¿Quién mató a la tía Roo?

I love Shelley Winters in this film as the demented Auntie Roo, the widow of a British magician. In this film, she plays a haunted troubled woman whose daughter died in a terrible accident. She wants to be a mother again and finds herself drawn to a girl who resembles her own late daughter. There are lot of interesting scenes and Shelley Winters is a scream in this film with her part. You feel sorry for her but despise what she's doing to Katy and Christopher, young British orphans, who end up being Hansel and Gretel in this story. The ending was kind of disturbing and the kids reminded me more of the boy in the Omen film at times. It's a first rate cast with Shelley Winters, Ralph Richardson, Judy Cornwell, and Marianne Stone just to name a few well known British actors in the cast. I would like to see it again especially since I missed the beginning portion of it. I found it terribly entertaining even a good Halloween movie to show.

This is a well-acted, but thinly plotted addition to the BABY JANE/CHARLOTTE cycle, with Shelley Winters giving an appropriately over-the-top performance as the lonely, crazed woman who lures unsuspecting young children into her creepy old house. Made by horror practitioner Curtis Harrington in England after directing Winters earlier that year in the superb Gothic thriller WHAT'S THE MATTER WITH HELEN?, this film is a bit of a letdown in comparison. However, as is usually the case with Harrington, he milks the threadbare material for all it's worth and manages to create a rich, striking, really quite memorable picture that almost ranks as his best ever. Desmond Dickinson's beautiful cinematography is also a nice touch. The film is intended to be a travesty of sorts of the gruesome HANSEL AND GRETEL tale. Though Shelley's campy performance in the title role is the film's main attraction, the movie boasts an equally impressive supporting cast that includes Ralph Richardson as a phony psychic, Hugh Griffith as an eccentric butcher, and Mark Lester and Chloe Franks as the terrorized young children.

Shelley Winters' character is sad, pathetic, scary, and warped in this movie...and she plays it to the hilt. A broad take-off on the old "Hansel and Gretel" fairytale, this movie is pure 70's.

If you like your horror films without a lot of gore and with a lot of suspense, see "Who Slew Auntie Roo?" It's worth your time.

A great horror movie to watch at Christmas time. It has a creepy old mansion, great child actors. The plot centers around the disappearance of a child years before and some orphans who just happen to end up at the same mansion years later. Shelley Winters is great in this movie. It's really got a classic old british feel to this movie. Definitely a horror holiday classic, creepy, scary and fun to watch.

Shelley Winters is given some rich opportunities here to emote and otherwise tear into the scenery. In the role of Mrs. Forrest, a.k.a. "Auntie Roo", she provides a nice place for orphaned children to spend their Christmas holidays. But incorrigible child Christopher Coombs (Mark Lester) is convinced that she's like the witch in the "Hansel and Gretel" story, and kidnaps kids in order to fatten them up and eat them.

While clearly Mrs. Forrest has gone off the deep end, you do feel sympathy for her. She certainly can't accept or deal with the death of her own child, and she's taken advantage of by a conniving butler (Michael Gothard) and medium (the great Ralph Richardson). Some viewers are sure to be suspicious of the bratty Christopher, and doubt the possibility of Mrs. Forrest being an actual "witch".

Overall, the movie is a fun, if not exemplary, effort for Curtis Harrington, who'd also collaborated with Winters on "What's the Matter with Helen?". They make a good team, in this tale (concocted by David D. Osborn, and scripted by Robert Blees and Hammer scribe Jimmy Sangster) intended as a twisted modern version of "Hansel and Gretel". It establishes a tone right away with its pre-credits sequence, where Mrs. Forrest sings a lullaby to a corpse.

Lester and adorable Chloe Franks are good as the brother and sister targeted by our unbalanced protagonist, with Gothard, Richardson, lovely Judy Cornwell, Lionel Jeffries, Hugh Griffith, and Rosalie Crutchley providing excellent support.

The opening credits sequence comes complete with over the top music by Kenneth V. Jones, adding to the fairy tale feel of the material. And since it takes place during the Christmas holidays, some viewers may want to make it part of their Yuletide viewing tradition.

Seven out of 10.