Maude

The controversy of "All in the Family" continued with this original spin-off. The titled character (Beatrice Arthur), Archie Bunker's (Carroll O'Connor) cousin, was everything that the aforementioned was not. She was a wildly independent feminist who was on her fourth marriage (with appliance store owner Bill Macy) and cut others with a dry wit that was quietly malicious, but admittedly hilarious at the same time. Adrienne Barbeau was a dominant fixture as Arthur's daughter and neighbors Rue McClanahan and Conrad Bain just added to the overall adequacy the show had. "Maude" was in constant scrutiny. One episode dealt with the freedom of choice issue (a woman's right to have an abortion) and that definitely remains the most fiery and politically-incorrect (especially for the time period) episode of the series' seven-year run from 1972 to 1978. Never did reach as high as "All in the Family", but was a legitimate envelope-pusher that still strikes a nerve in many conservative circles. Good series overall. 4 stars out of 5.

I love Bea Arthur and this show is the only one that tops "The Golden Girls." The show was controversial, but greatly written, and carried it off with fantastic acting! Norman Lear is a television dynasty within himself. I wish I could have been old enough in the seventies to appreciate the first run of these episodes...however, I can deal with the re-runs just fine!

Bea Arthur's outsize personality so well used in Golden Girls got a start as Edith Bunker's cousin Maude visiting Archie and Edith in All In the Family. Maude proved so popular and such a worthy adversary for Archie that Norman Lear gave Arthur her own show and the title role in same. It ran for six seasons. In the 70s Norman Lear could practically do no wrong.

Maude was a liberated woman, liberated in fact from three previous husbands before settling down and marrying Bill Macy. The family also had Adrienne Barbeau living with them and her son as well. Barbeau was Maude's daughter by marriage number 2.

Maude's hero was Eleanor Roosevelt and like Eleanor she lived in upstate New York in the rich suburb of Tuckahoe. From there she debated and worked for various liberal causes always indulged in by her husband. She didn't need Archie Bunker to debate her issues, she had wealthy Repubican doctor Conrad Bain next door. Bain had a lot more education than Archie did and he was a more formidable adversary.

I always liked Bill Macy in this show. The ever patient Walter Findlay who decided that the other three husbands had it wrong and he should just go with the flow. He did, but he also said some wise things every so often that brought up his outspoken wife very short.

Bea Arthur bought some real life into this character. She and Macy were a matched pair. And Maude was wonderful viewing.

"Maude" was a chance for the people of "All in the Family" to tackle the female side of the issues... by creating a powerful, subtle and humorous woman that had just as strong views as Archie Bunker.

Bea Arthur has since become well known for her humor and the looks at the camera... she was the perfect choice for Maude... noone else could have pulled it off.

Throughout the years "Maude" tackled many issues and caused controversial uproars, just as it's parent show "All in the Family" did.

When naming a list of the most memorable shows, "Maude" should be listed at the top... although it hasn't earned the respect as it should have now.

If you get a chance to watch this series... do it...

This show centered around Bea Arthur's Maude character. This is without a doubt the highlight of Bea's career. She took Maude & developed her into a larger than life liberated woman.

Bill Macy & Adrienne Barbeau are strong support, & this show dealt with women's liberation which was taboo on TV until this show. People forget that even in the early 1970's, employers still discriminated against women in the workplace. The major ones try to cover it up now, but those women who lived then know better.

This show was not always as well done as All in the Family, but was very socially relevant in its time. Another well produced Norman Lear sit-com.