Un policía veterano con más de veinte años de experiencia se une a un joven inspector para resolver crímenes en San Francisco, California.Un policía veterano con más de veinte años de experiencia se une a un joven inspector para resolver crímenes en San Francisco, California.Un policía veterano con más de veinte años de experiencia se une a un joven inspector para resolver crímenes en San Francisco, California.
- Nominado a 16 premios Primetime Emmy
- 4 premios ganados y 24 nominaciones en total
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Republic Pictures' five released VHS videos which represent eight different episodes are, I hope, the first of a complete series release. In recent years, "Streets" has been relegated to the pre-dawn graveyard of Indie and cable television stations, edited down to allow for more ghastly, no-budget local ads (trade schools, lawyers, and the like). Nowadays, low self-esteem broadcasters plaster their logos and moving promo messages along the bottom of the as if the program is an interruption of their commercials. So, what a treat to see these classic episodes without all of these distractions.
Although popular enough to run for five seasons, it never received the credit it deserved -- none of the hype of a "Charlie's Angels," for example. It's too bad that Michael Douglas didn't stick with the show. His performances in "Streets" and "The China Syndrome" are among his best. I'm crossing my fingers that he'll consider returning to a follow-up "Streets" later in his career, taking the senior detective's role that Malden held in the original.
"Streets" always had tight scripts, good plotting, and interesting characters -- even if they pandered to stereotypes a little. Way ahead of its time, gay themes are treated with surprising tact and good taste. In the episode "Harem," guest star Rick Nelson plays a gay pimp for female prostitutes (a novel idea in and of itself). The word "gay" is never used, but Steve (Douglas) simply tells Mike (Malden) that, "he's not exactly what you'd call a ladies man."
The two-hour special "Thrill Killers," is perhaps the most interesting release. Patty Duke Astin plays a not-too-thinly disguised Patty Hearst (a headline story at that time) who takes a whole jury hostage and begins killing them one by one. It's a relief not to have to wait a week to see part two.
The least interesting of these releases is "Dead Air," starring Larry Hagman as a radio talk show host (reminiscent of Bill Balance's Feminine Forum, an innovative show at the time). The studio scenes are completely unrealistic and the killer can be guessed before the end of Act 1.
Unfortunately, none of these eight releases includes an episode from "Streets" most famous director, Richard Donner ("The Omen" and "Lethal Weapon" series.) Maybe they'll release some of his episodes on DVD with a director's commentary? Also missing is what I consider to be the best episode of the series, "Mask of Death," which has an amazing performance by John Davidson as a female impersonator.
Although popular enough to run for five seasons, it never received the credit it deserved -- none of the hype of a "Charlie's Angels," for example. It's too bad that Michael Douglas didn't stick with the show. His performances in "Streets" and "The China Syndrome" are among his best. I'm crossing my fingers that he'll consider returning to a follow-up "Streets" later in his career, taking the senior detective's role that Malden held in the original.
"Streets" always had tight scripts, good plotting, and interesting characters -- even if they pandered to stereotypes a little. Way ahead of its time, gay themes are treated with surprising tact and good taste. In the episode "Harem," guest star Rick Nelson plays a gay pimp for female prostitutes (a novel idea in and of itself). The word "gay" is never used, but Steve (Douglas) simply tells Mike (Malden) that, "he's not exactly what you'd call a ladies man."
The two-hour special "Thrill Killers," is perhaps the most interesting release. Patty Duke Astin plays a not-too-thinly disguised Patty Hearst (a headline story at that time) who takes a whole jury hostage and begins killing them one by one. It's a relief not to have to wait a week to see part two.
The least interesting of these releases is "Dead Air," starring Larry Hagman as a radio talk show host (reminiscent of Bill Balance's Feminine Forum, an innovative show at the time). The studio scenes are completely unrealistic and the killer can be guessed before the end of Act 1.
Unfortunately, none of these eight releases includes an episode from "Streets" most famous director, Richard Donner ("The Omen" and "Lethal Weapon" series.) Maybe they'll release some of his episodes on DVD with a director's commentary? Also missing is what I consider to be the best episode of the series, "Mask of Death," which has an amazing performance by John Davidson as a female impersonator.
I like those crime shows of gone times, as crime shows and movies where about crime and not about personal drama of the detectives or suspects. The show now lives mainly from the great chemistry between Karl Malden and Michael Douglas and the fine 70s flair in Frisco. The stories may look from today's perspective to some rather simple and standard but remember this show was aired first in the 70s, so this is not the copy but the original. Still good + refined by nostalgia.
It was not only that Karl Malden and Michael Douglas had good chemistry for four out of five seasons, they did. But it was a friendly generational rivalry in looks and style.
Back in the 40s and 50s on the big screen and small detectives all looked like Karl Malden with the button down shirts and the obligatory fedora. But in 1972 when The Streets Of San Francisco made its debut Malden was dinosaur from another era. So without one big of dialog set you had a generation gap the second Michael Douglas in a hip outfit for the Seventies or as hip as a police force allows you to be.
But there was no conflict, an occasional disagreement as the older cop taught the younger one. But it wasn't that Malden was always right. Occasionally Douglas taught Malden a thing or two about reaching the younger generation when it was necessary to solve a case.
Douglas left the show in 1976 and Richard Hatch became Malden's new partner. But they never quite got it together as a team the way Malden did with Douglas.
I liked the show, I liked the stories. But most of all Malden and Douglas were a joy to watch.
Back in the 40s and 50s on the big screen and small detectives all looked like Karl Malden with the button down shirts and the obligatory fedora. But in 1972 when The Streets Of San Francisco made its debut Malden was dinosaur from another era. So without one big of dialog set you had a generation gap the second Michael Douglas in a hip outfit for the Seventies or as hip as a police force allows you to be.
But there was no conflict, an occasional disagreement as the older cop taught the younger one. But it wasn't that Malden was always right. Occasionally Douglas taught Malden a thing or two about reaching the younger generation when it was necessary to solve a case.
Douglas left the show in 1976 and Richard Hatch became Malden's new partner. But they never quite got it together as a team the way Malden did with Douglas.
I liked the show, I liked the stories. But most of all Malden and Douglas were a joy to watch.
10deefee
Please make a DVD package available for Streets of San Francisco!! This series was one that our family dropped everything to sit and watch together. Drama, suspense, great characters and plot lines and clean language all wrapped up in a 1-hour weekly show. How could you miss having a faithful audience? In 1973 my infant daughter became a (family) star on the episode titled "Most Feared in the Jungle." How many moms can say that they met Karl Malden and Michael Douglas, who commented on how cute the baby is?? I would LOVE to have a copy of it, along with the rest of the series.
To whatever powers that be, I sincerely request that Streets be put on DVD. Thanks for listening!
To whatever powers that be, I sincerely request that Streets be put on DVD. Thanks for listening!
The Streets of San Francisco, as with most Quinn Martin series, is a standard crime drama. What makes the show better than most crime dramas is the father/son chemistry between Karl Malden as veteran Detective Lt. Mike Stone and Michael Douglas as the younger partner Inspector Steve Keller, the 70's, R&B-style theme music by Patrick Williams and the cool, pre-MTV opening credits.
What really made this show better than most is the fact that Quinn Martin did spend the extra money and filmed the show entirely in San Francisco. In the 70s, most prime time TV shows were filmed in Los Angeles. I believe Hawaii Five-O was one of only a few prime-time dramas from the early 70s that was filmed on location.
When Douglas left the series and Richard Hatch (from the original Battlestar Galactica, not the Richard Hatch from the first Survivor) replaced him, I quickly lost interest in the show. The chemistry between Malden and Douglas was very important to the show and Hatch had the thankless task of creating a character that in the long run was bland.
Despite the show's final season, I'm certain that if I had the TV on and heard the drum beats of The Streets of San Francisco theme, I am very sure that I will probably spend the rest of the hour watching the show.
What really made this show better than most is the fact that Quinn Martin did spend the extra money and filmed the show entirely in San Francisco. In the 70s, most prime time TV shows were filmed in Los Angeles. I believe Hawaii Five-O was one of only a few prime-time dramas from the early 70s that was filmed on location.
When Douglas left the series and Richard Hatch (from the original Battlestar Galactica, not the Richard Hatch from the first Survivor) replaced him, I quickly lost interest in the show. The chemistry between Malden and Douglas was very important to the show and Hatch had the thankless task of creating a character that in the long run was bland.
Despite the show's final season, I'm certain that if I had the TV on and heard the drum beats of The Streets of San Francisco theme, I am very sure that I will probably spend the rest of the hour watching the show.
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- TriviaBy all accounts Karl Malden and Michael Douglas developed a strong professional and personal relationship from their time on the series. Twenty years after last working together on an episode they were both onstage at the 1996 People's Choice Awards. Malden referred to Douglas as "the son I never had" and mentioned that he had wanted producer Quinn Martin to cast Douglas on the series. Douglas responded to the compliment by calling Malden "my mentor," and both also expressed that they enjoyed working together on the show.
- Créditos curiososEnd credits (from seasons 2-5): Photographed Completely On Location in San Francisco. In season 1, the production was split with exteriors filmed in San Francisco and interior scenes filmed at the Burbank Studios in Burbank, California.
- ConexionesEdited into The Green Fog (2017)
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- Tiempo de ejecución1 hora
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