survival, was one of the most interesting in the film, but could've benefitted from more screen time. We really believe his sincerity when he says, "I want these men to realize their value as individuals and as human beings." I would've like to have known a little more about him, and what made him tick.

    The Glass House raises a lot of interesting and provocative questions about society in general and the prison system specifically. "I'm not in love with this system, but it's all we've got, and it's better than having no system at all" says the Warden, stone-faced. Is it true? Or is the system whatever we make it to be? Is prison always the answer for convicted criminals? Are there some inmates who are just bad apples that can't be rehabilitated? Are the prison personnel with morals and principles always going to be vastly outnumbered by the indifferent and corrupt? Are inmates nothing more to the penal system than garbage to be dumped in the prisons? Should prison be the living hell for convicts that the movie makes it out to be? Does prison really reform criminals? Can any positive changes be made to the penal system? Does anybody really care?
    8Richie-67-485852

    Real Life Prison Scenes

    For its time and up until now, this remained one of the most shocking movies to be released and what makes it even more compelling is that what you are seeing is not only true, but even watered down a little. If you know nothing about prison, this is one of the few movies out there that really tells it like it is. What people do not realize when they go into prison that the existing powers at work do not operate independently but collaterally. It is one big game designed to get you or your money. Killing you doesn't profit anyone, but using you does and this movie portrays those stark realities. Most men who frequent prison believe they can take care of themselves and for the most part it is true. However, they also find out that they may be up against groups of people and when attacked makes it very hard to defend ones self. Thus the drama and suspense that builds up in this movie and then explodes in your face. How can you fight everyone? Fear will visit you if you even entertain for a moment...what would I do in those circumstances...Very chilling and sobering thought and a great movie to show certain kids as a deterrent. Recommend finger foods to fight off the urge to bite your nails. Easy on the caffeine and sugar as you will already be fidgeting pretty much...Oh and enjoy your self
    dolemite72

    TV movie or not, one of the best prison movies ever

    THE GLASS HOUSE, is a stomach-churning morality play. However, it's morals are more grounded in reality (so don't go expecting happy endings or dangerous escapes) and the underlying theme of 'forced corruption' is evident throughout. ALAN ALDA, gives a performance light years away from MASH (check out WHISPERS IN THE DARK, as well) and (the late, great) VIC MORROW matches him, in a gutsy role, as an all too human 'bully'.Apperently, a lot of real-life inmates were cast as extra's in this movie. But the professional cast fit in so well, it's quite hard to tell. At certain points, the viewer can (or wants to) identify with ALDA, as he wants to help others, but also wants to maintain his pride. It asks us questions about ourselves, is there a fine line between foolishness and cowardice? Given that this movie was also made the same year i was (ha-ha!) it may now seem 'formulaic' in regards to set up, but i'm sure this broke a lot of new ground, when first released. The scenes of ALDA running for his life, will set any viewers pulse racing, and 32 years on, the movie has to power to shock and mortify.

    Usually released at a TV-friendly running time of 73 minutes, my recently purchased 'CATCOM' DVD runs in at 91. And certain scenes include profanity and mild nudity, so i wonder if this movie was intended to go to theaters?

    Great movie 10 out of 10

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    Argumento

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    • Trivia
      Alan Alda on his autobiography "Never Have Your Dog Stuffed - and Other Things I've Learned" claims that this movie was shot in real prison with real prisoners as extras. During the filming of the movie, its director Tom Gries made jokes with prisoners that they should take Alan Alda as their hostage because that is the only way they can escape from prison. On the last day of shooting, two prisoners approached Alda and put an improvised knife on his throat telling him that he is their hostage. Luckily prison guard arrived shortly after and carefully negotiated with prisoners to let Alan Alda go. They let him loose telling him that they were just joking. Alda also states that no prisoner was punished for the incident.
    • Errores
      The word 'fictitious' is misspelled as 'ficticious' during the opening disclaimer.
    • Citas

      Lennox: That thing you did over there did sure took a lot of style. And I'm gonna tell you something: it's not gonna end there and you're gonna have to answer to some people.

    • Créditos curiosos
      [prologue] "This motion picture was filmed entirely in a state prison. Most of the faces and voices are those of actual prisoners. The story and characters are fictitious, but the situations are real".
    • Conexiones
      Featured in The 24th Annual Primetime Emmy Awards (1972)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 4 de febrero de 1972 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Glass House
    • Locaciones de filmación
      • Salt Lake City, Utah, Estados Unidos
    • Productora
      • Tomorrow Entertainment
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 30 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 4:3

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