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'Amuck' is a stylish and erotic Giallo thriller with a simple yet effective storyline that creates some genuinely suspenseful moments and brimming with sexual tension, all of which is bathed in a stunning yet hypnotic dreamlike atmosphere. The pace could have done with a little tightening, but there's enough on display for even the most avid fans of the genre.

The plot centres around Greta Franklin (Barbara Bouchet) who takes a new job as a secretary to novelist Richard Stuart (Farley Granger) on a secluded island with his wife Eleanora (Rosalba Neri). But Greta's really to investigate the disappearance of her friend who also worked for the couple and soon enough Greta finds herself the target of the couple's erotic desires and quite possibly her life's in danger.

The movie is a hell of a lot of fun with excellent direction and great writing both by Silvio Amadio who creates a compelling narrative and infuses the flick with fantastic energy especially in the tasteful seductive scenes without coming across as trashy as well as putting in plenty of red herrings and twists and turns to keep the momentum going. The movie isn't perfect by any means as there's a few dull moments here and there and the climax could have been a lot less predictable, but the fantastic cast more than makes up for the movie's short comings.

The performances are fantastic here with Barbara Bouchet and Rosalba Neri providing engaging performances with excellent chemistry together and totally stealing the show. Farley Granger also provides a solid performance as the male lead, but he's totally overshadowed by the female leads.

Overall 'Amuck' is a steamy seductive thriller with plenty of style and entertainment and a firm highlight of the Giallo genre.

A twisted tale of control and seduction involving the lovely Greta (Barbara Bouchet) who is hired by a perverted writer Richard with an even more kinky wife, Rosalba. Greta however has a reason for being there as her friend/former lover Sally who happened to be the previous secretary hired and who has disappeared. On the way to discovering what happened to Sally, Greta has various adventures from being drugged and seduced by the bisexual wife in a wonderfully surreal, slow motion scene to almost getting swallowed up by quicksand whilst being "hunted" in the marshes. Interesting movie to say the least.

This giallo is probably most famous for the slow-motion lesbian sex scene between Barbara Bouchet and Rosalba Neri near the beginning. That scene is certainly impressive (as you might imagine if you have ever seen either of these two actresses in action), but it shouldn't overshadow what a well-made, classic giallo this is. It has everything fans of gialli love--great visuals and setting, pulse-pounding suspense, sordid and perverse characters, truly surprising plot twists, and a great musical score and soundtrack. Farley Granger is wonderful, going convincingly from evil to sympathetic and back again. Bouchet and Neri are also both very good, particularly the latter. Neri is justifiably famous for her beauty (and her frequent nude scenes). She had plenty of competition in that respect when it came to gialli--Bouchet,Edwige Fenech, Nieves Navarro, Ewe Aulin to name a few--but she had no close rival when it came to sheer acting talent. This is definitely her best role, better even than "Lady Frankenstein". To get an idea of how impressive this film is try watching it back to back with one of those terrible "erotic thrillers" they make these days. How did we get from wonderfully sexy gialli like this to that dreck?

The Eurovision DVD has recent interviews with both actresses (who look about the same even though they must be close to sixty by now). They both speak English (Bouchet quite fluently)and reveal some interesting tidbits. The director of this film Silvio Amado, according to Bouchet, dropped out of sight after an unrequited love affair with actress Gloria Guida (the Italian Lolita of the era). I have actually seen a second-rate melodrama Amado made with Guida a few years later, which is why I was genuinely surprised with the talent he shows here. It's truly a misfortune that he didn't stick around to do more films like this. A true classic of the genre

I'm a big fan of the Italian thriller, commonly known as 'Giallo', but I've found that truly great ones aren't that common, which makes it all the more sweet when you do find that illusive masterpiece - and that is a term that can definitely be attributed to this film! Amuck isn't about a ruthless, black-gloved murderer or a police investigation; it's a film about mystery and the sexual tension between its protagonists. The film is a lot like the brilliant Sergio Martino film, 'Your Vice is a Locked Door...' so anyone who's seen that will almost know what to expect. While Martino's film is the most polished of the pair; Amadio's is far sexier. The film features the typical labyrinth plot, although it's all kept together nicely and despite lots of interfering emotions; Amuck always flows well. The film follow Greta, a young woman who takes a job as a secretary for a successful writer as his house is the last place her former lover; the beautiful Sally (oh yes) was last seen. While there, she is introduced to the stunning Eleanora and it soon becomes evident that all is not as it seems...

This film features a number of standout scenes; from the marshland shooting, to the enacting of the writer's book, all the way down to the superb ending - but the scene that this film will be best remembered for is without doubt the seduction scene between the two female leads. Lesbian sex is only good in films if it's done right, otherwise it looks like a silly attempt to sell the movie; so I'm pleased to say that Silvio Amadio's scene is definitely done right. The two leads are stunning in different ways; we've got Barbara Bouchet, the wide-eyed, innocent blonde girl - and Rosalba Neri, the cerebral seductress, and the sequence that sees them pair up is directed with just the right amount of eroticism to ensure that it's electric on screen. The way that the plot plays out otherwise is very relaxed and nicely fits the beautiful Venetian settings in which the film takes place. The score by Teo Usuelli is haunting and sexy in the right places, and what the film lacks in suspense is made up for by intrigue emanating from the sexual tension of the lead characters. Overall, this might not do much for those who like their Giallo's tense and ultra-violent, but if you want a seductive, tightly-wound little flick; Amuck is one the best!

The stunningly beautiful Barbara Bouchet plays Greta, who gets a job working as a secretary at the large house of writer Farley Granger with the motive of solving the disappearance of her friend/lover Sally, who had previously been employed there. In my opinion this is borderline horror/giallo. There is no gloved maniac killing people off and the few deaths, when they do happen, aren't especially gruesome. In terms of horror we get a couple of raging thunderstorms, a very good night time disposal of a corpse and a rather bizarre incident of psychic powers. But that's about it. However, what this movie does have is lots of female nudity, including a couple of lesbian sex scenes. Like many Italian movies of this time it is beautifully filmed, the reflections of Venice in the water being particularly stunning. There's a fair amount of suspense, especially when Greta explores the house. Plus it has a great 70's euro groovy, jazzy, psychedelic score. This one won't tax the brain and like I said, may disappoint some giallo or horror fans, but it's visually it is highly enjoyable. No masterpiece but well worth seeing.