CALIFICACIÓN DE IMDb
7.2/10
6.2 k
TU CALIFICACIÓN
Un ciego se muda a su propio apartamento contra los deseos de su sobreprotectora madre y entabla amistad con la joven independiente de la puerta de al lado.Un ciego se muda a su propio apartamento contra los deseos de su sobreprotectora madre y entabla amistad con la joven independiente de la puerta de al lado.Un ciego se muda a su propio apartamento contra los deseos de su sobreprotectora madre y entabla amistad con la joven independiente de la puerta de al lado.
- Ganó 1 premio Óscar
- 2 premios ganados y 7 nominaciones en total
Paul Michael Glaser
- Ralph
- (as Michael Glaser)
Michael Warren
- Roy
- (as Mike Warren)
Charlene Jones
- Girl in Mod Shop
- (sin créditos)
Jessica Rains
- 1st Girl
- (sin créditos)
Paul Ryan
- Man in Mod Shop
- (sin créditos)
Debralee Scott
- Girl in Opening Credits
- (sin créditos)
Sandra Vacey
- Girl in Mod Shop
- (sin créditos)
Opiniones destacadas
I have been wanting to see this hard to find flick since I had the chance to play the "Goldy" character in the stage play.
Although the film dates to '72 it really isn't even dated, although in one segment it does reference two out of operation airlines--sign of the times.
The cinematic version retains many of the features one would find in the stage play. I found the experience of watching "Butterflies are Free" so much more rewarding then many more countless modern pictures I've forked out 8 bucks for at the theater.
The character development is fantastic, Goldie Hahn is really classic as a
"reformed hippie" San Fran transplant.
However, I feel the supporting characters really shine with their nuanced
performances. The long camera angles and the sets really allow you to see the interaction between the actors and the talent shines. This film is entertaining and enjoyable without expensive special effects, graphic violence or vulgarity-- just a young Goldie in her cute panties and tiny, svelte figure.
Although the film dates to '72 it really isn't even dated, although in one segment it does reference two out of operation airlines--sign of the times.
The cinematic version retains many of the features one would find in the stage play. I found the experience of watching "Butterflies are Free" so much more rewarding then many more countless modern pictures I've forked out 8 bucks for at the theater.
The character development is fantastic, Goldie Hahn is really classic as a
"reformed hippie" San Fran transplant.
However, I feel the supporting characters really shine with their nuanced
performances. The long camera angles and the sets really allow you to see the interaction between the actors and the talent shines. This film is entertaining and enjoyable without expensive special effects, graphic violence or vulgarity-- just a young Goldie in her cute panties and tiny, svelte figure.
I bumped into this movie, a Goldie Hawn feature that I hadn't heard of. It turned out to bit of a gem. Clearly, written for the stage rather than the big stage, it did translate into a watchable couple of hours although I still consider that the stage is probably the most suitable home for this piece. The acting was terrific. Hawn was quirky, charming, frustrating, not to mention sexy. Such a confused and immature character, yet you couldn't help but like her. You wanted to sympathise with Edward Albert as the blind neighbour and yet, he didn't want people to sympathise with him. He displayed admirable courage and yet a fragility that could break at any second despite his noble. independence. Eileen Heckart won an Oscar for the mother. She was frustrating to start with and then her love and determination to look after her son shone through and you ended up being so full of admiration for her. Lots of talking and yet you get drawn in from an early stage so that you really, genuinely care. Don't let this butterfly pass you by.
I really enjoyed the movie, but one thing I noticed and appreciated was the long shots. Modern movies usually are changing angles and context every few seconds; while like a play, this movie will hold a shot for minutes at a time. I think it shows the strength of the actors, while most contemporary movies can mask poor acting with editing. This is especially true towards the end of the movie, in the scene where Don and Jill confront each other's feelings. I was amazed at how Goldie was able to hold the emotion of the scene and keep me drawn in for such an extended period.
I've never been a big Goldie fan, but I had never seen this movie until recently. I have to say this movie changes my opinion and makes we wonder what other films of hers from this period are like.
I've never been a big Goldie fan, but I had never seen this movie until recently. I have to say this movie changes my opinion and makes we wonder what other films of hers from this period are like.
I randomly put this movie on today, and I was pleasantly surprised. So much that I took the time to register and write the only review of a movie I've ever written. The movie feels more like a play, with a majority of the movie occurring in one space. The bulk of the movie is dialog, the main character Donny is blind. The movie is about his struggle for independence from his enabling mother and his interaction with his newfound roommate, Jill. I found all the actors delivery to be exceptional, and the interactions dynamic and entertaining. Most of the movie is conversations between the characters with quick replies and wit worthy of note. There's not much going on in the film outside of a simple plot, but the movie touches on some very serious, emotional moments as well as humorous. I think Donny's character is played excellently, and the other roles very convincing as well. Overall I found the movie to be really well done, entertaining and not at all bland, although it is definitely more like a play than a movie, so it might take a little more creativity and thought to make it as appealing, but that's what I enjoy anyway. Very impressed, haven't enjoyed a movie that much in a while. And it's 34 years old.
I just finished watching this movie. I woke up this morning believing I saw this movie years ago, and decided to give it a chance to see if it jogged any memories. Turns out I did see it years ago but now with me being much older, it held much greater significance for me. This film was not dated at all and it would be relative to almost any period in time. The issues dealt with in the movie are the same issues that people deal with all the time, except of course for the role brilliantly played by Edward Albert in which he plays a blind man. One of the beautiful aspects of this film is that the script tries, and succeeds at eliminating the stereotypes and limitations of the handicap to instead focus on the real emotional ups and downs of the human soul. Absolutetly brilliant film.
¿Sabías que…?
- TriviaEileen Heckart was nominated for the 1970 Tony Award for Supporting or Features Actress in a Drama for "Butterflies are Free" but lost to co-star Blythe Danner. She recreated her stage role in this movie version, and was nominated for an Oscar® for Best Actress in a Supporting Role. This time, she won.
- ErroresThe door behind Don is open when seen at 1:19:55 or earlier and closed whenever seen following 1:20:07. At 1:20:42, the door opens when Mrs. Baker rushes past Don, and, in the next second, it is obvious that Don was nowhere near the door.
- Citas
Mrs. Baker: [interrogating Jill about being divorced] How long were you married?
Jill: Six days.
Mrs. Baker: And on the seventh day you rested?
Jill: No, I split.
- ConexionesFeatured in Romantic Comedy (2019)
- Bandas sonorasButterflies Are Free
Music and Lyrics by Stephen Schwartz (as Steve Schwartz)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Schmetterlinge sind frei
- Locaciones de filmación
- 1901 Union Street, San Francisco, California, Estados Unidos(Jill and Don walk past the Bus Stop saloon)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 250,000
- Tiempo de ejecución
- 1h 49min(109 min)
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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