El hombre de Río Malo

This eccentric Euro-Western has more in common with the revisionist, light-hearted approach of BUTCH CASSIDY AND THE SUNDANCE KID (1969) than with any of the sadistic Italian fare shot around the same time and on the same locations. A great, eclectic cast (Lee Van Cleef, James Mason, Gina Lollobrigida, Sergio Fantoni, Jess Hahn, Simon Andreu, Eduardo Fajardo, Gianni Garko, Diana Lorys) finds itself somewhat stranded - and in the case of Mason, evidently embarrassed - in the face of the film's bizarre changes of mood, some of which work (there are a few enjoyably comical action sequences) and some of which don't (why the director chose to overdose on the "freeze-frame" stuff at the beginning is anyone's guess); in light of all this, the involvement of talented Hollywood veterans Philip Yordan, Irving Lerner and Bernard Gordon is even more baffling. All in all, however, BAD MAN'S RIVER emerges as a surprisingly pleasant, if ultimately forgettable, diversion.

The film deals with the bandit Roy King (Lee Van Cleef) and his band (Gianni Garco, Simon Andreu, Jess Hahn) that are robbing trains and banks along Mexican border . King is deceived by his recent wife (Gina Lollobrigida) and a Mexican revolutionary (Daniel Martin) and offer to collaborate in an attempt to blow up an arsenal for a reward about one million dollars , but he will be double-crossed . The gang will confront the Mexican army commanded by a nasty Mexican general (Eduardo Fajardo) and his underling (Aldo Sambrell) and are besieged in a fort governed by a nutty revolutionary colonel (Sergio Fantoni).

This is an average Western with humor and action . The film is plenty of gunplay , thrills , irony , shoot'em up , comedy with tongue-in-cheek and results to be quite entertaining . The movie gets comic remarks of the spoof Western genre originated on the late decade of the 60s by directors Burt Kennedy and Andrew McLagen and stretch out to Italian Western with the Trinity series (Terence Hill and Spencer). Lee Van Cleef as an outlaw chief is humorous though very old , Gina Lollobrigida is attractive and James Mason finds himself miscast . They are like a hawk , a dove and a vulture ; all circling for the biggest haul in the West . Besides , there appears the usual secondaries , familiar faces as Gianni Garko (Sartana), Eduardo Fajardo (villain in hundred Westerns as Djanjo), Aldo Sambrell (secondary in Leone Westerns), Daniel Martin (For a fistful of dollars) , Ricardo Palacios, Barta Barry , Dan Van Husen and many others . The picture was shot in Almeria (Spain) where during the 60s and 70s were filmed innumerable Spaghetti Western . The motion picture was regularly directed by Eugenio Martin who made among others , terror films (Horror express) and more Spaghetti (The bounty Killer , Requiem for a gringo and Pancho Villa) . Rating : Mediocre but amusing .

Wow, did the soundtrack for this film stink...and I mean STINK! Imagine if the same person who scored some of the old Rankin-Bass Christmas specials got together with a guy who produces elevator music--that's what the music from this film sounds like! The horrible lyrics and music are completely wrong for an Italian "Spaghetti Western"--and are about as far removed from the great Ennio Morricone (who scored all the greatest films of the genre) scores as you can get. It's full of weird Lawrence Welk-style singing, weird European rock and whatever else they felt like haphazardly chucking into it. And, sadly music is one of the biggest reasons you'd want to see one of these Italian westerns in the first place. Because of this, I nominate this film for the most god-awful soundtrack in film history. If there's a worse one, I'd love to hear about it! Another big reason to see the films is the incredibly tough characters and style. This film stars the meanest and scariest of the bad-men, Lee Van Cleef. Yet, inexplicably, they decided to make this one a bit of a comedy!!! Lee Van Cleef in a western comedy?! That makes about as much sense as Richard Nixon becoming one of the backup singers for Diana Ross!! Van Cleef should NEVER, EVER be in a comedy.

The rest of the cast, apart from the no-name Italians who play most of the minor roles, is pretty odd as well. None other than James Mason co-stars (a guy who seemed totally out of place in the genre and sported a weird accent to say the least). And looking quite fetching, Italian star Gina Lollobrigida.

So, at the outset, this film had some pretty substantial strikes against it. Could the rest of the film overcome this goofiness?! Well, not really. While there were a few good moments, too much emphasis on bad comedy that fell flat was the film's undoing. One of the worst scenes that was supposed to be funny was the scene where the bad guys came to talk to the Federale commander and then began throwing dynamite about--it was sloppy, impossible to believe and not the lest bit entertaining. Overall, a bad film that just didn't work, the plot never gels and is clearly among the least interesting Italian westerns I've ever seen. Thank you Eugenio Martin for putting the BAD in "Bad Man's River"!

Lovable rogue Lee Van Cleef steals from banks and blows things up for a living. He and his gang are hired by James Mason to explode an Army munitions stockpile in Mexico, using a luxury riverboat as a base of operations, only to be pulled into a bigger scheme that digs them even deeper into the revolution.

Like most of the Mexican Revolution spaghetti westerns (A Bullet For The General being one exception), this is an acquired taste. Production values are a little iffy and it does run out of steam a bit near the end. On the whole though, there's certainly a lot of action and adventure to make up for it's shortcomings.

A Spanish-made, but American-produced minor addition to the genre, this benefits from the participation of Hollywood veterans Philip Yordan and Bernard Gordon, as well as Van Cleef, Mason, and a few familiar European favorites like Aldo Sambrell, Eduardo Fajardo, Gianni Garko, Diana Lorys, and the beautiful Gina Lollabrigida.

An oddball soundtrack goes from really dated vocal-quartets, to early-seventies style hard rock, with a marching band in-between!

Recommended mainly for Van Cleef fanatics.

Is it just me, or does James Mason wear a guilty look upon his face throughout this film, almost as if he's aware that he's wasting his talent in a sub standard cheapo? Bad Man's River is a bad film, but what makes it even more unforgivable is that a lot of classy stars were mysteriously persuaded to appear in it.

It's an eccentric paella western about various outlaws and swindlers trying to steal cash from the Mexican government. Mason was once quoted as saying that he made it for fun and money, never thinking that it would get a release in England, but much to his horror and dismay it was picked up by Rank and got cinematic distribution.

The film isn't as funny as it thinks it is and is made doubly irritating by frequent freeze frame shots (why were so many 70s films obsessed with the freeze frame gimmick?) and pantomime style music. It's a unique film, with a bizarre and unconventional flavour all of its own, but don't take that as a recommendation. The only thing I would recommend about this film is that you don't see it!