Agrega una trama en tu idiomaA poet-astronaut is shot through an area of space called the Chronosynclastic Infundibulum. He is duplicated into infinite copies of himself, each of whom finds himself in a bizarre situatio... Leer todoA poet-astronaut is shot through an area of space called the Chronosynclastic Infundibulum. He is duplicated into infinite copies of himself, each of whom finds himself in a bizarre situations on a different world. (These scenarios are all derived from the novels and short storie... Leer todoA poet-astronaut is shot through an area of space called the Chronosynclastic Infundibulum. He is duplicated into infinite copies of himself, each of whom finds himself in a bizarre situations on a different world. (These scenarios are all derived from the novels and short stories of Kurt Vonnegut Jr., including Cat's Cradle, Welcome to the Monkey House, Harrison Berg... Leer todo
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
- Contest Announcer
- (as Bruce Morrow)
- Deaf Juror
- (as Ashley Wescott)
Opiniones destacadas
It was like a selection of episodes from the various novels and short stories of Vonnegut, hosted (as news reporters) by Bob Elliot and Ray Goulding. Goulding is reprising the role of "Walter Gesundheit" he played in a movie a few years earlier. Eliott is playing an astronaut (like Wally Schirra, who frequently appeared with Walter Cronkite at space shots). They get bogged down trying to recall Neil Armstrong's first words upon the Moon surface. William Hickey played Stony Stevenson, the best friend of the hero in THE SIRENS OF TITAN. He is chosen to be the world's first time traveler, and we see him going from one place to another.
Hickey meets Dr. Hoenikker/Hurd Hatfield (creator of "Ice 9" - and an example of the short sightedness of government sponsored science), and Bokonon/Kevin McCarthy (the ultimately powerless religious leader) from CAT'S CRADLE. He meets Wanda June from Vonnegut's play. He sees the threat of puritanical-ism mixed with inane political correctness in the future when he crosses the path of one woman vigilante Diane Moon Gompers.
The show as an introduction to Vonnegut was very good. Parts of it were shot in Flushing Meadow Park, not far from my home. So I thoroughly enjoyed the program.
In short, all of the elements of a great Vonnegut novel are there. It has some great ideas and incredible insights.
There are some elaborate visual effects which must have been state-of-the-art in 1972, but seem to be a bit dated. The effects seem to be a bit overdone by today's standards, but serve the important purpose of showing the viewer where Stony becomes "unstuck in time" to use a Slaughterhouse-5 expression.
Above all it was great to see Bob and Ray doing what they do best: Witty, yet understated humor.
My biggest fear was of being disappointed in the production. I was afraid that I had built my hopes up too much. But in the end, I must quote the film itself:
Everything was beautiful and nothing hurt.
¿Sabías que…?
- TriviaNew Line Cinema attempted to pick up the film for a theatrical release after having a successful run at college campus but the deal fell through over finances.
- ConexionesVersion of Harrison Bergeron (1995)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Between Time and Timbuktu: A Space Fantasy
- Productoras
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