Bad Company

Another reviewer said that this film has been widely ignored and that is a crying shame. I've only seen the once in ten years, it's not on TV/satellite and is unavailable on video in the UK.

But I never forget watching it and being captivated by its charm and depiction of the real, sometimes very brutal West (I cannot forget one of the young gang getting shot for stealing a pie). The two leads are excellent, perfectly balancing the other, Bridges as the streetwise tearaway and Brown (RIP) as the well educated, mother's boy lead astray after dodging the draft (Vietnam echoes?).

The final scene is a gem as the two partners, shaped by their experiences in a lawless West, turn to crime.

Bad Company is directed by Robert Benton and Benton co-writes the screenplay with David Newman. It stars Jeff Bridges, Barry Brown, Jim Davis, David Huddleston and John Savage. Music is by Harvey Schmidt and cinematography by Gordon Willis.

Young men dodging the Union Army draft for the Civil War escape to the West in the hope of finding fortune and freedom. What actually awaits them is something completely different.

The 1970s saw a slew of Westerns released that were a far cry from the golden frothy production line of the 1950s. Film makers big into the genre were quick to latch onto more sombre stories or quirky non conformist pieces. The climate of the World was changing and so directors and writers were comfortable in portraying the Wild West as not being romantic or heroic at all. One such gem is Bad Company.

Benton's film quickly sets out its stall with its opening salvo, as Union soldiers round up young boys in child snatching fashion, all that is missing is big chins and lollipops. Enter one young man named Drew Dixon (Brown), a God fearing youngster packed off by his Mum to the West to start a richer life. Soon enough he is falling in with bad company, company fronted by Jake Rumsey (Bridges), the main man for a ragtag band of young thieves.

The West painted here is a dour place, Rumsey's gang think nothing of robbing young children of their pocket money, or tormenting a feral feline. We are often throughout the picture reminded that folk come West for fame and fortune etc, but have found nothing but misery. A man quickly spies an opportunity to solicit his wife out to the young gang for $10 a pop, an elder gang think nothing of robbing the younger upstarts. Weapons have to be traded just for a meal (slop really...), and of course there is no honour among thieves, doing each other over will come naturally. And naturally pain, death and rude awakening are just a heartbeat away.

And yet the pic is not without humour, much needed humour as it bears out the naivety of youth, or misplaced cockiness, or just in fighting camaraderie. There are laughs to be had here, some choice dialogue or a put-down, but given the nature of the story, a shock or heartache scene is never far away.

A Technicolor production, the colours are however stripped down to autumnal filters, this perfectly aids the naturalistic flavours of this particular Western broth. Schmidt offers up a range of piano dirges, flitting between perky and morose as per the scene it accompanies. Cast are great, Bridges and Brown hold court in believable fashion, the other youngsters guided well by their director. Big Joe's (Huddleston excellent) gang consists of reliable character actors who Western fans will be pleased to see, such as Geoffrey Lewis (The Culpepper Cattle Co. High Plains Drifter), Charles Tyner (Jeremiah Johnson, The Outlaw Josey Wales) and Ed Lauter (Breakhart Pass, Dirty Little Billy).

Myths of the West debunked, Bad Company is a must see for Western fans seeking the more earthy approach to Western story telling. 8/10

In 1973 my wife and sat in a theater with three other paying guests and six theater workers and watched Bad Company. We were transfixed by the sheer power of this magnificent American drama. Last weekend, with a recently released low speed version of the move, our seventeen-year-old son watched it for the first time and simply said "They should put it back in the theaters!"

This is one of the most overlooked, underrated, forgotten and ignored great films of the last twenty-five years. Acting, story, editing, photography, score - all are right on the money. My eternal thanks to Jaffe and Benton for having the courage of their convictions.

A young man dodging the draft in the Civil War falls in with bad company on his way west. A group of juveniles trying to be hardcases, they run into a variety of men trying to do the same and one or two actual tough nuts. On the way, our narrator (Barry Brown) learns more than the usual lessons about what it is to be a man, to be brave and to be a friend. Brown will make you wish his career had been longer. Jeff Bridges is his usual terrific self.

Robert Benton, one of America's real treasures as a writer and director, is the force behind this. You'll see that many of the themes he was interested in back then still echo in Nobody's Fool and Twilight.

People who put down westerns have probably never seen Barbarosa, McCabe and Mrs. Miller, One-eyed Jacks, or this fine film. Released in 1972, Bad Company reflects some of the values of its day (thus proving the value of the western genre). Our heroes begin by dodging the draft in the Civil War, then proceed across the plains in a manner true to history if not to romance. But the basic theme is that of parentless youths set adrift to discover their own values. Superb acting throughout -- veteran Jim Davis, for instance -- and excellent production on a small budget. My favorite quote: an outlaw about to be hanged demonstrates some fancy gun-work with an unloaded revolver. He wows the audience, hands the gun back to Jim Davis, and mutters,"Hell, I'm the oldest whore on the block."