Diagnóstico: asesinato

This little known medical thriller seems like a second cousin to "Coma" and fans of that film should enjoy this one as well. Coburn is a free-living pathologist hired on at a large Boston hospital who almost immediately finds himself trying to disprove a murder rap placed on one of his colleagues. A fellow doctor (Hong, in one of his more substantial roles) is accused of performing an illegal abortion on a fifteen-year-old girl, which led to her death. That the girl is the daughter of the Chief of Staff is no small complication! Coburn must put all the pieces together to find out what actually happened while fending off his protective and commandeering boss (O'Herlihy.) He still finds time, however, to play with O'Neill (whose thankless part only offers one or two decent moments.) Some of the situations and dialogue are inherently "70's", but it is still engrossing entertainment. Coburn has one scene with the great Allen. This effortlessly sophisticated and witty actress partakes in some snappy repartee with him and sparks fly in the well written scene. Coburn also has a memorable run-in with Dreier who nonchalantly simmers some sauce while discussing his niece's death. The subject matter of the film is a bit unsettling and gets increasingly so (and more violent) as it nears its pretty gory climax. Some will view this as a good thing, others may be put off. One scene involving a masseuse and client is quite tense. This leads to some bloodletting and then a nail-biting, if a bit far-fetched, finale. Aubrey is the daughter of Phyllis Thaxter and looks much like her. Blake Edwards' daughter Jennifer has a small, but featured role as the dead girl's roommate. TV fans will note the presence of Hillerman and Mandan as doctors on staff. One complaint: With all the dramatics and hysterics during the resolution, it can be hard to hear what actually happened! Keep the remote handy for a rewind.

Coburn was interesting as the plain spoken wild card pathologist Peter Carey who enters a new hospital brimming with problems. Right off the bat a fellow practitioner is accused of a crime which he couldn't possibly have committed. Carey must unravel criminal activities within the institution to clear his friend which puts him in the sights of a psychotic killer. So-so thriller/drama.

Pathologist Peter Carey (James Coburn) moves to Boston for a job at a hospital there. He meets Dr. David Tao (James Hong) and they become friends. He also romances beautiful Georgia Hightower (Jennifer O'Neill). Also Tao does abortions on the side (they were illegal in 1972). Then a hospital administrators daughter dies of a botched abortion and Tao is arrested. He didn't do it and Carey sets out to find out who did.

OK thriller elevated by Coburn's great performance and beautiful Boston locations. The script has plot holes and moves kind of slowly but it's OK. O'Neill look incredible but is given nothing to do. Director Blake Edwards disowned this film in later years saying the studio interfered with it. It's not good but it's not that bad either.

This movie is an excellent example how a good director can bring out absolutely outstanding performances by all involved. I think James Coburn was one of THE coolest guys ever. What I always liked about him was that his characters always had an amazing and engaging personality. Very charismatic and loads of charm. But, to me he always came across as genuine, never phony or 'put on' in any way. Decidedly, one of my very favourites.

The story is quite good too. I normally don't leave reviews for non-Genre films, for movies that are not usually Horror or Science Fiction, but this movie has always been one that I liked from the very first time I saw it. The performances are unusually and universally very good, which is one reason I feel that this movie really stands out for it's time. In addition to Coburn, each and every one of the other supporting actors were excellent! The girlfriend I really liked. I felt that she came across rather uniquely for women portrayed during that time. She had a perfect blend of femininity, intelligence, and humour that really worked and made her character very appealing, and thus the attraction between them very believable. And each and every one, even the very small bit players, played their parts to perfection. Even the film developer guy for his two minutes was great.

I could go on and on and on about each character and how well they were portrayed, but the main point here as I stated at the beginning, is that this movie shows how a very gifted director can draw out amazing performances from his actors. And, this he did extremely well, which along with the very engaging and well written story, in my lowly and wretched opinion, makes for a fun and very entertaining film! I just have to put in one last plug for Coburn... I mean, NOBODY could deliver lines the way he did.

I need to double check and I might very well be wrong here, but I THINK Blake Edwards was known for the Pink Panther films, right? But, this movie here shows truly what a master he was at brining a good Mystery/Thriller to life in a way I feel really shows his ability as an excellent director. An great example of this is the scene between the girls uncle who is a doctor and Coburn. To me, Drama is the most difficult to pull off in a movie without seeming either plastic or over the top. But, that scene between the two of them involves a whole spectrum of emotions, subtlety, humour, candor, and intensity that I feel was done masterfully.

Most HIGHLY recommended!

James Coburn plays a pathologist who is investigating the death of the fifteen-year-old daughter of the chief of medicine, who has died of a botched abortion that has been blamed on his colleague (James Hong), who is an illegal abortionist on the side. A lot of people today would be horrified of a movie where the hero is actually trying to help out an abortion doctor. But this was 1972 and people tend to forget that everything wasn't all bright and wonderful back when abortion was still illegal either (I don't personally take a side on the abortion debate, but I have a problem with people on either side who think the issue is in any way morally clear-cut and unambiguous--it's not now and never was). But before anyone goes bemoaning "liberal Hollywood", there's also a real "Dirty Harry" element to this movie, like a scene where Coburn essentially tortures information out of a drug-addicted suspect by denying her treatment. This particular scene should offend liberals everywhere (as well as anyone else who's ever heard of the Hyppocratic Oath).

But the fact that this movie might offend both conservatives AND liberals is exactly what I liked about it. The real world is morally messy and no one person is ever 100 percent morally righteous, and the many, many Hollywood movies that try to make things morally simplistic and their protagonists morally pure actually do a great disservice in many ways. Of course, the moral complications in this particular movie seem to be more the result of a confused production than anyone's clever intentions. Still I always find an interesting failure like this much more enjoyable than a boring success (like whatever old TV show they're making into a major motion picture this week). And in 1970's Hollywood there was a whole string of these kind of interesting failures, which is why I find that whole period so fascinating.

This movie definitely has some problems as other have said. Jennifer O'Neil is completely wasted, and the basic plot is riddled with holes (i.e. noboby but the protagonist notices that the botched operation was very obviously not the work of a trained doctor). Coburn isn't bad though, and this movie does kind of anticipate both "Coma" and the popular TV series "Quincy MD". Not good, but interesting, and certainly worth seeing.