The Gore Gore Girls

Aside from the familiar cinematographic style and manditory gore, this film exceeds the sophistication of any of Herschell Gordon Lewis's previous films by leaps and bounds. The gore effects are sicker and more unnecessarily blatant than ever, and are quite convincing even by today's special effects standards (how many contemporary horror films have the villain squeezing the contents of a REAL eyeball until the juice squirts in all directions, just for show?). Many of my friends, who have seen all of the Faces of Death videos without a flinch, cannot keep from turning away from the extreme sickness of some of these sequences. The acting is at least on par with that of more acclaimed films of the time such as Shaft of French Connection; in particular, Frank Kress, though perhaps not the most photogenic actor, delivers an impressively competent and smooth performance as Abraham Gentry, the all-knowing hero. The soundtrack, written by Herschell, is effectively sleazy in an upbeat way, with the eerily out-of-tune guitar and sax reminiscent of Arch Hall Jr.'s music. And it is this juxtaposition of lighthearted music, comedy ranging from subtle to beyond-toilet-humor, and extreme gore that make Gore-Gore Girls so mind-blowing. And Henny Youngmann's appearance in the film is the best $500 HG could have spent; it takes this opus over the top. Also, as a visual arts student, I especially appreciate the entrancing aesthetic value of the title cards (I know, what does that have to do with anything? But it's my favorite part of the movie.

"The Gore Gore Girls".Here is a film so silly,campy and bad,that watching this film is like committing a criminal act.Although,it is not a criminal act to watch this film,I myself felt victimized by this extreme waste of garbage that actually is a cult classic.Alright,maybe it's not but it can be being that Herschell Gordon Lewis directed it.His films ranging from "Blood Feast" to "2000 Maniacs" have achieved cult following. Even though he has loyal fans that rent his films,I have to say I am not one of them.This is the third Herschell Gordon Lewis film that I have seen. Each of the films have a comic look to them that are not even funny.The gore scenes even though some of them look awfully fake can still be unsettling.There is probably enough gore in this film to fill up an entire empty bucket.My guess is that when they made this film they took that bucket and tossed out the story and the acting and the direction and replaced it with an hour and a half of pure waste.Life can be short.I had to waste part of it on this trash.Maybe I'll rent another Herschell Gordon Lewis film to see if he'll out do himself.He usually does by making one film after another that gets worse and worse.

Herschell Gordon Lewis' movies are an acquired taste, and 'The Gore Gore Girls' is a perfect example of this. Many people find the combination of silly humour with extreme gore shots involving the torture and murder of women difficult to get a grip on. I don't have a problem with that so much. HGL doesn't take the material seriously as a film maker, and doesn't expect the viewer to either. Many regard this as his best movie. It certainly gorier than 'Blood Feast' or '2000 Maniacs', and has slightly more sophisticated production values, but overall I found it a little repetitive and dull, and nowhere near as entertaining as those two or 'Color Me Blood Red'. The plot involves a "gentleman detective" investigating the bloody murders of go-go dancers. The detective is played by the unknown Frank Kress who is fairly amusing. Veteran Henny Youngman appears briefly as a club owner and is not amusing at all. I suggest you only watch this if you have seen and enjoyed earlier Lewis efforts, otherwise give it a miss. Apart from the infamous meat tenderizer, face-frying, and nipple scenes there's not all that much to recommend this one. Plus the DVD commentary is one of the most tedious and uninteresting I've ever heard.

Now, just what are you expecting from the director of The Wizard of Gore, Blood Feast, and Blood Feast 2: All U Can Eat. Herschell Gordon Lewis can certainly pile on the gore. There is so much gore that you quickly forget what that naked woman looked like before the killer got started.

There is actually a story here. Abraham Gentry, played by Frank Kress in his only role, is hired by The Globe to investigate a stripper's death. He is accompanied by cub reporter Nancy, played by Amy Farrell, whose had a couple of TV roles, but only one other movie role, a stew on Airport 1975.

The strippers are typical 70s. They wore pasties, didn't have a pole, and danced to cheesy music. The customers were typical for the time, too.

Now, I was an Argento fan long before Juno discovered him, and I was a Lewis fan before Justin Bateman brought him to light in the same film. It's schlock, and the gore is not going to be to everyone's taste, but it is campy fun.

SPOILER: The last gore film of Herschell Gordon Lewis is perhaps one of his goriest and remarkably one of his funniest..intentional and unintentional. Lewis has eyeballs squeezed, nipples cut off of breasts with scissors(one breast has white liquid flowing while another has chocolate), a woman's rump bludgeoned and then salted, a host of throats slit, a woman being run over by a truck, and a woman having her face shoved in a boiling bowl of french fries(you might have noticed in this scene that the pot was tall and not very wide in the first shot prior to the actress having her face embedded in the pot then in the close-up the pot is short and wide to accomodate her face). No question about it, the film definitely has a misogynistic edge to it. Women are beaten and killed senselessly(isn't that every Lewis film?). The story about an amateur detective being paid by a newspaper to solve the crime was not THAT bad...certainly better than most plot constructs used in other Lewis vehicles. Frank Kress as Abraham Gentry certainly also is one of the best actors ever used in a lead in a Lewis film. His acting style was fresh and he could convey irony and wit. The rest of the cast was so-so, with lots of naked girls jiggling(none of them particularly attractive and looking in that sleazy, has-been 70's kind of fashion). Henny Youngman, the only big name to grace any of Lewis's horror films, stars as a night club owner and talks so fast you will have trouble hearing what he says! Lewis wants to sicken you in this film, but he also goes for the laughs and some of them work. The photographers in each murder scene are hilarious as is the general mood of the film when some poor girl isn't losing appendages, skin, or having her eyes gouged out. The score is like some sleazy jazz theme and Lewis even has the temerity to use pieces of classical music and opera such as the Anvil Chorus. Despite all the twisted killing, the film kind of grew on me. Now, maybe I am the sick one. Watch out for the ending...it is Lewis having some more fun...and the revelation of the killer is one of the most ludicrous explanations put on film. Look fast too because the killer meets his/her end so fast you'll have to rewind it to see what happened.