El ranchero Wil Andersen se ve obligado a contratar a chicos inexpertos como vaqueros para poder llevar su rebaño de ganado al mercado a tiempo, pero el duro camino está lleno de peligros y ... Leer todoEl ranchero Wil Andersen se ve obligado a contratar a chicos inexpertos como vaqueros para poder llevar su rebaño de ganado al mercado a tiempo, pero el duro camino está lleno de peligros y una banda de cuatreros les sigue la pista.El ranchero Wil Andersen se ve obligado a contratar a chicos inexpertos como vaqueros para poder llevar su rebaño de ganado al mercado a tiempo, pero el duro camino está lleno de peligros y una banda de cuatreros les sigue la pista.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
- Weedy - Cowboy
- (as Norman Howell Jr.)
- Charlie Schwartz - Cowboy
- (as Stephen Hudis)
Opiniones destacadas
He plays Wil Anderson, a man in his 60s with little else he can do but hire a classroom of boys to help with a cattle drive. This makes for a fun outing for anyone in any age group. Roscoe Lee Browne is well cast here. His scene with Colleen Dewhurst is very well played. Bruce Dern is great, too!
My son, who is a big fan of "Star Wars" and "Indiana Jones", pointed out the John Williams music in "The Cowboys"; it is very good indeed.
"The Cowboys" is my choice for the movie to introduce people to John Wayne. It definitely makes you want to see more! Out of four stars, I rate it: ***.5
Ever since his Oscar in True Grit, Wayne began playing men of his own age in his films and a common thread seemed to be imparting values to the next generations whether they wanted them or not. You can see that readily in films like Rio Lobo, Big Jake, Chisum, The Train Robbers, and Cahill, U.s. Marshal. Most especially in The Shootist with Ron Howard as his pupil.
But in The Cowboys he had a mess of pupils. Wayne's a hardworking rancher whose hands have deserted him because of a rumored gold strike. He has to get his cattle to market, so out of desperation he hires a bunch pubescent and pre-pubescent youngsters from the town.
The trail drive is quite the lesson for these kids. They learn about life that it is about hard work, responsibility, and keeping your given word. Wayne gets a second chance at fatherhood, he didn't do such a good job of it with his own two sons. More like grandfatherhood at his age, but the kids learn well.
Along as a second role model is Roscoe Lee Browne. Possessor of one of the greatest speaking voices in the English speaking world, Browne is the first black man they've ever met. In fact one of the kids uses the "N" word when first meeting him, out of ignorance more than racism. Browne sets them straight by example more than preaching.
The oldest two kids, A Martinez and Robert Carradine, have gone on to some considerable adult careers which they are still enjoying. All the kids are a winning bunch however.
A couple of the Duke's later westerns like The Train Robbers and Cahill I found to be flawed. Not so here. Director Mark Rydell keeps this one going at a good pace and does wonders with his cast of all ages.
John Wayne plays his role well as the aging rancher who needs to get his herd on the trail and has trouble finding help. He shows softer moments than is typical for him, and seems almost wistful at times.
The supporting cast of about a dozen boys who end up helping him do a pretty good job as well. When the film gets under way, the boys make you think you are in for a relatively smooth ride, but some of the later scenes get pretty intense.
Browne has the somewhat trite role of a wisdom-dispensing African-American, but he does have some good lines that he does well with. Whereas many films today might downplay the issue of his skin color, "The Cowboys" has fairly realistic reactions from a variety of people to a black man working in the West.
Bruce Dern comes off as one of the creepiest bad guys in a Western. In early scenes his (unnamed) character tries to pass himself off as smooth and sweet-talking, but eventually his true colors show, and he is downright scary. He has an especially frightening confrontation with one of the boys, and a wild-eyed showdown with John Wayne that really cements him as one of the worst bad guys ever played in a Western.
The story is pretty much by the book, with only one big surprise in a fight near the end. It also takes a little while to get going, but by the first scene with the boys in the corral, it hums along.
On the whole, a good Western with some excellent acting.
The reasons I watch this show repeatedly are two of my favorite fellows: Roscoe Lee Browne and John Williams. Roscoe Lee Browne is able to sell lines that simply wouldn't work coming from somebody else (his dialogue with Coleen Dewhurst is priceless), and he is the unique feature that makes this film work. He graciously shares the screen with his co-actors as necessary, but he easily walks off with the movie nonetheless. John Williams' fantastic score could stand alone; though it is occasionally a little too cheery for the moment (after all, this is a pretty gruesome film, if you really think about it), it covers all the bases of the movie. Youthful innocence, becoming men, sorrow, success -- it's all right there in the score. Don't expect Star Wars music; frequently understated, the music carries a supporting role. As both John Williams and Roscoe Lee Browne displayed here, it is often the supporting actors that make the show a success!
¿Sabías que…?
- TriviaDespite their political and social opinion differences, John Wayne and Roscoe Lee Browne shared a love of poetry. They sometimes quoted their favorite verses between takes.
- ErroresWhen Andersen sends one of the boys back to find Mr. Nightlinger, he is riding a pale Appaloosa. He rides ahead to talk to another boy, but is now riding a red sorrel.
- Citas
Jebediah Nightlinger: [praying to God before he's about to hanged by Long Hair and his gang] I regret trifling with married women. I'm thoroughly ashamed at cheating at cards. I deplore my occasional departures from the truth. Forgive me for taking your name in vain, my Saturday drunkenness, my Sunday sloth. Above all, forgive me for the men I've killed in anger
[eyes shifting to Long Hair]
Jebediah Nightlinger: ... and those I am about to.
- Versiones alternativasWhen the film was originally released in the UK it carried a 'AA' rating, preventing an under-14 year old audience from seeing the movie. When the distributors asked the UK censor if this could be changed he suggested removing the scene with the wagon full of prostitutes, thus deleting Colleen Dewhurst's entire role in the film, and in doing so the film was re-certified with an 'A' rating (suitable for all). Additionally cuts were made to tone down some of the more violent scenes including the fight between Wil and Long Hair, the shooting of Wil, and a man being dragged by his horse. Later cinema showings and all video versions restored the Colleen Dewhurst scene but retained the violence cuts (totalling 1 min 30 secs). For the upgraded 12-rated 2005 DVD the film was passed fully uncut.
- ConexionesFeatured in The Breaking of Boys and the Making of Men in 'The Cowboys' (1972)
- Bandas sonorasThe Star Spangled Banner
(uncredited)
Music by John Stafford Smith
Lyrics by Francis Scott Key
Sung by school children
Selecciones populares
- How long is The Cowboys?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 6,000,000 (estimado)
- Tiempo de ejecución
- 2h 14min(134 min)
- Relación de aspecto
- 2.39 : 1