El hombre de Río Malo

American Lee Van Cleef and Englishman James Mason join Gina Lollobrigida and a number of unfamiliar European players for this spaghetti western about the Mexican Revolution of the teen years. For James Mason this marked his first appearance in a horse opera albeit not a genuine American one.

For the most part I'm a firm believer that the only real westerns are done in the western hemisphere and Bad Man's River won't convince any of you I'm wrong. It's a comic western, but western icon Lee Van Cleef just does not have a comic bone in his body. As for Gina Lollobrigida she pairs off far better with Rock Hudson and I'm sure she wished she was making another comedy with him.

Mason is a revolutionary and Gina his wife. She's also the former wife of outlaw Lee Van Cleef and they find it might be to their mutual advantage to pull off a caper. Easier said than done however and Gina has quite the surprise in the end.

According to the Citadel Film series book on the films of James Mason he didn't think much of Bad Man's River and I agree.

This eccentric Euro-Western has more in common with the revisionist, light-hearted approach of BUTCH CASSIDY AND THE SUNDANCE KID (1969) than with any of the sadistic Italian fare shot around the same time and on the same locations. A great, eclectic cast (Lee Van Cleef, James Mason, Gina Lollobrigida, Sergio Fantoni, Jess Hahn, Simon Andreu, Eduardo Fajardo, Gianni Garko, Diana Lorys) finds itself somewhat stranded - and in the case of Mason, evidently embarrassed - in the face of the film's bizarre changes of mood, some of which work (there are a few enjoyably comical action sequences) and some of which don't (why the director chose to overdose on the "freeze-frame" stuff at the beginning is anyone's guess); in light of all this, the involvement of talented Hollywood veterans Philip Yordan, Irving Lerner and Bernard Gordon is even more baffling. All in all, however, BAD MAN'S RIVER emerges as a surprisingly pleasant, if ultimately forgettable, diversion.

I have seen this film in a double feature together with SABATA and it fell clearly short in comparison with the latter. The cast is good(Van Cleef, James Mason, Eduardo Fajardo and Gina Lollobrigida) and the "sets"(e.g. a riverboat) are somewhat original. But the score is mostly annoying and the story was unable to really involve me(Don't ask me intensely about the plot!). The Comedy is often fast paced and sometimes mildly funny.

For people who like the country/pop/rock score, however, things might look certainly different.

3 / 10.

Lee Van Cleef, typically amusing, is cast as bandit Roy King, leader of a gang that also includes Angel Santos (Simon Andreu), Ed Pace (Gianni Garko), and Tom Odie (Jess Hahn). Roy makes the acquaintance of the devilish Alicia (Gina Lollobrigida), who's hatched a scheme with her fellow criminal Francisco Paco Montero to dupe the Mexican government out of a cool $1 million. But before that can happen, they fall into the clutches of revolutionaries (this tale takes place during the Mexican Revolution) and are forced to deal with them.

As written by director Eugenio Martin ("Horror Express") and Hollywood veteran Philip Yordan ("Johnny Guitar", "El Cid"), this is a rather lightweight, forgettable Euro Western- comedy. While it's always nice to see the leading actors in anything, they've certainly been better utilized before and after. In the beginning, the movie is decidedly annoying, with too many dopey songs and Martin overdoing it on use of freeze frames. While it's appreciable that Martin and Yordan were going for irreverence, they make things just a little too silly.

Adequate action sequences help, and the filmmaking is technically fairly slick. There are some fun gags, especially right at the start when two men are inside a bank vault.

Lollobrigida and her co-star Diana Lorys are fine scenery attractions, and the former plays such a conniving character that she helps to keep things interesting. The movie doesn't really hit its stride until James Mason shows up. (For fans of the actor, be warned that almost an hour is over until he does.) It's a treat to see him in this kind of setting, and he gives the story a real shot in the arm.

The exemplary cast of familiar faces also includes Aldo Sambrell, Lone Fleming, Eduardo Fajardo, and Sergio Fantoni.

Admittedly, if one is looking for a Lee Van Cleef fix, they could do a lot better than this, but "Bad Man's River" delivers some undemanding fun for 92 minutes.

Six out of 10.

Is it just me, or does James Mason wear a guilty look upon his face throughout this film, almost as if he's aware that he's wasting his talent in a sub standard cheapo? Bad Man's River is a bad film, but what makes it even more unforgivable is that a lot of classy stars were mysteriously persuaded to appear in it.

It's an eccentric paella western about various outlaws and swindlers trying to steal cash from the Mexican government. Mason was once quoted as saying that he made it for fun and money, never thinking that it would get a release in England, but much to his horror and dismay it was picked up by Rank and got cinematic distribution.

The film isn't as funny as it thinks it is and is made doubly irritating by frequent freeze frame shots (why were so many 70s films obsessed with the freeze frame gimmick?) and pantomime style music. It's a unique film, with a bizarre and unconventional flavour all of its own, but don't take that as a recommendation. The only thing I would recommend about this film is that you don't see it!